Carybé, 1911 – 1997

Die 24 bekanntesten Gemälde von Carybé

Das Gemälde, das Carybé berühmt gemacht hat, ist Baiana Sambando - Série Bonfim (1950); es hängt im Museu de Arte da Bahia in Salvador. Baiana e Pescador (1950) und Baianas Chegando Para a Lavagem (1950) folgen ihnen in den Herzen von Sammlern und Museumsvisiten. Von den 24 Werken von Carybé in unserem Katalog sind dies die 24 am meisten bewunderten, jeweils mit ihrem Entstehungsdatum, ihrem Museum und dem Besonderheiten, die sie auszeichnen.

Die Rangfolge basiert auf unserem Popularitäts-Score, der Suchanfragen, Besuche und Bestellungen für jedes Werk kombiniert. Aktualisiert am November 2026.

Porträt von Carybé
Carybé · 1911 – 1997
Geboren · gestorben
1911 – 1997, Lanús
Epoche
Contemporary realism
Werke in unserem Katalog
24
Bekannteste Werke
Baiana Sambando - Série Bonfim (1950)
Meiste Werke in
Museu de Arte da Bahia

Carybé: die zehn Meisterwerke

Baiana Sambando - Série Bonfim (1950) von Carybé
1

Baiana Sambando - Série Bonfim

1950 · Ink · Museu de Arte da Bahia, Salvador

In the delicate dance of ink and paper, Baiana Sambando - Série Bonfim emerges as a profound celebration of cultural identity and movement. Created in 1950 by the master Argentine-Brazilian artist Héctor Julio Páride Bernabó, famously known as Carybé, this work is far more than a mere sketch; it is a rhythmic capture of the very heartbeat of Bahia. The piece depicts a woman dressed in traditional Bahian attire, caught…

Baiana e Pescador (1950) von Carybé
2

Baiana e Pescador

1950 · Ink On Paper · Museu de Arte da Bahia, Salvador

In the quiet, rhythmic strokes of "Baiana e Pescador," we are transported to a moment of profound stillness captured by the legendary Argentine-Brazilian master, Héctor Julio Páride Bernabó, known affectionately as Carybé. Created in 1950, this evocative black and white drawing serves as a window into a world where human connection and cultural identity intersect through the medium of pen and ink. The artwork depicts two figures seated in profile,…

Baianas Chegando Para a Lavagem (1950) von Carybé
3

Baianas Chegando Para a Lavagem

1950 · Lithograph · Museu de Arte da Bahia, Salvador

In the evocative lithograph Baianas Chegando Para a Lavagem, created in 1950 by the master Héctor Julio Páride Bernabolt—affectionately known as Carybé—we are transported into the heart of a Brazilian cultural ritual. The artwork captures a fleeting, high-energy moment of a procession, where the figures of the Baianas move with a grace that is both grounded and ethereal. Through the medium of black and white lithography, Carybé strips away the…

Jangadas ao Mar - Série Pesca do Xaréu (1950) von Carybé
4

Jangadas ao Mar - Série Pesca do Xaréu

1950 · Drawing · Museu de Arte da Bahia, Salvador

In the evocative work Jangadas ao Mar - Série Pesca do Xaréu, the legendary Argentine-Brazilian master Carybé (Héctor Julio Páride Bernabó) invites us to witness a timeless ritual of the sea. Created in 1950, this piece serves as a profound window into the coastal soul of Brazil, capturing the rhythmic dance between man and the Atlantic. The artwork belongs to a series dedicated to the pesca do xaréu (the fishing…

Torso retangular IV (1950) von Carybé
5

Torso retangular IV

1950 · Painting · Museu de Arte da Bahia, Salvador

In the evocative realm of mid-century Latin American modernism, few names resonate with as much cultural depth and rhythmic grace as Héctor Julio Páride Bernabó, known affectionately to the world as Carybé. His work, Torso retangular IV, serves as a profound window into a period of intense artistic exploration. Created in 1950, this piece captures a moment where form and identity converge. The composition presents a captivating study of femininity,…

