Paper

Student Artwork Guide

The Great Polygamy Hotel

Name Class Date

Albert Robida, The Great Polygamy Hotel. Public domain.

The facts

Artist
Albert Robida wahooart.com/en/artists/albert-robida/
Artist’s dates
1848 – 1926

In context

The Great Polygamy Hotel — Albert Robida

When might this have been painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920

Shaded: the lifetime of Albert Robida (1848–1926)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/albert-robida-the-great-polygamy-hotel-9EDD82-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #ab9289

    Catalogued palette

    • #AB9289
    • #F9F8ED
    • #DACCBA
    • #6D5654
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Albert Robida

    Born in Compiegne, France

    The Prophet of the Electric Age: The Visionary World of Albert Robida

    In the twilight of the nineteenth century, as the gears of the Industrial Revolution began to turn with an almost feverish intensity, one artist looked beyond the soot and steam to glimpse a future charged with electricity and wonder. Albert Robida was not merely an illustrator or a novelist; he was a temporal voyager, a man whose pen traced the outlines of a century yet to be born. Born in the historic town of Compiègne in 1848, Robida possessed a rare intellectual duality, blending the meticulous precision of a trained notary with the boundless, satirical imagination of a true storyteller. His early years, steeped in classical literature and fine arts, provided the foundation for a career that would eventually bridge the gap between the gritty realism of his era and the fantastical possibilities of science fiction.

    Robida’s ascent within the vibrant Parisian art scene was fueled by his remarkable ability to capture the pulse of social change. Beginning his professional journey in 1866 with the Journal Amusant, he quickly distinguished himself through a sharp, observant eye for caricature. He did not merely draw people; he drew the very spirit of an age caught between tradition and progress. As the co-founder and editor of the satirical magazine La Caricature, he wielded his illustrations as both a mirror and a weapon, offering biting commentary on political shifts and the burgeoning anxieties of a society facing rapid technological advancement. His work during this period was characterized by an extraordinary level of detail, utilizing intricate hatching techniques that gave his compositions a tactile, breathing quality.

    A Trilogy of Tomorrow: The Architecture of Imagination

    While his satirical sketches earned him contemporary fame, it was Robida’s profound literary and visual trilogy—comprising works such as Le Vingtième Siècle—that secured his place in the pantheon of visionary creators. In these works, Robida moved far beyond the models of his predecessors like Gustave Doré or Honoré Daumier. He constructed a "pantomimed exposition" of the future, where the air itself seemed vibrant with the hum of new inventions. His illustrations for these narratives were not merely accompaniments to text but were essential components of a larger, cohesive mythology. He envisioned a world of aerostats, telephonic communication, and mechanized wonders, often imbuing these technological marvels with a sense of everyday normalcy that made his predictions feel hauntingly plausible.

    The technical mastery Robida brought to his speculative landscapes was nothing short of extraordinary. His process involved:

    Meticulous Draughtsmanship: A commitment to anatomical and architectural accuracy that grounded even his most absurd inventions in a recognizable reality.

    The Hatching Method: The use of fine, rhythmic lines to create depth, texture, and the illusion of light filtering through an electrified atmosphere.

    Narrative Layering: An ability to embed subtle social critiques within large-scale, fantastical scenes, making every print a dense tapestry of meaning.

    Legacy and the Echoes of the Future

    As the twentieth century dawned, Robida’s influence began to ripple through the burgeoning genre of science fiction. His ability to blend dystopia with satire allowed him to explore the darker side of progress—the potential for mechanized warfare and social fragmentation—while never losing the sense of whimsical wonder that defined his aesthetic. Even as his mainstream fame waned following the devastation of World War I, his impact remained etched in the DNA of visual storytelling. He paved the way for future illustrators who would seek to visualize the impossible, serving as a vital link between the romanticized past and the technological future.

    Today, we look back at Robida not just as a chronicler of his time, but as an architect of our collective imagination. His work remains a testament to the power of art to transcend its era, reminding us that the most profound way to understand our present is to dare to dream of what lies beyond the horizon. Through his etchings and novels, Albert Robida continues to invite us into a world where the boundaries between reality and fantasy are perpetually blurred by the light of human ingenuity.

    Where to read more

    • The artist Albert Robida wahooart.com/en/artists/albert-robida/
    • Similar works More works to compare wahooart.com/en/art/similar/albert-robida-the-great-polygamy-hotel-9EDD82-en/

    Find this online

    QR code linking to the download page for The Great Polygamy Hotel

    wahooart.com/en/art/download/albert-robida-the-great-polygamy-hotel-9EDD82-en/

    Cite this artwork

    MLA
    Robida, Albert. The Great Polygamy Hotel. n.d., https://wahooart.com/en/art/albert-robida-the-great-polygamy-hotel-9EDD82-en/
    APA
    Robida, Albert (n.d.). The Great Polygamy Hotel [Painting]. https://wahooart.com/en/art/albert-robida-the-great-polygamy-hotel-9EDD82-en/
    Chicago
    Albert Robida. The Great Polygamy Hotel. n.d. https://wahooart.com/en/art/albert-robida-the-great-polygamy-hotel-9EDD82-en/
    Harvard
    Robida, Albert (n.d.) The Great Polygamy Hotel. Available at: https://wahooart.com/en/art/albert-robida-the-great-polygamy-hotel-9EDD82-en/

    Look closely

    The Great Polygamy Hotel — Albert Robida

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 7 — do you agree?)
    4. Look back at Exotic Jasmine By Fax Sinclair, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.