Papierformat

Leitfaden für studentische Kunstwerke

Upper Mall, Hammersmith

Name Klasse Datum

Hely Augustus Morton Smith, Upper Mall, Hammersmith (1920), Hammersmith And Fulham Archives And Local History Centre. Zur Referenz reproduziert; alle Rechte liegen beim Rechteinhaber.

Eckdaten

Künstler
Hely Augustus Morton Smith wahooart.com/de/artists/hely-augustus-morton-smith_de/
Gemalt
1920
Originalgröße
135 x 155 cm
Ausgestellt in
Hammersmith And Fulham Archives And Local History Centre wahooart.com/de/museums/hammersmith-and-fulham-archives-and-local-history-centre-london_de/

Im Kontext

Upper Mall, Hammersmith — Hely Augustus Morton Smith

Wie groß ist es?

Das Original hat die Maße 135 × 155 cm (Höhe × Breite), hier dargestellt neben einer erwachsenen Person von durchschnittlicher Größe.

Entstehungsjahr

  1. 1920

▲ dieses Werk, 1920

Ähnliche Kunstwerke

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Weitere Werke, die sich ideal als Ergänzung zu diesem Werk eignen: wahooart.com/de/art/similar/hely-augustus-morton-smith-upper-mall-hammersmith-ARAGEL-en/

Farbpalette

Anhand des Bildes gemessen

    Hauptfarbe

    Rosy Brown #b4a573

    Gespeicherte Palette

    • #B4A573
    • #523F2E
    • #77644A
    • #302519
    Palette
    Earthy Die dominierende Farbgruppe im Bild.
    Hauptfarbe
    Rosy Brown
    Intensität
    Balanced Wie gesättigt und vielfältig die Farben sind – von einem einzelnen, dezenten Farbton bis hin zu einer Vielzahl leuchtender Töne.
    Kontrast
    Statement Wie stark sich die Farben in Helligkeit und Sättigung über das Bild hinweg unterscheiden.
    Harmonie
    Strong Color Unity Wie gut die Farben zusammenwirken, von kontrastreich bis hin zu vollkommen harmonisch.
    Helligkeit
    Balanced Wie hell oder dunkel das Bild insgesamt wirkt, von tiefen Schatten bis hin zu strahlenden Glanzpunkten.
    Sättigung
    Balanced Soft Wie rein und kräftig die Farben sind, von fast Grau bis hin zu voll lebendig.

    Künstler und Museen

    Künstler/in

    Hely Augustus Morton Smith

    Early Life and Artistic Foundations

    Hely Augustus Morton Smith, born in the picturesque village of Warnbrook, Dorset, England on January 15th, 1862, embarked on an artistic journey that would capture the essence of Victorian life and the serene beauty of the British landscape. His early education took root at the Lincoln School of Art, providing him with a foundational understanding of technique and form. However, Smith’s ambition extended beyond the confines of his native land; he sought broader horizons, venturing to London and then across the European continent. A pivotal period unfolded at the Antwerp Art Academy in Belgium, where he honed his skills amidst a vibrant artistic community.

    This exposure to diverse styles and approaches proved transformative, shaping Smith’s developing aesthetic sensibilities. He wasn't content with merely mastering established methods; he also spent time on the East Coast of the United States, broadening his perspective further. This period of travel and study instilled in him a unique blend of influences that would become hallmarks of his mature work.

    A Diverse Palette: Subjects and Style

    Smith’s artistic output was remarkably diverse, encompassing marinescapes, shipping scenes, townscapes, portraits, and still life compositions featuring flowers. This breadth reflects not only his technical versatility but also a keen observation of the world around him. While proficient in various genres, he became particularly renowned for his atmospheric portraits and evocative depictions of coastal life. His paintings are characterized by a delicate balance between realism and impressionism, capturing both the tangible details of his subjects and the subtle nuances of light and atmosphere.

    His work often evokes a sense of quiet dignity and timelessness, achieved through muted tones, rich textures, and meticulous attention to detail. He wasn’t interested in grand narratives or dramatic gestures; instead, he focused on capturing the essence of everyday life, imbuing his subjects with a sense of personality and grace.

    Cornwall and Artistic Maturity

    A significant chapter in Smith's life began in 1890 when he relocated to East Looe, Cornwall, accompanied by his widowed mother, Harriet. Establishing a studio at Belmont House, he immersed himself in the Cornish artistic community and drew inspiration from the region’s rugged coastline and picturesque towns. This move proved pivotal, as Cornwall became both his home and a primary source of artistic subject matter.

    The Cornish light, with its unique quality and ever-changing moods, profoundly influenced his palette and technique. He frequently exhibited his work at major venues throughout England, gaining recognition for his ability to capture the beauty and tranquility of the coastal landscape. His paintings from this period often depict scenes of daily life in Looe, showcasing the local fishermen, bustling harbors, and charming townscapes.

    Legacy and Historical Significance

    Hely Augustus Morton Smith’s work offers a fascinating glimpse into Victorian and Edwardian England. He wasn't a revolutionary artist seeking to overturn established conventions; rather, he was a skilled craftsman dedicated to capturing the beauty of his surroundings and portraying the dignity of everyday life.

    Capturing a Vanishing World: His paintings provide valuable insights into the social customs, landscapes, and maritime traditions of late 19th and early 20th-century Britain.

    Technical Mastery: Smith’s meticulous attention to detail, delicate brushwork, and subtle use of color demonstrate a high level of technical skill.

    Atmospheric Portraits: His portraits are particularly noteworthy for their ability to capture the personality and inner life of his subjects.

    Though not as widely celebrated as some of his contemporaries, Hely Augustus Morton Smith’s work continues to resonate with collectors and art enthusiasts alike. His paintings offer a poignant reminder of a bygone era, inviting viewers to step back in time and experience the beauty and tranquility of Victorian England. He passed away in Cornwall in 1941, leaving behind a legacy of atmospheric portraits and scenes that continue to captivate and inspire.

    His work is a testament to the power of observation, the importance of craftsmanship, and the enduring appeal of capturing the essence of everyday life.

    Museum

    Hammersmith And Fulham Archives And Local History Centre

    Ausgestellt in London, Vereinigtes Königreich

    Hammersmith and Fulham Local Studies and Archives

    Weitere Lesetipps

    Online verfügbar

    QR-Code mit Link zur Download-Seite für Upper Mall, Hammersmith

    wahooart.com/de/art/download/hely-augustus-morton-smith-upper-mall-hammersmith-ARAGEL-en/

    Zitierweise für dieses Kunstwerk

    MLA
    Smith, Hely Augustus Morton. Upper Mall, Hammersmith. 1920, Hammersmith And Fulham Archives And Local History Centre. https://wahooart.com/de/art/hely-augustus-morton-smith-upper-mall-hammersmith-ARAGEL-en/
    APA
    Smith, Hely Augustus Morton (1920). Upper Mall, Hammersmith [Painting]. Hammersmith And Fulham Archives And Local History Centre. https://wahooart.com/de/art/hely-augustus-morton-smith-upper-mall-hammersmith-ARAGEL-en/
    Chicago
    Hely Augustus Morton Smith. Upper Mall, Hammersmith. 1920. Hammersmith And Fulham Archives And Local History Centre. https://wahooart.com/de/art/hely-augustus-morton-smith-upper-mall-hammersmith-ARAGEL-en/
    Harvard
    Smith, Hely Augustus Morton (1920) Upper Mall, Hammersmith. Hammersmith And Fulham Archives And Local History Centre. Available at: https://wahooart.com/de/art/hely-augustus-morton-smith-upper-mall-hammersmith-ARAGEL-en/

    Genau hinsehen

    Upper Mall, Hammersmith — Hely Augustus Morton Smith

    Genau hinsehen

    Antworten Sie in Ihren eigenen Worten. Es gibt hier keine falschen Antworten – nur Antworten, die Sie erklären können.

    1. Was fällt Ihnen als Erstes ins Auge und warum?
    2. Welche Farben oder Formen erzeugen die Stimmung – und wie sieht diese Stimmung aus?
    3. Werfen Sie einen Blick zurück auf Evelyn Phelps Morse (b.1861) (1895), weiter oben in diesem Leitfaden. Nennen Sie zwei Gemeinsamkeiten mit diesem Werk und eine Besonderheit.
    4. Was wollte der Künstler wohl, dass Sie fühlen?
    5. Wenn Sie dem Künstler eine Frage zu diesem Werk stellen könnten, welche wäre das?

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