Zeitraum

Bewegung

Stimmung

Themen

1. Studies Of Men Standing — Sir Alfred James Munnings
2. Four Standing Men (study For 'the Covenanters' Baptism') — George Harvey
3. Figure Study Of Men And Figure Study Of Soldiers — Leon Kroll
4. Study, Men and Satyrs — Hans Nathan Feibusch
5. Two Seated Men (study For 'the Covenanters' Baptism') — George Harvey
6. Study To The Men Without Names — albin egger lienz
7. Study Of Two Oriental Men — George Chinnery
8. Five studies of naked men, turned to the left — Paolo Veronese
9. Studies of Heads of Men — George Benjamin Luks
10. Two Seated Men And A Standing Boy (study For 'the Covenanters' Baptism — George Harvey
11. Head studies of two African men — Jakob Jordaens
12. Study for men and machines — Rosalyn Drexler
13. Studies of men's hands — Maurice Quentin de La Tour
14. Untitled two seated men; study of an urn; mountains in Volterra — Thomas Cole
15. Study of Clouds; Two Female Nudes (after Michelangelo; Two Half-length Female Portraits; Equestrian Figure with Two Men — Thomas Sully

Schlagworte

Tonwert

Hauptfarbe

1. Two Men at a Table, Man Eating (from Switzerland 1869 Sketchbook) — John Singer Sargent, 1869
2. Study for Men without Women — Stuart Davis
3. Head studies of two African men — Jakob Jordaens
4. Studies of Men's and Boy's Heads — George Benjamin Luks
5. Four Standing Men (study For 'the Covenanters' Baptism') — George Harvey
6. Study for Two Heads for Boston Mural ''The Prophets'' — John Singer Sargent, 1882
7. Studies Of Men Standing — Sir Alfred James Munnings
8. Studien stehender Männer — Sir Alfred James Munnings

andere

1. Altmännerhaus in Amsterdam, Studie — Max Liebermann, 1880
2. Seated Female Holding a Book, Two Heads of Bearded Men, Seated Male Nude, and Four Sketches for Christ Judging (recto); Studies for Cain Slaying Abel (verso) — Jacopo Palma Il Giovane, 1628
3. Three men in profile to the left, one holding a basin, with studies of dogs — Camille Pissarro
4. Studies of nudes (two men, seated, looking in a mirror, and a seated boy) — Jacopo Pontormo, 1520