Paper

Student Artwork Guide

Max Jacob

Name Class Date

Amedeo Clemente Modigliani, Max Jacob (1916). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Amedeo Clemente Modigliani wahooart.com/en/artists/amedeo-clemente-modigliani/
Artist’s dates
1884 – 1920
Painted
1916
Original size
92 x 60 cm
Movement
Cubist Expressionism Objects broken apart and shown from several viewpoints at once, all flattened onto one surface.
Artistic style
Cubist/Expressionist
Influences
Symbolism
Notable elements or techniques
Elongated forms; Dynamic brushstrokes
Subject or theme
Portrait

In context

Max Jacob — Amedeo Clemente Modigliani

How big is it?

The original measures 92 × 60 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 36 at death.

Painted when the artist was 32. The artist lived to 36. 104 of the 342 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Amedeo Clemente Modigliani (1884–1920) ▲ this work, 1916 every dated painting, decade by decade

First works: up to 1915 Main working years: 1915–1918 Late works: from 1918

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/amedeo-clemente-modigliani-max-jacob-8EWCC5-en/

Colours

Measured from the image

    Main colour

    Espresso #351a1b

    Catalogued palette

    • #351A1B
    • #BB8559
    • #453036
    • #654E4E

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Amedeo Clemente Modigliani over the last twelve months — 72 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 33.3%
    2. 2 United States of America 9.5%
    3. 3 Hong Kong 6.6%
    4. 4 France 6.3%
    5. 5 Singapore 5.7%
    6. 6 Russia 4.7%
    7. 7 Ukraine 4.5%
    8. 8 Spain 3.1%
    9. 9 Netherlands 2.3%
    10. 10 Italy 2.3%
    11. · 62 other countries 21.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Amedeo Clemente Modigliani

    1. 1 Nude Sitting on a Divan, 1917 14.6%
    2. 2 Portrait of Jeanne Hebuterne, 1918 7.8%
    3. 3 Reclining Nude with Blue Cushion 5.7%
    4. 4 La Chevelure noire, also said 3.0%
    5. 5 Head of Red-Haired Woman, 1915 2.3%
    6. 6 Marios Varvoglis, 1920 1.5%
    7. 7 Adrienne (Woman with Bangs) -, 1917 1.5%
    8. 8 Young Woman in a Shirt, 1918, 1918 1.5%
    9. 9 The Little Peasant, 1918 1.4%
    10. 10 Jeanne Hebuterne with Hat and Necklace, 1917 1.3%
    11. 11 Girl with Pigtails, 1918 1.2%
    12. 12 Reclining Nude 1.1%
    13. 13 Beatris Hastings 1.1%
    14. 14 Self Portrait, 1919 1.1%
    15. 15 Jeanne Hébuterne, 1919 1.1%
    16. 16 Seated Nude on Divan 1.0%
    17. 17 Woman with Blue Eyes, 1918 0.8%
    18. 18 untitled (2323) 0.8%
    19. 19 Head, 1913 0.7%
    20. 106 Max Jacob, 1916 this painting 0.2%

    Together these works take 49.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 616 works by this artist, of which 391 were looked at at least once. This painting ranks 106 of them, with 0.2% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Max Jacob — Amedeo Clemente Modigliani

    A Haunting Portrait of Modern Spirit: Exploring Modigliani’s ‘Max Jacob’

    The painting “Max Jacob” by Amedeo Clemente Modigliani, completed in 1916 during the tumultuous period of World War I, transcends mere representation; it embodies a profound exploration of identity and emotion within the framework of Expressionist aesthetics. Captured on canvas measuring 92.7 x 60.3 centimeters (approximately 36.5 x 23.8 inches), this artwork stands as a testament to Modigliani’s distinctive artistic vision—characterized by elongated facial features, stylized poses, and an unwavering commitment to conveying psychological depth.

    Subject Matter: The portrait depicts Max Jacob, a prominent French poet and writer who collaborated closely with Pablo Picasso during the avant-garde movement of his time. Jacob’s gaze directs squarely at the viewer, fostering a palpable sense of intimacy while simultaneously hinting at an underlying melancholy—a reflection of the anxieties prevalent in Europe during wartime.