Baiana Sambando - Série Bonfim (1950) von Carybé
6

Baiana Sambando - Série Bonfim

1950 · Ink · Museu de Arte da Bahia, Salvador

In the evocative lines of Baiana Sambando - Série Bonfim, we are transported to the heart of Bahia, where the pulse of the drum meets the spiritual essence of the streets. Created in 1950 by the master Héctor Julio Páride Bernabó, known affectionately as Carybé, this striking black and white drawing serves as a profound window into the soul of Brazilian folk culture. The piece captures a moment of intense…

Vendedora de Carimã - Série Feira de Água de Meninos (1950) von Carybé
7

Vendedora de Carimã - Série Feira de Água de Meninos

1950 · Drawing · Museu de Arte da Bahia, Salvador

In the delicate, monochromatic strokes of Vendedora de Carimã - Série Feira de Água de Meninos, we are transported to a mid-century world where the rhythm of daily life was dictated by the sun and the seasonal bounty of the market. Created in 1950 by the master Héctor Julio Páride Bernabó, known affectionately as Carybé, this evocative drawing captures more than just a scene; it captures an atmosphere. The subject—a…

Puxando o Barco - Série Rampa do Mercado (1950) von Carybé
8

Puxando o Barco - Série Rampa do Mercado

1950 · Drawing · Museu de Arte da Bahia, Salvador

In the evocative monochrome of Puxando o Barco - Série Rampa do Mercado, we are transported to a moment of raw, unadorned human effort. Created in 1950 by the master Héctor Julio Páride Bernabó—affectionately known as Carybé—this drawing captures the visceral essence of coastal life. The scene depicts a man engaged in the strenuous task of pulling a boat across the land, a moment caught between the stillness of the…

O Homem e a Jaca - Série Feira de Água de Meninos (1950) von Carybé
9

O Homem e a Jaca - Série Feira de Água de Meninos

1950 · Drawing · Museu de Arte da Bahia, Salvador

In the evocative black and white drawing O Homem e a Jaca, part of the evocative Série Feira de Água de Meninos, we are transported to a moment of profound simplicity and strength. Created in 1950 by the master Argentine-Brazilian artist Héctor Julio Páride Bernabó, known affectionately as Carybé, this work captures a singular, heavy moment in time. The composition centers on a man navigating a sandy path, his body…

O vendedor de rolete de cana/ Serie Bonfim (1950) von Carybé
10

O vendedor de rolete de cana/ Serie Bonfim

1950 · Ink · Museu de Arte da Bahia, Salvador

In the quiet, monochromatic depths of "O vendedor de rolete de cana," we are transported to a bygone era, where the rhythm of daily life was dictated by the sun and the simple commerce of the streets. Part of the evocative Serie Bonfim, this masterful drawing by the legendary Argentine-Brazilian artist Héctor Julio Páride Bernabó—affectionately known as Carybé—serves as a poignant window into the cultural fabric of mid-century Brazil. Through…

Weitere Meisterwerke von Carybé, von 11 bis 24

O Menino e o Mar - Série Pesca do Xaréu (1950) von Carybé
#11

O Menino e o Mar - Série Pesca do Xaréu

1950 · Museu de Arte da Bahia

In the evocative drawing O Menino e o Mar - Série Pesca do Xaréu, created in 1950 by the master Héctor Julio Páride Bernabó, known affectionately as Carybé,…

Torso retangular II (1950) von Carybé
#12

Torso retangular II

1950 · Museu de Arte da Bahia

In the evocative realm of mid-century modernism, few artists captured the intersection of human anatomy and structural rhythm as masterfully as Héctor Julio Páride Bernabó, known affectionately to…

Mestre de Terra - Série Pesca do Xaréu (1950) von Carybé
#13

Mestre de Terra - Série Pesca do Xaréu

1950 · Museu de Arte da Bahia

In the evocative work Mestre de Terra - Série Pesca do Xaréu, we are transported to a moment of profound cultural resonance, captured through the masterful hand of…

Elevador Lacerda - Série Rampa do Mercado (1950) von Carybé
#14

Elevador Lacerda - Série Rampa do Mercado

1950 · Museu de Arte da Bahia

In the delicate interplay of light and shadow captured within Elevador Lacerda - Série Rampa do Mercado, we are transported to the mid-century atmosphere of Bahia. Created in…

Capoeira 17/ Festa da Conceição da Praia (1950) von Carybé
#16

Capoeira 17/ Festa da Conceição da Praia

1950 · Museu de Arte da Bahia

In the evocative drawing Capoeira 17/ Festa da Conceição da Praia, the legendary Argentine-Brazilian master Héctor Julio Páride Bernabó, known affectionately as Carybé, invites us into a world…

Elevador Lacerda/Festa da Conceição da Praia (1950) von Carybé
#21

Elevador Lacerda/Festa da Conceição da Praia

1950 · Museu de Arte da Bahia

In this evocative black and white drawing from 1950, titled Elevador Lacerda/Festa da Conceição da Praia, the legendary Argentine-Brazilian master Héctor Julio Páride Bernabó—affectionately known as Carybé—captures a…

The Pier (1987) von Carybé
#22

The Pier

1987 · Centro Cultural Banco do Brasil
Baiana Sambando - Série Bonfim (1950) von Carybé
#23

Baiana Sambando - Série Bonfim

1950 · Museu de Arte da Bahia

In the delicate interplay of light and shadow found within Baiana Sambando - Série Bonfim, we encounter more than just a drawing; we witness the very heartbeat of…

Igreja da Conceição da Praia (1950) von Carybé
#24

Igreja da Conceição da Praia

1950 · Museu de Arte da Bahia

In the delicate, monochromatic strokes of Igreja da Conceição da Praia, we are transported back to 1950, standing amidst the rhythmic pulse of Bahia. The artist, the legendary…

Die Motive, die Carybé am häufigsten gemalt hat

Die vier Motive, die in diesen Meisterwerken am häufigsten vorkommen, jeweils mit dem edelsten Beispiel.

Wo man die Gemälde von Carybé sehen kann

Die 2 Museen, in denen sich die meisten der auf dieser Seite aufgeführten Gemälde befinden.

Museum Stadt Werke von Carybé Gemälde aus dieser Liste
Museu de Arte da Bahia, SalvadorMuseu de Arte da Bahia Salvador 23 Baiana Sambando - Série Bonfim, Baiana e Pescador, Baianas Chegando Para a Lavagem
Centro Cultural Banco do Brasil, BrasíliaCentro Cultural Banco do Brasil Brasília 1 The Pier

Carybé, Jahr für Jahr: die prägenden Gemälde

Von 1950 bis 1987, 38 Jahre der Kunst von Carybé, Jahr für Jahr, durch ihre feinsten Gemälde.

  1. 1950
    Baiana Sambando - Série Bonfim (1950) von Carybé
    Platz 1 von 24

    Baiana Sambando - Série Bonfim

    Alter 39 · Museu de Arte da Bahia

    In the delicate dance of ink and paper, Baiana Sambando - Série Bonfim emerges as a profound celebration of cultural identity and movement. Created in 1950 by the…

  2. 1950
    Baiana e Pescador (1950) von Carybé
    Nr. 2 von 24

    Baiana e Pescador

    Alter 39 · Museu de Arte da Bahia

    In the quiet, rhythmic strokes of "Baiana e Pescador," we are transported to a moment of profound stillness captured by the legendary Argentine-Brazilian master, Héctor Julio Páride Bernabó,…

  3. 1950
    Baianas Chegando Para a Lavagem (1950) von Carybé
    #3 von 24

    Baianas Chegando Para a Lavagem

    Alter 39 · Museu de Arte da Bahia

    In the evocative lithograph Baianas Chegando Para a Lavagem, created in 1950 by the master Héctor Julio Páride Bernabolt—affectionately known as Carybé—we are transported into the heart of…

  4. 1950
    Jangadas ao Mar - Série Pesca do Xaréu (1950) von Carybé
    #4 von 24

    Jangadas ao Mar - Série Pesca do Xaréu

    Alter 39 · Museu de Arte da Bahia

    In the evocative work Jangadas ao Mar - Série Pesca do Xaréu, the legendary Argentine-Brazilian master Carybé (Héctor Julio Páride Bernabó) invites us to witness a timeless ritual…

  5. 1950
    Torso retangular IV (1950) von Carybé
    #5 von 24

    Torso retangular IV

    Alter 39 · Museu de Arte da Bahia

    In the evocative realm of mid-century Latin American modernism, few names resonate with as much cultural depth and rhythmic grace as Héctor Julio Páride Bernabó, known affectionately to…

  6. 1950
    Baiana Sambando - Série Bonfim (1950) von Carybé
    Nr. 6 von 24

    Baiana Sambando - Série Bonfim

    Alter 39 · Museu de Arte da Bahia

    In the evocative lines of Baiana Sambando - Série Bonfim, we are transported to the heart of Bahia, where the pulse of the drum meets the spiritual essence…

  7. 1950
    Vendedora de Carimã - Série Feira de Água de Meninos (1950) von Carybé
    Nr. 7 von 24

    Vendedora de Carimã - Série Feira de Água de Meninos

    Alter 39 · Museu de Arte da Bahia

    In the delicate, monochromatic strokes of Vendedora de Carimã - Série Feira de Água de Meninos, we are transported to a mid-century world where the rhythm of daily…

  8. 1950
    Puxando o Barco - Série Rampa do Mercado (1950) von Carybé
    Platz 8 von 24

    Puxando o Barco - Série Rampa do Mercado

    Alter 39 · Museu de Arte da Bahia

    In the evocative monochrome of Puxando o Barco - Série Rampa do Mercado, we are transported to a moment of raw, unadorned human effort. Created in 1950 by…

  9. 1950
  10. 1950
    O vendedor de rolete de cana/ Serie Bonfim (1950) von Carybé
    Platz 10 von 24

    O vendedor de rolete de cana/ Serie Bonfim

    Alter 39 · Museu de Arte da Bahia

    In the quiet, monochromatic depths of "O vendedor de rolete de cana," we are transported to a bygone era, where the rhythm of daily life was dictated by…

  11. 1950
    O Menino e o Mar - Série Pesca do Xaréu (1950) von Carybé
    #11 von 24

    O Menino e o Mar - Série Pesca do Xaréu

    Alter 39 · Museu de Arte da Bahia

    In the evocative drawing O Menino e o Mar - Série Pesca do Xaréu, created in 1950 by the master Héctor Julio Páride Bernabó, known affectionately as Carybé,…

  12. 1950
    Torso retangular II (1950) von Carybé
    Platz 12 von 24

    Torso retangular II

    Alter 39 · Museu de Arte da Bahia

    In the evocative realm of mid-century modernism, few artists captured the intersection of human anatomy and structural rhythm as masterfully as Héctor Julio Páride Bernabó, known affectionately to…

  13. 1950
    Mestre de Terra - Série Pesca do Xaréu (1950) von Carybé
    Platz 13 von 24

    Mestre de Terra - Série Pesca do Xaréu

    Alter 39 · Museu de Arte da Bahia

    In the evocative work Mestre de Terra - Série Pesca do Xaréu, we are transported to a moment of profound cultural resonance, captured through the masterful hand of…

  14. 1950
    Elevador Lacerda - Série Rampa do Mercado (1950) von Carybé
    #14 von 24

    Elevador Lacerda - Série Rampa do Mercado

    Alter 39 · Museu de Arte da Bahia

    In the delicate interplay of light and shadow captured within Elevador Lacerda - Série Rampa do Mercado, we are transported to the mid-century atmosphere of Bahia. Created in…

  15. 1950
  16. 1950
    Capoeira 17/ Festa da Conceição da Praia (1950) von Carybé
    #16 von 24

    Capoeira 17/ Festa da Conceição da Praia

    Alter 39 · Museu de Arte da Bahia

    In the evocative drawing Capoeira 17/ Festa da Conceição da Praia, the legendary Argentine-Brazilian master Héctor Julio Páride Bernabó, known affectionately as Carybé, invites us into a world…

  17. 1950
  18. 1950
  19. 1950
  20. 1950
  21. 1950
    Elevador Lacerda/Festa da Conceição da Praia (1950) von Carybé
    Platz 21 von 24

    Elevador Lacerda/Festa da Conceição da Praia

    Alter 39 · Museu de Arte da Bahia

    In this evocative black and white drawing from 1950, titled Elevador Lacerda/Festa da Conceição da Praia, the legendary Argentine-Brazilian master Héctor Julio Páride Bernabó—affectionately known as Carybé—captures a…

  22. 1950
    Baiana Sambando - Série Bonfim (1950) von Carybé
    Platz 23 von 24

    Baiana Sambando - Série Bonfim

    Alter 39 · Museu de Arte da Bahia

    In the delicate interplay of light and shadow found within Baiana Sambando - Série Bonfim, we encounter more than just a drawing; we witness the very heartbeat of…

  23. 1950
    Igreja da Conceição da Praia (1950) von Carybé
    Nr. 24 von 24

    Igreja da Conceição da Praia

    Alter 39 · Museu de Arte da Bahia

    In the delicate, monochromatic strokes of Igreja da Conceição da Praia, we are transported back to 1950, standing amidst the rhythmic pulse of Bahia. The artist, the legendary…

  24. 1987
    The Pier (1987) von Carybé
    #22 von 24

    The Pier

    Alter 76 · Centro Cultural Banco do Brasil

Meisterwerke von Carybé: Fragen und Antworten

Für welches Gemälde ist Carybé am bekanntesten?Antwort anzeigen

Baiana Sambando - Série Bonfim (1950), Museu de Arte da Bahia, Salvador. Es folgen Baiana e Pescador (1950) und Baianas Chegando Para a Lavagem (1950).

Wie alt war Carybé, als Baiana Sambando - Série Bonfim gemalt wurde?Antwort anzeigen

39 Jahre alt: Baiana Sambando - Série Bonfim stammt aus dem Jahr 1950 und Carybé wurde in 1911 geboren.

Was sind die zehn bedeutendsten Gemälde von Carybé?Antwort anzeigen

Baiana Sambando - Série Bonfim, Baiana e Pescador, Baianas Chegando Para a Lavagem, Jangadas ao Mar - Série Pesca do Xaréu, Torso retangular IV, Baiana Sambando - Série Bonfim, Vendedora de Carimã - Série Feira de Água de Meninos, Puxando o Barco - Série Rampa do Mercado, O Homem e a Jaca - Série Feira de Água de Meninos und O vendedor de rolete de cana/ Serie Bonfim. Die obige Rangliste gibt das Jahr und das Museum für jedes Werk an.

Wie viele Werke hat Carybé gemalt?Antwort anzeigen

Unser Katalog enthält 24 Werke von Carybé, datiert von 1950 bis 1987.

In welchen Museen kann ich die Meisterwerke von Carybé sehen?Antwort anzeigen

Die meisten davon befinden sich in Museu de Arte da Bahia (Salvador) und Centro Cultural Banco do Brasil (Brasília). Die obige Tabelle listet die Museen einzeln auf.

Wann hat Carybé die Meisterwerke gemalt?Antwort anzeigen

In 1950: 23 der 24 Werke auf dieser Seite stammen aus dieser Zeit, darunter Baiana Sambando - Série Bonfim.

Was sind die ersten und letzten berühmten Gemälde von Carybé?Antwort anzeigen

Das früheste Werk auf dieser Seite ist aus dem Jahr Baiana Sambando - Série Bonfim (1950), das jüngste aus dem Jahr The Pier (1987).

Was waren die bevorzugten Motive von Carybé?Antwort anzeigen

Black and white (14), Daily life (5) und Fishing (4), unter den 24 Werken auf dieser Seite.

Welche Technik bevorzugte Carybé?Antwort anzeigen

Drawing: 12 von 24 Werken auf dieser Seite.

Welcher Kunstströmung gehört Carybé an?Antwort anzeigen

Contemporary realism und Modernism, wie die Gemälde auf dieser Seite zeigen.

