Paper

Student Artwork Guide

Untitled (DD2944)

Name Class Date

arthur douglas amiotte, Untitled (DD2944) (1966). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
arthur douglas amiotte wahooart.com/en/artists/arthur-douglas-amiotte/
Artist’s dates
1942 – ?
Painted
1966
Movement
Other

In context

Untitled (DD2944) — arthur douglas amiotte

When was this painted?

  1. 1940
  2. 1950
  3. 1960

Shaded: the lifetime of arthur douglas amiotte (1942–?) ▲ this work, 1966

Colours

Measured from the image

    Main colour

    Putty #ede5c0

    Catalogued palette

    • #EDE5C0
    • #405AC8
    • #5094B9
    • #DCB67F
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    arthur douglas amiotte

    Born in Pine Ridge, United States of America

    Arthur Douglas Amiotte: A Life in Lakota Art

    Early Life and Heritage

    Born: 1942 in Pine Ridge, South Dakota, on the Pine Ridge Indian Reservation.

    Lakota Names: Initially named Warpa Tanka Kuciyela (Low Black Bird), later received a second Lakota name in 1972.

    Family History: Descendant of Standing Bear (Mató Nájin), who fought at the Battle of Little Bighorn, connecting Amiotte to a rich historical lineage.

    Raised between Pine Ridge and Custer, SD, immersing him in Lakota culture from a young age.

    Education and Influences

    Formal Education: Bachelor of Art Education from Northern State College (1964) and a Master of Interdisciplinary Studies from the University of Montana, Missoula.

    Key Mentors: Grandmother Christina Standing Bear, who taught him the heritage of his great-grandfather; Peter Catches, Sr., a respected Oglala Lakota elder.

    Artistic Inspiration: Dakota artist Oscar Howe inspired Amiotte to embrace and utilize his Lakota background in his artwork. Joseph Eps Brown at University of Montana also played a role.

    Artistic Development and Style

    Early Work: Began teaching art after completing his bachelor’s degree, but continued to develop his own artistic voice.

    Unique Approach: Amiotte's work blends Lakota traditions, history, and contemporary themes, creating a distinctive style.

    Mediums: Primarily works with painting and collage, often incorporating elements of Ledger art but pushing the boundaries of the form.

    His art reflects a deep understanding of Lakota philosophy, oral history, and ceremonial practices.

    Themes and Major Achievements

    Core Themes: Exploration of Lakota identity, the impact of historical events on Native American communities, and the preservation of cultural traditions.

    Notable Works: While specific titles are less emphasized than the overall body of work, his paintings and collages consistently demonstrate a powerful narrative quality. “Untitled (DD2944)” is one example.

    Exhibitions & Curation: Curated exhibitions at institutions like the Wheelwright Museum of the American Indian and the Akta Lakota Museum, showcasing Plains tribes culture.

    Lectured on historical and modern American Indian art, sharing his expertise with a wider audience. Delivered an Oscar Howe Memorial Lecture in 2004.

    Historical Significance and Legacy

    Influence: Considered one of the most influential contemporary Lakota artists, inspiring others to explore their cultural heritage through art.

    Recognition: Holds honorary doctorates from Oglala Lakota College and Brandon University.

    Preservation of Culture: Amiotte’s work serves as a vital record of Lakota history, beliefs, and artistic traditions, ensuring their continuation for future generations.

    His art bridges the gap between traditional practices and contemporary expression, offering a unique perspective on Native American identity in the 21st century.

    Where to read more

    Find this online

    QR code linking to the download page for Untitled (DD2944)

    wahooart.com/en/art/download/arthur-douglas-amiotte-untitled-dd2944-DD2944-en/

    Cite this artwork

    MLA
    amiotte, arthur douglas. Untitled (DD2944). 1966, https://wahooart.com/en/art/arthur-douglas-amiotte-untitled-dd2944-DD2944-en/
    APA
    amiotte, arthur douglas (1966). Untitled (DD2944) [Painting]. https://wahooart.com/en/art/arthur-douglas-amiotte-untitled-dd2944-DD2944-en/
    Chicago
    arthur douglas amiotte. Untitled (DD2944). 1966. https://wahooart.com/en/art/arthur-douglas-amiotte-untitled-dd2944-DD2944-en/
    Harvard
    amiotte, arthur douglas (1966) Untitled (DD2944). Available at: https://wahooart.com/en/art/arthur-douglas-amiotte-untitled-dd2944-DD2944-en/

    Look closely

    Untitled (DD2944) — arthur douglas amiotte

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: woman figure, raised hands gesture, blue background art. Do you agree? What would you add, or take away?
    4. arthur douglas amiotte was about 24 when this was made. What in it looks like the work of an artist at that stage?
    5. Themes that come back through the work of arthur douglas amiotte: spiritual gesture, american expressionism", mid-century modern. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.