    Style & Technique: Modigliani's signature style is instantly recognizable through his deliberate manipulation of form and proportion. The face is rendered with elongated contours, emphasizing the skull’s structure and creating a sculptural quality that defies conventional realism. Thick brushstrokes contribute to textural richness, layering colors—primarily reds and browns—to imbue the painting with an earthy palette that contrasts sharply with Jacob's pale complexion.

    Historical Context: Created in 1916 amidst the escalating horrors of World War I, “Max Jacob” speaks to the broader artistic preoccupation with capturing the psychological impact of conflict. The Expressionist movement sought to express inner emotions and subjective experience rather than objective observation—a mission perfectly realized by Modigliani’s masterful depiction of human vulnerability.

    Symbolism & Emotion: Beyond its formal elements, “Max Jacob” resonates with symbolic significance. The elongated face represents a rejection of idealized beauty, prioritizing psychological truth over aesthetic perfection. The almond-shaped eyes convey an intense gaze—a window into Jacob's inner world—suggesting contemplation and perhaps even sorrow.

    Cubist Influences & Artistic Innovation

    Modigliani’s approach to portraiture wasn’t solely rooted in Expressionism; he absorbed influences from Cubism, particularly evident in the fragmented planes of color that subtly delineate Jacob's features. This stylistic fusion demonstrates Modigliani’s intellectual curiosity and his willingness to experiment with innovative techniques—a hallmark of his artistic legacy. The artist skillfully utilizes a muted tonal range to heighten the dramatic effect of the portrait, emphasizing the contours of the face and creating an atmosphere of quiet intensity.

    A Legacy of Melancholy Beauty

    “Max Jacob” remains one of Modigliani’s most enduring masterpieces—a poignant meditation on human emotion and artistic expression. Its haunting beauty continues to captivate viewers today, serving as a powerful reminder of the artist's ability to distill profound psychological insight into a deceptively simple visual form. A reproduction of this remarkable artwork offers an opportunity to appreciate Modigliani’s genius and immerse oneself in the spirit of the avant-garde era—a timeless testament to artistic vision and emotional resonance.

    Artist and museum

    Artist

    Amedeo Clemente Modigliani

    Born in Livorno, Italy

    A Life Etched in Longing: The World of Amedeo Modigliani

    Amedeo Clemente Modigliani, a name synonymous with haunting beauty and melancholic grace, remains one of the most beloved and tragically romantic figures of early 20th-century art. Born in Livorno, Italy, in 1884 into a family steeped in Sephardic Jewish heritage, his life was marked by both profound artistic vision and persistent hardship. Frequent illness shadowed his youth – pleurisy and typhoid fever became unwelcome companions – perhaps instilling within him a sensitivity to fragility that would permeate his work. Though born into relative comfort, the family’s financial fortunes waned, adding another layer of complexity to the young Modigliani's formative years. It was a childhood punctuated by intellectual stimulation, thanks to his mother and grandfather who introduced him to the works of Nietzsche, Baudelaire, and Lautréamont, laying the groundwork for an artistic sensibility that would reject conventional norms.

    The pull of Paris proved irresistible, and in 1906, Modigliani embarked on a journey that would define his career. The city was then a crucible of artistic innovation, teeming with revolutionary ideas and challenging conventions. He immersed himself in the vibrant art scene, encountering giants like Pablo Picasso and Constantin Brâncuși, figures who profoundly shaped his aesthetic trajectory. Initially drawn to the burgeoning Cubist movement, Modigliani quickly found its rigid geometry too constricting for his expressive needs. His artistic spirit yearned for something more lyrical, more deeply rooted in human emotion. He began a period of intense experimentation, absorbing influences from African sculpture – particularly its elongated forms and simplified features – and the archaic grace of Italian Renaissance art.

    The Sculpted Soul: Style and Innovation

    Modigliani’s signature style emerged as a unique synthesis of these diverse inspirations. His portraits, arguably his most celebrated works, are instantly recognizable for their elongated faces and necks, almond-shaped eyes devoid of pupils, and an overall sense of serene melancholy. These were not merely likenesses; they were explorations of the inner life, capturing a profound psychological depth in each subject. He stripped away extraneous detail, focusing on essential forms to convey emotion with remarkable economy. His nudes, often controversial during his lifetime, possess a similar quality – a quiet dignity and vulnerability that transcends mere physical representation. The figures are not overtly sensual but rather imbued with a sense of timeless beauty and existential longing.

