The artwork displayed on this page is protected by copyright law, which means we cannot legally create or sell an identical reproduction. This protection is enforced under international agreements such as the Berne Convention and by national laws, including those outlined by the U.S. Copyright Law - Title 17.
This method fully complies with copyright regulations because it does not involve copying or duplicating the protected artwork. Instead, it is a creative reinterpretation - a new painting that is influenced by the original but not identical to it.
Museum-quality giclée or canvas print with fast production and flexible finish options. ( Buy Hand Made Painting
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Type the width and the height you need, to fit your frame or your wall. A print can only be cut, never made bigger than the picture, so a size with a different shape loses a part of the image. We send you a digital mockup to approve before we print anything. The picture shown on this page does not show the real cut — only the mockup does.
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Continuum IV
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Born in 1984 in Laupāhoehoe, Hawaiʻi, Kamran Samimi’s upbringing was shaped by a unique cultural blend. His parents hail from Iranian and Norwegian ancestry, influencing his artistic perspective with diverse heritage. He received a Bachelor of Fine Arts (BFA) degree in Printmaking and later pursued a Master of Fine Arts (MFA) specializing in Print Media and Sculpture from the University of Hawaiʻi at Mānoa.
Samimi’s artistic journey began exhibiting work in 2008. His practice is deeply intertwined with his connection to the Hawaiian landscape, specifically its geological formations and natural environment. He explores these themes through a process of dissection, reconfiguration, and inversion of geometric forms and organic voids. While specific artistic influences aren’t widely documented, it's evident that land art movements and minimalist sculpture have informed his approach. His work also reflects an engagement with postcolonial discourse and the complexities of diasporic identity.
Samimi’s artwork consistently grapples with several key themes:
His style is characterized by abstract forms, often rendered in sculpture and printmaking. His sculptures frequently employ geometric shapes and negative space, creating a sense of tension and dynamism. His prints showcase intricate textures and layered compositions.
Samimi has achieved significant recognition within the art world:
Kamran Samimi’s work contributes to a growing body of contemporary art that addresses issues of place, identity, and environmental awareness. His unique perspective as an artist with a mixed cultural background and deep connection to the Hawaiian landscape offers a compelling voice within current artistic dialogues. He is currently represented by The Third Line (Dubai) and re.riddle (San Francisco).
1984 - , United States of America