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Καρτσοῦχη ἐν ἀουρικιαλῇ τυπῇ

Καρτσοῦχη ἐν ἀουρικιαλῇ τυπῇ ὑπὸἸωάννου τοῦ Πρεσβυτέρου Λούτμα ἐκτυπωμένη εἰς ἀντίγραφο ὑψηλῆς ποιότητος. Διάρκεια ἐκδοσῆς μικρὴ καί καλής ἐπισκευῆς. Μικροὺς τῆ ἐπεξεργασίᾳ πρὸς τόν πελάγον. Εὐχόμαστε καλή ἐμπειρία!

Johannes the Elder Lutma (1587-1669), a German goldsmith & silversmith, renowned for intricate enamel work & decorative objects. Explore his exquisite ewer, salt dishes & cartouches.

Χειροποίητη Αναπαραγωγή σε Έλαιο

Χειροποίητη oil painting σε καμβά στο δικό σας μέγεθος και πλαίσιο, κατά παραγγελία από τους καλλιτέχνες μας. (Αγορά εκτύπωσης Αγορά εκτύπωσηςΑγορά ψηφιακής εικόνας Αγορά ψηφιακής εικόνας)

P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8

Πρότυπο μέγεθος
κατόπιν παραγγελίας
CM
INCH

Επιλέξτε από τις προκαθορισμένες διαστάσεις μας που διατηρούν τις αρχικές αναλογίες του έργου τέχνης.

πλάτος
ύψος

Μπορείτε να ορίσετε δικές σας διαστάσεις ώστε το έργο να ταιριάζει σε ένα συγκεκριμένο πλαίσιο ή χώρο. Εάν το επιλεγμένο μέγεθος δεν συμπίπτει με τις αναλογίες της αρχικής εικόνας, θα περικοψούμε το έργο ή θα επεκτείνουμε τη ζωγραφιά με πρόσθετα χειρόγραφα στοιχεία. Ένα ψηφιακό προσχέδιο θα σας αποσταλεί για έγκριση πριν την έναρξη της παραγωγής.
Παρακαλούμε σημειώστε ότι η προεπισκόπηση στην οθόνη δεν αντικατοπτρίζει την πραγματική περικοπή ή επέκταση. Μόνο το προσχέδιο θα δείξει με ακρίβεια την τελική σύνθεση.
Παρόλο που είναι διαθέσιμα προσαρμοσμένα μεγέθη, συνιστούμε να επιλέξετε μια διάσταση από τη λίστα των προκαθορισμένων μεγεθών για τη διατήρηση των αρχικών αναλογιών.

Παραδείγματα αλλαγών: Αντικατάσταση προσώπου με φωτογραφία του πελάτη· Προσθήκη κατοικίδιου (π.χ., αντικατάσταση γάτας με σκύλο)· Ενσωμάτωση κρυφού μηνύματος στο φόντο· Αλλαγή τοπίου ή στοιχείων του φόντου.
Μετά την παραγγελία, η ομάδα του WahooArt.com θα στείλει email στον πελάτη με οδηγίες και θα παρέχει μια προεπισκόπηση προσχεδίου

Παγκόσμια Αποστολή () σε 3-4 εβδομάδες αντί για τις συνήθεις 5 εβδομάδες. (4 Σεπτέμβριος). Χωρίς συμβιβασμούς στην ποιότητα.

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Δωρεάν γρήγορη διεθνής αποστολή
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Κάμβας από Λινό Υψηλής Ποιότητας
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Εγγύηση Επιστροφής Δασμών και Φόρων
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Εγγύηση Απόλυτης Ομοιότητας Χρωμάτων
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Πολιτική Επιστροφής 60 Ημερών (Μόνο σε περίπτωση ελαττωμάτων)
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Εγγύηση επιστροφής 100% των χρημάτων
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Προσφορά για μαζικές παραγγελίες

Συνολική Τιμή

$ 272

reproduction

Καρτσοῦχη ἐν ἀουρικιαλῇ τυπῇ

Μέσο Αναπαραγωγής

Διαστάσεις Αναπαραγωγής

-

Συνολική Τιμή

$ 272

Γρήγορα στοιχεία

  • Artist: Johannes Lutma the elder
  • Location: Rijksmuseum, Amsterdam
  • Notable elements or techniques: Auricular style; chasing; repoussé; engraving
  • Medium: Etching and engraving
  • Artistic style: Northern Mannerism
  • Influences: Paulus van Vianen
  • Title: Cartouche in auricular style

