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Kwon Dae-Sup

Kurzbiografie

  • Works on APS: 1
  • Copyright status: Under copyright
  • Nationality: Korea
  • Art period: Zeitgenössische Kunst
  • Mehr Details anzeigen

Kunst-Quiz

Jede Frage hat nur eine richtige Antwort.

Frage 1:
Wie inspiriert Kwon Dae-Sup dazu, sein Leben der Erforschung und Nachbildung der ästhetischen Schönheit von Mondtöpfen zu widmen?
Frage 2:
Wo studierte Kwon Dae-Sup Keramik nach seinem Abschluss an der Hongik Universität?
Frage 3:
Welche Methode verwendet Kwon Dae-Sup hauptsächlich zur Herstellung seiner Mondtöpfe?
Frage 4:
Wie viele Mondtöpfe produziert Kwon Dae-Sup jährlich ungefähr?
Frage 5:
Was ist eine Schlüsselcharakteristik von Kwon Dae-Sup’s Mondtöpfen, die seinen künstlerischen Anspruch widerspiegelt?

Kwon Dae-Sup: Embracing Tradition Through Minimalist Porcelain

Kwon Dae-Sup (born Seoul, South Korea, 1954) stands as a singular figure in contemporary Korean ceramics, recognized globally for his unwavering dedication to recreating the ethereal beauty of the moon jar – a quintessential form of Joseon porcelain that embodies serenity and timeless elegance. His artistic journey began unexpectedly in 1978 when encountering a moon jar at Seoul’s National Museum of Korea profoundly impacted him, sparking an enduring fascination with this iconic vessel and propelling him toward a lifelong pursuit of ceramic mastery. Early Influences & Education: Kwon Dae-Sup initially pursued painting at Hongik University before discovering the transformative power of ceramics. This pivotal shift was fueled by his deep appreciation for the moon jar’s aesthetic simplicity, mirroring the philosophical ideals prevalent during Joseon Dynasty (1392–1910). The profound impression left by this vessel served as a catalyst for his artistic exploration—a desire to distill Korean artistic philosophy into tangible form. Japanese Apprenticeship & Joseon Ceramic Studies: Seeking to refine his skills and gain insight into Joseon ceramic traditions, Kwon embarked on a formative voyage to Japan in 1979 where he studied under Ogasawara Chōshun IX at Nabeshima, Kyushu. This immersive experience allowed him to observe firsthand the techniques employed by Joseon potters during the turbulent Japanese invasions of 1592–98 – a period shaping his artistic vision and instilling in him an understanding of resilience and cultural preservation. The meticulous observation of historical methods solidified his commitment to honoring Korean ceramic heritage. Return to Korea & Gwangju Residence: Upon returning to Korea in 1995, Kwon established his studio in Gwangju, Gyeonggi Province—the historic epicenter of Joseon ceramic production. He undertook an ambitious project to meticulously study shards recovered from the royal kilns of Joseon, immersing himself in the legacy of Korean porcelain artistry. This dedication to scholarly research became a cornerstone of his artistic practice—a deliberate effort to reconnect with Korea’s artistic past and inform his creative endeavors. The Moon Jar: A Symbol of Harmony & Tranquility The moon jar – *dalhangari* – is more than just a ceramic vessel; it's a distillation of Korean artistic philosophy. Characterized by its round form and milky white glaze, the moon jar embodies the concept of “inherent slowness,” reflecting the contemplative spirit of Joseon scholars who sought harmony with nature and embraced simplicity as pathways to enlightenment. Kwon Dae-Sup’s unwavering commitment to replicating this aesthetic ideal is evident in his meticulous craftsmanship—building hemispherical halves on a potter’s wheel and firing them in wood-burning kilns, mirroring techniques practiced for centuries. The moon jar's understated elegance speaks volumes about Korean cultural values – prioritizing tranquility and balance above ornamentation. Contemporary Practice & Artistic Vision Today, Kwon Dae-Sup continues to produce exceptionally beautiful ceramics with pristine white surfaces that embody the simplicity and evocative nature of this traditional form. He employs exclusively traditional methods—building the body of the jar with two hemispherical halves using a potter’s wheel and firing it in a wood-burning kiln fueled solely by pine needles—a deliberate choice honoring the heritage of Joseon potters. Remarkably, he produces no more than ten moon jars annually, acknowledging the inherent challenges posed by controlling materials within the restrictive environment of the kiln. Kwon’s artistic aim is to create works devoid of embellishment, fostering a connection with their surroundings that transcends time and place—a testament to his lifelong devotion to Korean ceramic artistry. His work has been recognized internationally, appearing in exhibitions at Axel Vervoordt Gallery (Hong Kong), Galerie Ryu Sook Seoul, and numerous other venues across Europe and North America. Kwon Dae-Sup’s legacy rests on his unwavering pursuit of artistic excellence and his profound contribution to preserving Korea's rich ceramic tradition—a beacon for contemporary artists seeking inspiration from the past.