Is kate olivia malone's work still under copyright?

Yes, works by this artist are still under copyright.

(1959 - )

Q: What did Kate Malone say about pottery?

It is almost as good as sex – it’s so physical and so… fantastic.

Kate Olivia Malone: Sculptural Vessels Rooted in Nature’s Bounty

Kate Olivia Malone, born in London in 1959, is a British ceramic artist whose monumental sculptural vessels and vibrant glazes have cemented her place as a leading figure in contemporary decorative arts. Her artistic journey began with studies at Bristol Polytechnic (1979-82), followed by formative years at the Royal College of Art (1986), where she honed her craft amidst influential peers and established herself as a studio artist based in South Bank Craft Centre, Charing Cross. Malone’s work transcends mere craftsmanship; it embodies an unwavering fascination with organic forms—particularly fruits and vegetables—drawing inspiration from their rich textures and luminous colours. This dedication to capturing the essence of nature is reflected throughout her oeuvre, resulting in pieces that are both aesthetically striking and conceptually profound.

Early Influences: Malone’s artistic sensibilities were nurtured by a deep appreciation for British landscape art and the traditions of ceramic making within the UK craft movement.
Formal Training: Her education at Bristol Polytechnic and The Royal College of Art provided her with foundational knowledge in material science, sculptural technique, and glaze chemistry—skills that would become integral to her artistic practice.
Notable Collaborations: Malone’s creative vision extended beyond individual projects; she collaborated successfully with EPR Architects on the Savile Row façade project, earning recognition for its innovative design and securing a WAN Facade Award in 2015.

The Great Pottery Throw Down & Artistic Recognition

Malone gained considerable public attention through her participation as a judge on BBC2’s *The Great Pottery Throw Down* (2015–2017), alongside Keith Brymer Jones, showcasing her expertise and passion for ceramic artistry. This televised role elevated her profile within the art world and solidified her reputation as a discerning evaluator of sculptural excellence. Furthermore, Malone was honored with an MBE in the 2019 Birthday Honours for her contributions to ceramic art—a testament to her enduring influence on the field.

Television Debut: Her involvement in *The Great Pottery Throw Down* captivated audiences and established her as a charismatic voice within the ceramics community.
Awards & Recognition: Malone’s achievements were formally acknowledged by the British Honours system, recognizing her dedication to promoting ceramic art and fostering artistic dialogue.

Major Achievements & Exhibitions

Malone's sculptural vessels have garnered acclaim from prestigious institutions worldwide, including the British Council Collection, