GRATIS KUNSTRÅDGIVNING

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1662 - 1727

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  • Died: 1727
  • Top 3 works:
    • St. Nicolas of Bari Felling a Tree Inhabited by Demons
    • The Choice of Hercules
    • Painting of Our Lady of Sorrows
  • Works on APS: 28
  • Lifespan: 65 years
  • Art period: Early Modern
  • Vis flere…
  • Also known as: paolo de matteis
  • Copyright status: Public domain
  • Top-ranked work: St. Nicolas of Bari Felling a Tree Inhabited by Demons
  • Museums on APS:
    • Ashmolean Museet for Kunst og Arkæologi
    • Ashmolean Museet for Kunst og Arkæologi
    • Ashmolean Museet for Kunst og Arkæologi
    • Ashmolean Museet for Kunst og Arkæologi
    • Ashmolean Museet for Kunst og Arkæologi
  • Born: 1662

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Paolo di Matteis: A Baroque Visionary Shaping Naples and Rome

Paolo de Matteis (1662-1728) stands as a pivotal figure in the Italian Baroque, an artist whose opulent frescoes and decorative schemes indelibly imprinted upon the artistic landscape of Naples and Rome. Born in Piano Vetrale, Salerno, he emerged from humble beginnings to become one of the era’s most celebrated painters, skillfully blending dramatic theatricality with refined elegance—a hallmark that would later influence the Rocaille style. His formative years were spent under the tutelage of Francesco di Maria in Naples, followed by a crucial apprenticeship with Luca Giordano, arguably his greatest mentor and stylistic inspiration.
  • Early Training & Influences: Giordano’s mastery of illusionistic painting profoundly shaped de Matteis' technique, fostering an unwavering commitment to creating immersive visual experiences that captivated viewers. This influence is evident throughout his oeuvre, particularly in the masterful use of chiaroscuro and perspective.
  • Service Under the Spanish Viceroyalty: De Matteis served faithfully within the court of Naples for decades, undertaking commissions that showcased both his artistic prowess and diplomatic acumen. These projects allowed him to hone his skills while navigating the complexities of aristocratic patronage.
His Parisian sojourn between 1702 and 1705 marked a significant broadening of his horizons—a period during which he absorbed new stylistic trends and experimented with innovative compositional approaches. This exposure fueled his artistic evolution, propelling him towards greater sophistication and experimentation. He returned to Naples reinvigorated, dedicating himself to ambitious decorative schemes for churches, notably the magnificent vault of San Ignazio in Gesù Nuovo – a testament to his ability to transform spaces into breathtaking works of art. Furthermore, he undertook the prestigious commission to depict The Assumption of Our Lady at Monte Cassino, cementing his reputation as one of the foremost artists of his time.
  • Rome & Papal Patronage: Between 1723 and 1725, de Matteis resided in Rome, receiving a substantial commission from Pope Innocent XIII—a pivotal moment that allowed him to collaborate with some of the era’s leading intellectuals and artists.
De Matteis' legacy extends beyond his individual masterpieces; he nurtured the talents of numerous pupils, including Ignacio Oliveira, Bernardes Peresí, and members of the Sarnelli family – fostering a vibrant artistic environment that contributed significantly to the flourishing Baroque tradition in Naples. His influence can be seen in the works of Giuseppe Mastroleo, Giovanni Pandozzi, and Nicolas de Filippis, demonstrating his enduring impact on subsequent generations of painters. Notable Works:
  • Apollo and Daphne
  • Love And The Vices Disarm Judgement
  • Painting of Our Lady of Sorrows
Paolo di Matteis’ contribution to Baroque art is undeniable—a painter who skillfully blended theatrical grandeur with meticulous detail, leaving behind a visual record of his time that continues to inspire admiration and scholarly study. His work embodies the spirit of the Baroque era, capturing its dramatic intensity and sublime beauty while simultaneously reflecting the humanist values prevalent during this transformative period in European history.