Is Zigzag under copyright?

Yes, this artwork is still under copyright.

What topics does Zigzag explore?

geometric pattern, islamic art, star motif, red & black, abstract design, cultural symbolism, contemporary art, decorative art

Purchase a reproduction of Zigzag

Artwork Description

The painting Zigzag by Bashir Makhoul is a remarkable example of contemporary art, showcasing the artist's unique style and technique. Created in 1992, this acrylic on canvas piece measures 230 x 175 cm and is part of the prestigious Arts Council Collection in London, United Kingdom.

Background and Inspiration

Bashir Makhoul's work is characterized by its use of geometric shapes and bold colors. In Zigzag, the artist employs a red background covered in black and white patterns, creating a visually striking composition. The inclusion of stars throughout the painting adds depth and complexity to the design. This piece is a testament to Makhoul's ability to balance simplicity and intricacy. Key Features:

Geometric shapes and patterns
Bold color palette
Inclusion of stars for added depth

Artist and Collection

Bashir Makhoul is a notable artist in the contemporary art scene, and his work can be found in various collections, including the Arts Council Collection. This collection, managed by the Arts Council England, features over 8,000 works by more than 2,000 artists. To learn more about Makhoul's work and other artists in the collection, visit The Arts Council Collection London, United Kingdom Introduction.
For those interested in acquiring a handmade oil painting reproduction of Zigzag, Bashir Makhoul:Zigzag is available on WahooArt.com. This platform offers a wide range of artworks, including pieces by other notable artists such as Sir Terry Frost and Daniel Sinsel. Explore the world of contemporary art and discover the beauty of handmade oil painting reproductions.

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Artist Biography

Bashir Makhoul: Geometry and Grief

Bashir Makhoul (b. 1963, Galilee, Palestine) is a conceptual artist whose work explores themes of identity, conflict, and memory through striking geometric abstractions imbued with subtle emotional resonance. Born in the Israeli Galilee region, Makhoul pursued his artistic education extensively abroad, culminating in a PhD from Manchester Metropolitan University in 1995. This formative experience profoundly shaped his artistic vision and established him as a leading voice within contemporary art discourse. His artistic journey began with an interest in Islamic geometric patterns—a heritage deeply rooted in Palestinian culture—which he skillfully incorporates into his compositions. These intricate designs serve not merely as decorative elements but as vehicles for conveying complex ideas about cultural continuity, resilience, and the impact of historical trauma. Makhoul’s meticulous approach to technique – primarily oil on canvas – prioritizes precision and formal elegance, reflecting a dedication to mastering the visual language of abstraction. Makhoul's artistic output has garnered international acclaim, showcasing at prestigious venues such as the Hayward Gallery in London, Tate Liverpool, Saatchi Gallery in London, the Liverpool Biennial, Jordan National Museum, NCA Lahore Pakistan, Haus am Lutzowplatz Berlin, UTS Gallery in Sydney, Australia and Elga Wimmer Gallery in New York. Notably, his participation in the Venice Biennale (2013) cemented his reputation as a significant figure in global contemporary art. A particularly poignant exploration of grief and remembrance is evident in *The Darkened Room* (1998), Makhoul’s seminal video installation. This piece delves into his relationship with his grandmother shortly before her passing, capturing the artist's emotional response to her recorded voice—a testament to the enduring power of familial bonds and the profound impact of loss. The installation utilizes a carefully constructed space and sound system to amplify the auditory experience, creating an immersive environment that underscores the central theme of bereavement. Furthermore, Makhoul’s artistic engagement extends beyond visual art into scholarly pursuits. He authored *The Origins of Palestinian Art* (2013), published by Liverpool University Press, examining the historical development of Palestinian artistic traditions. His subsequent publications include *Contemporary Art in Global Asia,* published by Routledge, and he serves as editor of *Palestinian Video Art,* showcasing innovative cinematic explorations within the context of Palestinian identity. Currently, he holds the position of President at University Canada West in Vancouver, Canada—a testament to his continued commitment to artistic education and intellectual leadership.

Notable Exhibitions: Hayward Gallery, Tate Liverpool, Saatchi Gallery, Liverpool Biennial, Venice Biennale, Aichi Biennial
Publications: *The Origins of Palestinian Art*, *Contemporary Art in Global Asia,* Editor of *Palestinian Video Art*
Academic Positions: President, University Canada West

Bashir Makhoul’s artistic legacy resides not only in his visually arresting abstractions but also in his unwavering dedication to confronting difficult themes—particularly grief and remembrance—through a masterful blend of formal precision and conceptual depth. His work continues to inspire dialogue about cultural identity, historical trauma, and the enduring significance of human connection.