Verkaufen
x

Zeitraum

Bewegung

  1. Monterrey cathedral — Edward Hopper
  2. Haus im italienischen Viertel — Edward Hopper, 1923
  3. Autour de Fleac sur Seugne — Herman Armour Webster, 1941
  4. An Extensive Landscape With Drovers And Sheep On A Track — Thomas Collier
  5. Haus am Fort, Gloucester — Edward Hopper, 1924
  6. Adam's House — Edward Hopper, 1928

Stimmung

  1. Monterrey cathedral — Edward Hopper
  2. White House with Dormer Window — Edward Hopper, 1923
  3. Haus im italienischen Viertel — Edward Hopper, 1923
  4. Haus am Fort, Gloucester — Edward Hopper, 1924
  5. The Mansard Roof — Edward Hopper, 1923
  6. Adam's House — Edward Hopper, 1928
  7. Haus am Bahnhof — Edward Hopper, 1925

Themen

  1. Haus am Bahnhof — Edward Hopper, 1925
  2. View Overlooking City( ) — Ernest Clifford Peixotto, 1897

Schlagworte

Tonwert

Hauptfarbe

  1. Landscape with Meadow — Thomas P. Anshutz
  2. Untitled (landscape with rocks) — Edward Mitchell Bannister, 1898
  3. View Overlooking City( ) — Ernest Clifford Peixotto, 1897
  4. View From Rydal Park — Francis Towne
  5. Our Red Cottage, Gloucester — John French Sloan
  6. (Landscape of Dead Fallen Tree and Pond), (painting) — frank harold hayward, 1895
  7. Landscape — Francis Towne
  8. Haus im italienischen Viertel — Edward Hopper, 1923
  9. Haus am Bahnhof — Edward Hopper, 1925
  10. Lumber Wharf — Blanche Lazzell
  11. Penpoint cottage, Larkollen — Arne Kavli
  12. An Extensive Landscape With Drovers And Sheep On A Track — Thomas Collier
  13. The Mansard Roof — Edward Hopper, 1923
  14. White House with Dormer Window — Edward Hopper, 1923
  15. Haus am Fort, Gloucester — Edward Hopper, 1924
  16. River Landscape in Summer — William Mason Brown, 1856
  17. Untitled (Night Scene) — max arthur cohn, 1944
  18. Autour de Fleac sur Seugne — Herman Armour Webster, 1941
  19. Landscape with Fence — William Trost Richards
  20. House And Tree — Thomas Pollock Anshutz
  21. In The Village of Markham — Alfred Joseph Casson, 1933

andere

  1. (Landscape with Marshes) — de lancey gill, 1898