Paper

Student Artwork Guide

House Builders

Name Class Date

alexander evgenievich yakovlev, House Builders. Public domain.

The facts

Artist
alexander evgenievich yakovlev wahooart.com/en/artists/alexander-evgenievich-yakovlev/
Artist’s dates
1887 – 1938

In context

House Builders — alexander evgenievich yakovlev

When might this have been painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930

Shaded: the lifetime of alexander evgenievich yakovlev (1887–1938)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Afghans wahooart.com/en/art/alexander-evgenievich-yakovlev-afghans-9GBC8C-en/
  • Watermelon Stall wahooart.com/en/art/alexander-evgenievich-yakovlev-watermelon-stall-9GBC9R-en/
  • Pierrot And Harlequin wahooart.com/en/art/alexander-evgenievich-yakovlev-pierrot-and-harlequin-9GBC95-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/alexander-evgenievich-yakovlev-house-builders-9GBC8R-en/

Colours

Measured from the image

    Main colour

    Walnut #76593a

    Catalogued palette

    • #76593A
    • #AE9168
    • #91704B
    • #574531
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    alexander evgenievich yakovlev

    Born in Saint Petersburg, Russia

    A Wanderer’s Vision: The Life and Legacy of Alexander Yakovlev

    Alexander Evgenievich Yakovlev (1887–1938) was an artist whose life story reads like a grand, sweeping epic of the early twentieth century. Born in the imperial grandeur of Saint Petersburg, Yakovlev’s early years were steeped in the rich traditions of Russian realism and the burgeoning influences of Impressionism. His formative training at the Imperial Academy of Fine Arts placed him under the tutative guidance of masters such as Dmitry Kardovsky, a period that instilled in him a rigorous command over draftsmanship and tonal precision. Yet, while his roots were firmly planted in the soil of Russia, his spirit was inherently nomadic. Alongside his contemporary Vasily Shukhaev, Yakovlev embarked on transformative journeys through Italy and Spain, experiences that would forever expand the palette of his imagination and infuse his work with a cosmopolitan elegance.

    The trajectory of Yakovlev’s career was irrevocably altered by the seismic shifts of global politics. Following the outbreak of the First World War and the subsequent October Revolution, Yakovlev found himself an exile from his homeland. His travels took him through the far reaches of the East—Mongolia, China, and Japan—where he became a captivated observer of foreign cultures. In Peking, amidst the chaos of revolution, he began to distill the vibrant essence of Asian life into sketches and drawings that would later establish his reputation as a superb artiste-voyageur. This period of exploration was not merely about documentation; it was an emotional immersion into new light, new textures, and new human narratives, which he would eventually bring to the art salons of Europe.

    The Mastery of Form and the Spirit of Travel

    Settling in Paris in 1919, Yakovlev transitioned from a Russian student to a celebrated figure within the French art scene. His ability to blend the meticulous detail of his academic training with the evocative, atmospheric qualities of modernism made him a standout member of the revived Mir iskusstva (World of Art) movement. He gained significant acclaim through exhibitions that showcased his breathtaking depictions of the Far East, particularly his studies of Japanese Kabuki theater, which demonstrated an unparalleled ability to capture movement and theatrical drama through delicate line and color.

    Yakovlev’s technical repertoire was as diverse as his travels. Whether working in the soft, intimate medium of graphite pencil or the rich, layered depths of oil paint, he possessed a unique gift for finding the soul within his subjects. His oeuvre is characterized by several key artistic pillars:

    The Intimacy of Portraiture: Beyond mere likeness, Yakovlev sought the psychological truth of his sitters, as seen in his hauntingly melancholic portrait of Leonid Sologub.

    The Grandeur of Landscape: From the serene mountains of Persian Spring to the sun-drenched vistas of Africa, his landscapes serve as windows into the diverse climates he traversed.

    The Elegance of the Human Figure: His nude studies and depictions of female heads are celebrated for their grace, blending anatomical accuracy with a mythic, almost ethereal beauty.

    Decorative Brilliance: His work on large-scale commissions, such as murals and frescoes for prominent European patrons, showcased his skill as a designer capable of transforming architectural spaces.

    A Lasting Impression on the Modern Canon

    The later years of Yakovlev’s life were marked by continued adventure and artistic evolution. His participation in the famous La Croisière Noire—the motorized expedition across Africa sponsored by André Citroën—provided him with a wealth of new, exotic imagery that further solidified his status as a master of ethnographic and landscape art. Even as he moved between studios in Paris and retreats in Capri, his work remained anchored by a profound commitment to observation and an unwavering pursuit of beauty.

    Though he passed away in 1938, leaving behind a legacy that bridges the gap between Russian tradition and European modernism, Alexander Yakovlev’s impact remains palpable. He was more than just a painter; he was a visual chronicler of a changing world. His ability to synthesize the disparate elements of his life—the discipline of Saint Petersburg, the mysticism of the East, and the sophistication of Paris—into a cohesive artistic language ensures that his work continues to resonate with collectors and historians alike. In every brushstroke and every pencil line, one finds the heartbeat of a man who saw the world not just as it was, but as a tapestry of infinite, moving wonders.

    Where to read more

    Find this online

    QR code linking to the download page for House Builders

    wahooart.com/en/art/download/alexander-evgenievich-yakovlev-house-builders-9GBC8R-en/

    Cite this artwork

    MLA
    yakovlev, alexander evgenievich. House Builders. n.d., https://wahooart.com/en/art/alexander-evgenievich-yakovlev-house-builders-9GBC8R-en/
    APA
    yakovlev, alexander evgenievich (n.d.). House Builders [Painting]. https://wahooart.com/en/art/alexander-evgenievich-yakovlev-house-builders-9GBC8R-en/
    Chicago
    alexander evgenievich yakovlev. House Builders. n.d. https://wahooart.com/en/art/alexander-evgenievich-yakovlev-house-builders-9GBC8R-en/
    Harvard
    yakovlev, alexander evgenievich (n.d.) House Builders. Available at: https://wahooart.com/en/art/alexander-evgenievich-yakovlev-house-builders-9GBC8R-en/

    Look closely

    House Builders — alexander evgenievich yakovlev

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: buildings. Do you agree? What would you add, or take away?
    4. Look back at Afghans, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.