Cartouche in Auricular Style: A Reflection of Dutch Golden Age Elegance

Johannes Lutma the elder (born c. 1584 in Emden, Germany; died January 1669 in Amsterdam) stands as a pivotal figure in the late 17th-century Dutch goldsmithing scene – a period marked by unprecedented artistic innovation and opulent craftsmanship. Often overshadowed by his more famous contemporaries like Rembrandt, Lutma’s legacy lies in his pioneering work with “auricular” style silver, a technique that redefined decorative possibilities and profoundly influenced subsequent generations of artisans. His life was one of constant movement and adaptation, beginning in the German Rhineland before settling permanently in Amsterdam, where he established himself as a leading designer for wealthy patrons and ecclesiastical institutions. Lutma’s early training remains somewhat shrouded in mystery, though it is generally accepted that he studied under Paulus van Vianen, a master known for his distinctive “auricular” style – characterized by smooth, ear-like forms. This stylistic approach, emphasizing flowing curves and subtle ornamentation, became the foundation of Lutma's own artistic vocabulary. He skillfully combined this organic aesthetic with geometric precision, creating designs that were both visually arresting and intellectually stimulating. Following a period in Paris around 1615, where he likely honed his skills amidst the burgeoning artistic scene, Lutma arrived in Amsterdam in 1621, marrying Mayken Roelants shortly thereafter, and later Saera de Bie. His time in the bustling commercial center of Amsterdam proved to be fertile ground for his creative development, offering access to a wealthy clientele eager for luxurious objects. The Auricular Style: More Than Just Ornamentation The auricular style or lobate style (Dutch: kwabstijl, German: Ohrmuschelstil) is a distinctive decorative technique that flourished in Northern Europe during the first half of the 17th century, bridging Northern Mannerism and the Baroque. It gained prominence primarily in silversmithing but extended its influence to architectural ornamentation – door and window reveals, picture frames, and various decorative arts—demonstrating Lutma’s versatility as an artist. The style's defining characteristic is its use of softly flowing abstract shapes resembling the side view of the human ear, creating undulating surfaces that conveyed a sense of movement and dynamism. These forms weren’t merely aesthetically pleasing; they represented a deliberate departure from rigid conventions, reflecting the broader artistic currents of the era. Lutma embraced this technique with fervor, transforming it into a powerful tool for expressing elegance and sophistication. A Masterful Execution: Technique and Craftsmanship Johannes Lutma's skill lay not only in his conceptual vision but also in his mastery of artisanal techniques. He employed chasing (hammering metal to create raised designs) and repoussé (pushing metal from the back to create raised designs), combined with meticulous engraving, to achieve remarkable textural effects. These methods demanded considerable precision and patience—qualities that Lutma possessed in abundance. The resulting surfaces shimmered with subtle variations in light, enhancing the visual impact of his creations and conveying a profound sense of craftsmanship. Lutma’s dedication to perfecting his craft ensured that each piece bore testament to his artistic prowess. Historical Context: The Dutch Golden Age and Artistic Patronage The creation of Cartouche in Auricular Style aligns perfectly with the zenith of the Dutch Golden Age (approximately 1602-1648), a period characterized by unparalleled economic prosperity, intellectual ferment, and artistic achievement. Amsterdam emerged as a global center for trade and culture, attracting artists from across Europe who sought patronage from wealthy merchants and aristocratic families. Lutma benefited enormously from this environment of creativity and ambition, collaborating with luminaries like Rembrandt and establishing himself as a respected figure within the artistic community. The commission itself speaks to the tastes of the time—a preference for refined ornamentation and symbolic imagery that reflected humanist ideals and celebrated beauty. Symbolism and Emotional Impact: Elegance Embodied The swirling patterns surrounding the central oval, reminiscent of stylized waves or leaves, contribute to Cartouche in Auricular Style’s overall organic feel. These motifs weren't chosen arbitrarily; they carried symbolic significance—representing tranquility, fertility, and harmony—values that resonated deeply with audiences of the era. Lutma’s work transcends mere decoration; it communicates an emotional resonance rooted in classical ideals of beauty and balance. The meticulous detail evident in the etching technique underscores Lutma’s commitment to conveying depth and movement through form, inviting viewers to contemplate the artistry and sophistication of his vision. This piece embodies the spirit of its time—a testament to Dutch artistic excellence and a celebration of enduring aesthetic principles.

