Paper

Student Artwork Guide

Head

Name Class Date

Abraham Rattner, Head (1945). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Abraham Rattner wahooart.com/en/artists/abraham-rattner/
Artist’s dates
1895 – 1978
Painted
1945
Original size
22 x 12 cm
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.

In context

Head — Abraham Rattner

How big is it?

The original measures 22 × 12 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 83 at death.

Painted when the artist was 50. The artist lived to 83. 8 of the 32 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Abraham Rattner (1895–1978) ▲ this work, 1945 every dated painting, decade by decade

First works: up to 1944 Main working years: 1944–1962 Late works: from 1962

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: wahooart.com/en/art/similar/abraham-rattner-head-AQQVH6-en/

Colours

Measured from the image

    Main colour

    Quinacridone Magenta #905639

    Catalogued palette

    • #905639
    • #EEE9D8
    • #32241C
    • #C5A385

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Quinacridone Magenta
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Abraham Rattner over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%1,100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 11 most looked-at works by Abraham Rattner

    1. 1 Homage á Goya No. 2 (Composition in Red with Three Figures), 1963 16.7%200 visits
    2. 2 Pieta, 1949 16.7%200 visits
    3. 3 Temptations of Saint Anthony 5, 1945 8.3%100 visits
    4. 4 Landscape with Figures, 1966 8.3%100 visits
    5. 5 Of the Dawns Rose and Blue, 1966 8.3%100 visits
    6. 6 Sea Land Scape with Rocks and Figures, 1947 8.3%100 visits
    7. 7 Gargoyles No. 3, 1959 8.3%100 visits
    8. 8 Untitled (Window Cleaner), 1968 8.3%100 visits
    9. 9 Seashore, Sky and Sea, 1930 8.3%100 visits
    10. 10 Children Climbing Fence 8.3%100 visits
    11. — Head, 1945 this painting 0.0%0 visits

    Together these works take 99.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 38 works by this artist, of which 10 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Head — Abraham Rattner

    The artwork "Head" by Abraham Rattner is a captivating piece that showcases the artist's unique style and technique. Created in 1945, this ink on paper painting measures 22 x 12 cm and is currently housed at the Smithsonian American Art Museum in the United States. As a professional expert in Art and https://AllPaintingsStore.com salesman, I can attest that this piece is a remarkable example of Expressionism, a movement that emphasizes the artist's inner experiences and emotions.

    Artist Background

    Abraham Rattner was an American artist born in 1895 in Poughkeepsie, New York. He studied at the Corcoran School of Art and later moved to Paris, where he was influenced by Claude Monet's palette. Rattner's work is characterized by its bold lines, vibrant colors, and emotive subject matter. His paintings often feature distorted or deformed figures, which add to the sense of mystery and intrigue.

    Painting Analysis

    The painting "Head" is a prime example of Rattner's unique style. The subject's face is partially obscured, adding to the sense of enigma and intrigue. The use of ink on paper creates a sense of intimacy and immediacy, as if the artist is sharing a private thought or emotion with the viewer. The bold lines and expressive brushstrokes evoke a sense of energy and movement, drawing the viewer into the painting.

    View more artworks by Abraham Rattner on https://AllPaintingsStore.com, including his notable piece Moses I Am.

    Learn more about the Smithsonian American Art Museum and its collection of American art on Wikipedia.

    Handmade oil painting reproductions of "Head" are available on https://AllPaintingsStore.com, allowing art enthusiasts to own a piece of history. These reproductions are created using traditional techniques and high-quality materials, ensuring that the original artwork's essence is preserved. Whether you're an art collector or simply appreciate the beauty of Abraham Rattner's work, a handmade oil painting reproduction is a unique and meaningful way to experience his art.

    In conclusion, "Head" by Abraham Rattner is a thought-provoking piece that showcases the artist's innovative style and technique. As a professional expert in Art and https://AllPaintingsStore.com salesman, I highly recommend exploring more of Rattner's artworks and learning about his fascinating life and career.

    Artist and museum

    Artist

    Abraham Rattner

    Born in Poughkeepsie, United States of America

    A Life Painted in Expression: The World of Abraham Rattner

    Abraham Rattner, born in Poughkeepsie, New York, in 1895, was an artist whose life and work were deeply interwoven with the tumultuous currents of the 20th century. His journey, spanning from the battlefields of World War I to the vibrant art scenes of Paris and New York, forged a unique artistic voice—one characterized by bold expressionism, spiritual yearning, and a hauntingly beautiful use of color. Rattner’s early ambition leaned toward architecture, initially pursued at George Washington University, but his true calling lay in painting, leading him to further studies at the Corcoran School of Art and the Pennsylvania Academy of the Fine Arts. This foundational training would prove crucial as he navigated the evolving landscape of modern art.

