Zeitraum

Bewegung

1. Studien eines nackten Jünglings — John Singer Sargent

Stimmung

Themen

Schlagworte

Tonwert

Hauptfarbe

1. Sketch 27 — Thomas Sully
2. Sketch 41 — Thomas Sully
3. Sketch 23 — Thomas Sully
4. Sketch 35 — Thomas Sully
5. Dying Figure in the Arjpg of a Woman; Praying Woman; Standing Woman; Architectual Detail; Sleeping Figure — Thomas Sully
6. Inside Front Cover (from Sketchbook) — Thomas Sully
7. Sketches of Friezes and Groups of Figures in Three Tiers, Some Antique, Some 16th and 17th Century Genre — Thomas Sully
8. Portrait; Landscape Composition; Two Women; Woman and Child; Baby — Thomas Sully
9. Figure Sketches, Including Pegasus and Perseus with Head of Medusa; (Rape of Persephoney) — Thomas Sully
10. Nacktstudie — John Singer Sargent
11. Sketch 29 — Thomas Sully
12. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Federico Fiori Barocci, 1569
13. Six Figure Studies — Thomas Sully
14. Sketch 38 — Thomas Sully
15. Two Female Nudes; Seated Male Nude; Three Equestrian Figures — Thomas Sully
16. Unfinished Standing Classical Male Nude; Cardinal Bentivoglio after Van Dyke; Mother and Child; Equestrian Figure — Thomas Sully
17. Sketches of Two Women, a Man Fighting a Beast, Two Furniture Fragments — Thomas Sully
18. Child with Dog; Two Figures in Encounter; Two Figures and Child Attending to Dying Male; Figure on Deathbed — Thomas Sully
19. Drei Studien einer Figur, die eine andere stützt, und Figurenskizze (für „Beweinung Christi“, Bologna, Palazzo D’Accursio) — Federico Fiori Barocci
20. Seven Figure Studies; Portrait of a Woman — Thomas Sully
21. Four Draped Figures; Six Equestrian Figures — Thomas Sully
22. Sketch 56 — George Romney
23. Sketch 47 — Thomas Sully
24. Studien eines nackten Jünglings — John Singer Sargent

andere