Βιογραφία Καλλιτέχνη

Johannes the Elder Lutma: Master of Auricular Silver

Johannes Lutma the elder (born c. 1584 in Emden, Germany; died January 1669 in Amsterdam) stands as a pivotal figure in the late 17th-century Dutch goldsmithing scene – a period marked by unprecedented artistic innovation and opulent craftsmanship. Often overshadowed by his more famous contemporaries like Rembrandt, Lutma’s legacy lies in his pioneering work with “auricular” style silver, a technique that redefined decorative possibilities and profoundly influenced subsequent generations of artisans. His life was one of constant movement and adaptation, beginning in the German Rhineland before settling permanently in Amsterdam, where he established himself as a leading designer for wealthy patrons and ecclesiastical institutions.

Lutma’s early training remains somewhat shrouded in mystery, though it is generally accepted that he studied under Paulus van Vianen, a master known for his distinctive “auricular” style – characterized by smooth, ear-like forms. This stylistic approach, emphasizing flowing curves and subtle ornamentation, became the foundation of Lutma's own artistic vocabulary. Following a period in Paris around 1615, where he likely honed his skills amidst the burgeoning artistic scene, Lutma arrived in Amsterdam in 1621, marrying Mayken Roelants shortly thereafter, and later Saera de Bie. His time in the bustling commercial center of Amsterdam proved to be fertile ground for his creative development, offering access to a wealthy clientele eager for luxurious objects.

The Auricular Style and its Development

Lutma’s most significant contribution to the art world was undoubtedly his mastery of the auricular style. This technique involved creating flowing, undulating surfaces on silver that mimicked the shape of an ear – hence the name. It wasn't merely a stylistic choice; Lutma elevated it into a sophisticated design principle, utilizing it to create intricate patterns and dynamic compositions. He skillfully combined this smooth, organic form with sharp angles, geometric shapes, and elaborate embellishments, resulting in a remarkably versatile aesthetic. His designs weren’t simply decorative; they possessed a sense of movement and rhythm that captivated viewers.

Crucially, Lutma didn't invent the auricular style entirely. It had roots in earlier German goldsmithing traditions, but Lutma refined it, pushing its boundaries and establishing a distinct visual language. He employed techniques like chasing (hammering metal to create raised designs) and repoussé (pushing metal from the back to create raised designs), combined with meticulous engraving, to achieve his desired effects. His work demonstrated an exceptional command of materials and a deep understanding of how light interacted with surface textures.

Major Works and Commissions

Lutma’s career produced a remarkable body of work, encompassing a diverse range of objects – from elaborate salt dishes and ewers to monumental choir screens and decorative cartouches. His most celebrated achievement is arguably the choir-screen for the Nieuwe Kerk (New Church) in Amsterdam, a breathtaking example of his artistic vision. This massive panel, executed around 1638, features intricate scenes depicting biblical narratives interwoven with classical motifs, showcasing Lutma’s ability to seamlessly blend different stylistic influences.

Beyond the choir-screen, Lutma created numerous exquisite salt containers, often adorned with mythological creatures and floral designs. These objects are prized for their exceptional craftsmanship and delicate detailing. His work also includes a series of cartouches – decorative frames used to enclose inscriptions or coats of arms – which demonstrate his mastery of miniature design and intricate engraving. The Rijksmuseum in Amsterdam houses several significant examples of Lutma’s oeuvre, offering invaluable insights into the breadth and depth of his artistic talent.

Legacy and Influence

Despite not achieving widespread fame during his lifetime, Johannes Lutma's influence on subsequent generations of Dutch goldsmiths is undeniable. His innovative use of the auricular style paved the way for new approaches to decorative design, inspiring artists like his son, Johannes Lutma the Younger (Jan Lutma), who continued to develop and refine his father’s techniques. Lutma’s designs were also widely disseminated through printed series of engravings, ensuring their enduring popularity and influence.

Furthermore, Lutma's work reflects a broader cultural shift in 17th-century Europe – a move towards greater individualism and artistic experimentation. His willingness to challenge established conventions and embrace new stylistic approaches cemented his place as a key figure in the development of Dutch goldsmithing and a testament to the enduring power of artistic innovation.

johannes the elder lutma

johannes the elder lutma

1587 - 1669 , Germany

Γρήγορα στοιχεία

  • Artistic Movement Or Style: Auricular Style
  • Artists Or Movements Influenced By This Artist: ['Rembrandt']
  • Artists Who Influenced This Artist: ['Paulus van Vianen']
  • Date Of Birth: c. 1584
  • Date Of Death: 1669
  • Full Name: Johannes Lutma the Elder
  • Nationality: German
  • Notable Artworks:
    • Choir-screen (Nieuwe Kerk)
    • Salt containers
    • Drinking bowl
  • Place Of Birth: Emden, Germany
Εξερευνήστε έργα τέχνης ταξινομημένα ανά θέμα, στυλ και χαρακτηριστικά.