    From Camouflage to Canvas: War and Artistic Awakening

    The outbreak of World War I dramatically altered Rattner’s path. Recruited by Homer Saint-Gaudens for the U.S. Army's American Camouflage Corps, he served in France, a formative experience that would indelibly mark his artistic vision. Participating in significant battles like the Second Battle of the Marne, Château-Thierry, and Belleau Wood, Rattner wasn’t merely an observer of conflict; he was actively engaged in concealing it—a paradoxical role for an artist whose later work would be defined by its raw emotional honesty. A severe back wound sustained during his service brought lifelong physical discomfort, but also a profound sensitivity to the fragility of life and the enduring power of the human spirit. This experience instilled within him themes of vulnerability and resilience that resonated throughout his oeuvre. Following the war, a Cresson Traveling Fellowship provided Rattner with the opportunity to return to France, this time not as a soldier, but as an artist seeking inspiration and honing his craft.

    The Parisian Years: A Crucible of Style

    Paris in the 1920s was a magnet for artists from around the globe, and Rattner fully immersed himself in its dynamic art scene. He studied at several prestigious academies—the École des Beaux-Arts, Academies Julian, Ransom, and Grande Chaumière—absorbing influences from masters like Claude Monet, Georges Rouault, and Pablo Picasso. However, he didn’t simply mimic these artists; instead, he synthesized their lessons into a distinctive style that was uniquely his own. His Parisian period saw the development of an expressionist approach characterized by rich, often somber colors, distorted forms, and surreal imagery. Religious themes began to emerge as central motifs in his work, reflecting a deep spiritual questioning and a fascination with the mysteries of faith. These weren’t traditional religious paintings; rather, they were intensely personal explorations of belief, doubt, and the human condition.

    Return to America & Lasting Legacy

    The looming threat of Nazism forced Rattner's return to New York City in 1940. He didn’t remain static upon his arrival; he embarked on a cross-country journey with writer Henry Miller, documenting their experiences and further enriching his artistic perspective. Rattner also dedicated himself to teaching, sharing his knowledge and passion at institutions like The New School, Yale University, and Columbia University. His artwork gained recognition in prominent museums such as the Art Institute of Chicago, the Whitney Museum of American Art, and the Albright-Knox Art Gallery, solidifying his place within the canon of American art. Beyond painting, Rattner’s artistic talents extended to stained glass; he designed the breathtaking east wall of the Chicago Loop Synagogue in 1960—a masterpiece celebrated for its exceptional beauty and spiritual resonance. Today, The Leepa-Rattner Museum of Art in Tarpon Springs, Florida, stands as a testament to his enduring legacy, housing a significant collection of his works alongside those of his contemporaries. Abraham Rattner’s art bridges the gap between European modernism and American expressionism, offering viewers a powerful glimpse into the soul of an artist who lived through—and reflected upon—a century of profound change. His unique blend of religious symbolism, surreal imagery, and vibrant colors continues to captivate and inspire, ensuring his place as a significant figure in 20th-century art history.

    Where to read more

    Find this online

    QR code linking to the download page for Head

    wahooart.com/en/art/download/abraham-rattner-head-AQQVH6-en/

    Cite this artwork

    MLA
    Rattner, Abraham. Head. 1945, https://wahooart.com/en/art/abraham-rattner-head-AQQVH6-en/
    APA
    Rattner, Abraham (1945). Head [Painting]. https://wahooart.com/en/art/abraham-rattner-head-AQQVH6-en/
    Chicago
    Abraham Rattner. Head. 1945. https://wahooart.com/en/art/abraham-rattner-head-AQQVH6-en/
    Harvard
    Rattner, Abraham (1945) Head. Available at: https://wahooart.com/en/art/abraham-rattner-head-AQQVH6-en/

    Look closely

    Head — Abraham Rattner

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract portrait, expressionist style, human face”. Do you agree? What would you add, or take away?
    4. Look back at Pieta (1949), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Are the colors of "Head" by Abraham Rattner vivid or muted?

    "Head" by Abraham Rattner is recorded with a subtle color saturation and a balanced intensity.

    What kind of colors does "Head" use?

    The palette of "Head" by Abraham Rattner is described as neutrals. It is a compact description of the work's colors.

    How much light do the colors of "Head" appear to reflect?

    The colors of "Head" show a bright balance luminance.