Paper

Student Artwork Guide

Lystringen

Name Class Date

Adolph Tidemand, Lystringen (1851). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Adolph Tidemand wahooart.com/en/artists/adolph-tidemand/
Artist’s dates
1814 – 1876
Painted
1851

In context

Lystringen — Adolph Tidemand

When was this painted?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 62 at death.

Painted when the artist was 37. The artist lived to 62. 13 of the 27 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Adolph Tidemand (1814–1876) ▲ this work, 1851 every dated painting, decade by decade

First works: up to 1848 Main working years: 1848–1865 Late works: from 1865

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/adolph-tidemand-lystringen-AQQVF8-en/

Colours

Measured from the image

    Main colour

    Espresso #524a3f

    Catalogued palette

    • #524A3F
    • #211C1B
    • #8F7358
    • #35302B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Adolph Tidemand over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 55.6%
    2. 2 Singapore 22.2%
    3. 3 Australia 11.1%
    4. 4 India 11.1%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 8 most looked-at works by Adolph Tidemand

    1. 1 Norwegian Sinclair's landing in Romsdal The Landing of Sinclair in Romsdal, 1876 27.3%
    2. 2 Norwegian Den sårede bjørnejeger The wounded bear hunter, 1856 27.3%
    3. 3 Norwegian En Hardanger interiør, ung jente strikking A Hardanger interior, young girl knitting, 1874 9.1%
    4. 4 The youngest son's farewell, 1867 9.1%
    5. 5 Anna Larsdatter, Mora, 1852 9.1%
    6. 6 Untitled (AQQVGA), 1844 9.1%
    7. 7 Het zieke kind, Adolph Tidemand, 1851, 1851 9.1%
    8. — Lystringen, 1851 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 30 works by this artist, of which 7 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Adolph Tidemand

    Born in Møndal, Norway

    Adolph Tidemand: A Romantic Vision of Norway

    Adolph Tidemand (14 August 1814 – 8 August 1876) stands as a pivotal figure in Norwegian art, largely recognized for his evocative depictions of rural life, historical scenes, and the rich tapestry of Norwegian culture during the mid-19th century. More than simply a painter, Tidemand was a chronicler of his nation’s identity, capturing both its beauty and its enduring traditions with a keen eye and a deeply romantic sensibility. His work reflects a significant shift in artistic focus – moving away from purely academic styles towards a more emotionally resonant and historically informed approach to landscape and portraiture. Born in Mandal, a coastal town in southern Norway, Tidemand’s early life was steeped in the maritime culture of his region, an influence that would profoundly shape his artistic vision.

    Early Life and Artistic Training

    Tidemand's upbringing within a prominent family – his father was a customs inspector and Storting representative – provided him with both privilege and exposure to intellectual circles. Despite the absence of formal art schools in Norway at the time, he received private instruction from local artists, quickly demonstrating a remarkable talent. Recognizing this potential, he embarked on a journey to Copenhagen in 1832, enrolling in the Royal Danish Academy of Fine Arts. However, his ambition and artistic sensibilities proved too unconventional for the academy’s rigid standards; he was ultimately rejected. Undeterred, Tidemand continued his studies at a private art school in Copenhagen, honing his skills before venturing further afield.

    A pivotal moment in his artistic development occurred when he moved to Düsseldorf, Germany, in 1837. This city, renowned for its thriving art scene and the influence of the Düsseldorf School of Painting – characterized by its emphasis on realism, dramatic lighting, and historical subjects – proved to be an ideal environment for Tidemand’s growth. He studied under Theodor Hildebrandt, a master painter known for his landscapes and portraits, absorbing the techniques and philosophies that would define his own style. It was in Düsseldorf that he began to develop his signature approach: a blend of Romanticism with a meticulous attention to detail and a deep understanding of Norwegian history and folklore.

    Collaborations and Key Works

    Tidemand’s artistic career is particularly notable for his collaborative projects, most notably his partnership with Hans Gude. Their collaboration on paintings like “The Haugeans” (1852) – a dramatic depiction of a religious gathering – and numerous landscape scenes in Hardanger showcased Tidemand's ability to capture the essence of Norwegian life through the interplay of figures and setting. These works are not merely scenic representations; they are imbued with a sense of social commentary, reflecting the values and beliefs of the rural communities he depicted.

    Among his most celebrated paintings is “The Bridal Procession in Hardanger” (1848), a masterpiece that exemplifies Tidemand’s artistic prowess. The painting captures a traditional wedding procession amidst the stunning landscapes of Hardanger, Norway, with remarkable detail and emotional depth. It's a testament to his ability to blend historical accuracy with Romantic idealism, creating an image that is both visually arresting and deeply evocative. Other significant works include “Hjemvendte fiskere ved den sjællandske kyst” (1838), depicting returning fishermen, and "Gustav Vasa taler til dalkarlene i Mora kirke" (1841), a historical scene illustrating a pivotal moment in Swedish history.

    Style and Influences

    Tidemand’s artistic style is characterized by its Romanticism, realism, and meticulous attention to detail. He was deeply influenced by the Düsseldorf School of Painting, particularly its emphasis on dramatic lighting, atmospheric perspective, and the portrayal of historical events. However, he infused these influences with his own unique vision, creating a distinctly Norwegian aesthetic that celebrated the beauty of his homeland and the dignity of its people. His use of color is often rich and vibrant, capturing the nuances of light and shadow in the landscapes he depicted. He was also fascinated by folk culture and traditions, incorporating elements of Norwegian costume, architecture, and folklore into his paintings.

    Legacy and Historical Significance

    Adolph Tidemand’s work holds a significant place in the history of Norwegian art. He played a crucial role in establishing a distinctly Norwegian artistic identity, moving beyond purely academic styles to embrace a more emotionally resonant and historically informed approach. His depictions of rural life, historical scenes, and folk culture provided valuable insights into the traditions and values of Norway during a period of rapid social and political change. Today, his paintings are exhibited at the National Museum of Art, Architecture and Design in Oslo, ensuring that his artistic legacy continues to inspire and captivate audiences. He is remembered as a key figure in bridging the gap between Romanticism and realism, shaping the course of Norwegian art for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Lystringen

    wahooart.com/en/art/download/adolph-tidemand-lystringen-AQQVF8-en/

    Cite this artwork

    MLA
    Tidemand, Adolph. Lystringen. 1851, https://wahooart.com/en/art/adolph-tidemand-lystringen-AQQVF8-en/
    APA
    Tidemand, Adolph (1851). Lystringen [Painting]. https://wahooart.com/en/art/adolph-tidemand-lystringen-AQQVF8-en/
    Chicago
    Adolph Tidemand. Lystringen. 1851. https://wahooart.com/en/art/adolph-tidemand-lystringen-AQQVF8-en/
    Harvard
    Tidemand, Adolph (1851) Lystringen. Available at: https://wahooart.com/en/art/adolph-tidemand-lystringen-AQQVF8-en/

    Look closely

    Lystringen — Adolph Tidemand

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at The youngest son's farewell (1867), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Adolph Tidemand was about 37 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How intense are the colors in "Lystringen" by Adolph Tidemand?

    "Lystringen" by Adolph Tidemand shows a monochromatic color intensity.

    What is the dominant hue of "Lystringen" by Adolph Tidemand?

    A golden yellow range hue runs through "Lystringen" by Adolph Tidemand.

    What are the author and date of "Lystringen"?

    Adolph Tidemand made "Lystringen" in 1851.