    Beyond painting, Modigliani also dedicated himself to sculpture, creating a series of highly stylized heads and torsos. These sculptures, influenced by African art and Brâncuși’s reductive forms, further demonstrate his commitment to simplifying form and emphasizing essential qualities. Though he exhibited these works briefly with the Section d'Or group in 1912, they were met with harsh criticism and largely withdrawn from public view. This rejection deeply affected Modigliani, contributing to a period of artistic self-doubt and financial hardship.

    A Life Marked by Shadows

    Modigliani’s personal life was as turbulent as his artistic journey. He struggled with poverty and addiction throughout much of his career, often relying on the generosity of friends and patrons. His relationship with Jeanne Hébuterne, a young artist herself, became the central emotional anchor in his life. They shared a deep love and mutual artistic understanding, but their happiness was tragically short-lived. The pressures of poverty, Modigliani’s declining health, and Jeanne's pregnancy created an unbearable strain. In 1920, devastated by the birth of their daughter and overwhelmed by despair, Jeanne took her own life. Just days later, Modigliani succumbed to tubercular meningitis at the age of only 35.

    Legacy of a Lost Generation

    Despite facing little recognition during his lifetime, Amedeo Modigliani’s work experienced a dramatic surge in popularity after his death. His paintings and sculptures began to command increasingly high prices, and his distinctive style exerted a profound influence on subsequent generations of artists. He became an icon of the bohemian spirit, embodying the struggles and triumphs of a lost generation grappling with modernity and existential questions.

    Today, Modigliani’s works are held in prestigious museums around the world, including the Osaka City Museum of Modern Art, the Musée d'Art Moderne de la Ville de Paris, and numerous private collections. His portraits continue to captivate viewers with their haunting beauty and emotional resonance, serving as a poignant reminder of a life lived on the edge – a life etched in longing, passion, and an unwavering commitment to artistic truth.

    Notable Works

    Nude Bust (35 x 26 cm): A quintessential example of Modigliani’s elongated forms and expressive style, showcasing his mastery of the human figure.

    Reclining Nude with Loose Hair: Demonstrates his ability to capture the essence of femininity with a delicate balance of sensuality and vulnerability.

    Seated Female Nude (92 x 60 cm): A powerful depiction of the female form, characterized by its simplified shapes and serene composure.

    Portrait of Jeanne Hebuterne: Numerous portraits capturing his lover and muse, revealing a poignant emotional depth and intimate connection.

    Where to read more

    Find this online

    QR code linking to the download page for Max Jacob

    wahooart.com/en/art/download/amedeo-clemente-modigliani-max-jacob-8EWCC5-en/

    Cite this artwork

    MLA
    Modigliani, Amedeo Clemente. Max Jacob. 1916, https://wahooart.com/en/art/amedeo-clemente-modigliani-max-jacob-8EWCC5-en/
    APA
    Modigliani, Amedeo Clemente (1916). Max Jacob [Painting]. https://wahooart.com/en/art/amedeo-clemente-modigliani-max-jacob-8EWCC5-en/
    Chicago
    Amedeo Clemente Modigliani. Max Jacob. 1916. https://wahooart.com/en/art/amedeo-clemente-modigliani-max-jacob-8EWCC5-en/
    Harvard
    Modigliani, Amedeo Clemente (1916) Max Jacob. Available at: https://wahooart.com/en/art/amedeo-clemente-modigliani-max-jacob-8EWCC5-en/

    Look closely

    Max Jacob — Amedeo Clemente Modigliani

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portrait, expressionism, cubist style. Do you agree? What would you add, or take away?
    4. Look back at Nude Sitting on a Divan (1917), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Cubist Expressionism: Objects broken apart and shown from several viewpoints at once, all flattened onto one surface. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How many people view "Max Jacob"?

    The Stats page of "Max Jacob" by Amedeo Clemente Modigliani presents public visit statistics: monthly visits of this artwork, a comparison with the artist's most viewed works, and where its visitors come from.

    Where can I see a preview of "Max Jacob"?

    To preview a reproduction of "Max Jacob" by Amedeo Clemente Modigliani, open the artwork's Preview page.

    How old was Amedeo Clemente Modigliani when creating "Max Jacob" in 1916?

    Amedeo Clemente Modigliani made "Max Jacob" at the age of 32. The artist was born in 1884 and the work is dated 1916.