Paper

Student Artwork Guide

Self portrait

Name Class Date

Andrew Geddes, Self portrait. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Andrew Geddes wahooart.com/en/artists/andrew-geddes/
Artist’s dates
1783 – 1844
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.

In context

Self portrait — Andrew Geddes

When might this have been painted?

  1. 1780
  2. 1790
  3. 1800
  4. 1810
  5. 1820
  6. 1830
  7. 1840

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 61 at death.

Shaded: the lifetime of Andrew Geddes (1783–1844) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/andrew-geddes-self-portrait-9HTUDR-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #251b0e

    Catalogued palette

    • #251B0E
    • #020201
    • #9F8858
    • #4F442C

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Monochrome The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Andrew Geddes over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 86.7%1,300 visits
    2. 2 Hong Kong 6.7%100 visits
    3. 3 South Korea 6.7%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 16 most looked-at works by Andrew Geddes

    1. 1 Summer 10.5%200 visits
    2. 2 Portrait Of A Gentleman, Seated Full-length, Before A Fireplace, Reading A Newspaper 10.5%200 visits
    3. 3 Sir David Wilkie 10.5%200 visits
    4. 4 James Wardrop 10.5%200 visits
    5. 5 Jeremiah Greatorex 5.3%100 visits
    6. 6 George Chalmers, Author Of Caledonia 5.3%100 visits
    7. 7 Anthony Stewart, Miniature Painter 5.3%100 visits
    8. 8 Charles Lenox Cumming-bruce In Turkish Dress 5.3%100 visits
    9. 9 Portrait Of Flora Bellasis, Three-quarter-length, In Indian Parsi Dress 5.3%100 visits
    10. 10 Alexina Nesbit Sandford 5.3%100 visits
    11. 11 Artist, Self Portrait 5.3%100 visits
    12. 12 John Bunyan, In Prison 5.3%100 visits
    13. 13 The Artist's Sister, Anne Geddes 5.3%100 visits
    14. 14 David Maclagan 5.3%100 visits
    15. 15 The approaching storm 5.3%100 visits
    16. — Self portrait this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 65 works by this artist, of which 15 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Andrew Geddes

    Born in Edinburgh, United Kingdom

    A Life Defined by Portraiture and Precision

    Born in Edinburgh, United Kingdom, Andrew Geddes followed a path that was initially diverted from his true passion by familial duty. The son of a Deputy-Auditor of Excise, Geddes received a classical education at the Royal High School and later at the University of Edinburgh. For five years, he served as a clerk in the excise office, following the professional footsteps of his father. However, the death of his father in 1803—a man who had previously opposed his son's artistic ambitions—liberated Geddes to pursue the vocation he truly desired. This pivotal moment led him to London, where he entered the prestigious Royal Academy schools to refine his craft.

    His emergence into the professional art world was marked by a steady presence in major exhibitions. In 1806, he presented St John in the Winderness at Somerset House, marking his first contribution to the Royal Academy exhibitions. From that year onward, Geddes became a constant and reliable exhibitor of figure subjects and portraits, demonstrating a growing mastery over the human form and the nuances of character.

    The Mastery of the Portrait and Etching

    Geddes achieved his greatest renown as a portrait painter, a role in which he could capture the essence and dignity of his subjects. His work often oscillated between the vibrant art scenes of London and Edinburgh, with occasional excursions across the Continent to broaden his artistic horizons. He was not merely a painter of faces but a skilled etcher, capable of translating fine detail into the medium of print. His ability to navigate both oil on canvas and the delicate lines of etching allowed him to leave a lasting mark on the 19th-century art landscape.

    His professional circle was composed of some of the most significant figures of his era. He maintained a close friendship and professional intimacy with the celebrated painter David Wilkie, whose work resonated with Geddes' own approach to realism. Beyond his peers, Geddes became a sought-after portraitist for notable intellectuals and public figures, including:

    The novelist Henry Mackenzie

    The publisher Archibald Constable

    The antiquary George Chalmers

    The artist William Allan

    The artist Alexander Nasmyth

    Legacy and Historical Significance

    Throughout his career, Geddes' work contributed to the rich tapestry of Scottish and British art history. While he was primarily celebrated for his portraits, his occasional forays into landscapes and copies of old masters showcased a versatile talent. His artistic legacy is preserved in several esteemed institutions, ensuring that his meticulous observations of 19th-century life continue to be studied by scholars and admirers alike. Notable holdings of his work can be found in:

    The National Gallery of Scotland, which houses portraits of his mother and a study titled Summer

    The Scottish National Portrait Gallery, home to his portrait of Sir Walter Scott

    The Glasgow Museum Resource Centre, containing his portrait of Alexander Oswald of Changue

    After settling in London in 1831, Geddes reached a significant professional milestone when he was elected an associate of the Royal Academy in 1832. His life came to an end in London due to tuberculosis, but the precision and soulfulness of his portraits remain as a testament to a man who successfully transitioned from the ledger books of an excise office to the hallowed halls of the Royal Academy.

    Where to read more

    Find this online

    QR code linking to the download page for Self portrait

    wahooart.com/en/art/download/andrew-geddes-self-portrait-9HTUDR-en/

    Cite this artwork

    MLA
    Geddes, Andrew. Self portrait. n.d., https://wahooart.com/en/art/andrew-geddes-self-portrait-9HTUDR-en/
    APA
    Geddes, Andrew (n.d.). Self portrait [Painting]. https://wahooart.com/en/art/andrew-geddes-self-portrait-9HTUDR-en/
    Chicago
    Andrew Geddes. Self portrait. n.d. https://wahooart.com/en/art/andrew-geddes-self-portrait-9HTUDR-en/
    Harvard
    Geddes, Andrew (n.d.) Self portrait. Available at: https://wahooart.com/en/art/andrew-geddes-self-portrait-9HTUDR-en/

    Look closely

    Self portrait — Andrew Geddes

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: portrait, self-portrait, baroque. Do you agree? What would you add, or take away?
    5. Look back at Jeremiah Greatorex, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Are the colors of "Self portrait" by Andrew Geddes saturated or muted?

    The colors of "Self portrait" by Andrew Geddes have a muted saturation. Saturation describes how vivid or muted the colors are.

    Can I see "Self portrait" by Andrew Geddes under different lights?

    The X-Ray page of "Self portrait" by Andrew Geddes is an interactive viewer that lets you slide through eleven optical layers of the artwork's image, including an X-ray style view.

    Who is the author of "Self portrait", and in which movement?

    "Self portrait" was created by Andrew Geddes in the Baroque style. Artist and movement identify the work's tradition.