Welche Meisterwerke von Carybé hängen im Museu de Arte da Bahia?Antwort anzeigen

Baiana Sambando - Série Bonfim, Baiana e Pescador und Baianas Chegando Para a Lavagem gehören zu den 23 Werken auf dieser Seite, die im Museu de Arte da Bahia, Salvador befinden sind.

Das Leben von Carybé

early life and career

Héctor Julio Páride Bernabó, known artistically as Carybé (Argentina, 1911 - Brazil, 1997), was a multifaceted Argentinian-Brazilian artist whose oeuvre spanned painting, engraving, illustration, sculpture, mural art, research, historical scholarship, and journalism. Born in Buenos Aires on February 7th, 1911, Carybé’s formative years were steeped in artistic exploration and intellectual curiosity—a passion that would define his entire life's trajectory. From a young age, he demonstrated an exceptional talent for visual arts, honing his skills through self-study and experimentation before embarking on formal artistic training. His early works showcased a distinctive style characterized by bold lines and vibrant colors, hinting at the stylistic innovations that would characterize his mature oeuvre. Carybé’s artistic journey began in Buenos Aires where he cultivated connections with prominent figures in the Argentine art scene—influences that would shape his worldview and artistic sensibilities. He quickly gained recognition for his ability to capture the essence of human emotion and experience through evocative imagery, establishing himself as a respected artist within Argentina's cultural landscape.

artistic contributions

Carybé’s prolific output encompassed an astonishing range of mediums and subjects—a testament to his boundless creativity and versatility. He produced approximately five thousand artworks, including paintings, drawings, sculptures, and sketches that explored themes ranging from indigenous Brazilian culture to the complexities of human psychology. His artistic style evolved over time, reflecting influences from Surrealism, Expressionism, and Art Deco—styles he skillfully integrated into his distinctive visual language. Carybé’s paintings are renowned for their masterful use of color and texture, capturing the dynamism of tropical landscapes and the solemn beauty of religious iconography. He meticulously crafted intricate compositions that conveyed profound emotional resonance, inviting viewers to contemplate universal human experiences. Beyond painting, Carybé excelled as an engraver, producing stunning prints that showcased his technical prowess and artistic vision. His engravings often depicted scenes from Brazilian folklore and mythology—subjects he approached with meticulous detail and sensitivity. Furthermore, Carybé’s illustrations graced the pages of celebrated literary works by Jorge Amado and Gabriel García Márquez—most notably “One Hundred Years of Solitude,” where he brought to life unforgettable characters and landscapes.

major achievements

Carybé achieved considerable acclaim for his artistic accomplishments and scholarly pursuits—solidifying his position as a leading figure in Argentinian and Brazilian art history. He was honored with the honorary title of Obá de Xangô at Ilê Axé Opô Afonjá, recognizing his profound understanding of Afro-Brazilian spirituality and culture. This distinction underscored Carybé’s commitment to preserving indigenous traditions and promoting intercultural dialogue—values that permeated his artistic practice and intellectual endeavors. His contributions extended beyond visual arts into the realm of historical research and journalism—where he investigated social issues with unwavering integrity and pursued narratives that challenged conventional perspectives. Carybé's meticulous documentation of Brazilian cultural heritage ensured its preservation for future generations, cementing his legacy as a champion of knowledge and artistic excellence.

historical significance

Carybé’s artwork continues to inspire artists and scholars alike—serving as a beacon of creativity and intellectual curiosity. His distinctive style—characterized by bold lines, vibrant colors, and masterful composition—remains influential in contemporary art practice. Moreover, Carybé's exploration of Brazilian folklore and mythology—particularly his depictions of Xangô—contributed significantly to the understanding of Afro-Brazilian religious traditions. He fostered a dialogue between artistic expression and cultural heritage—demonstrating that art can serve as a powerful tool for promoting empathy and fostering appreciation for diverse cultures. Carybé’s enduring legacy resides in his unwavering dedication to artistic innovation, scholarly rigor, and humanist values—a testament to the transformative power of creativity and intellectual curiosity.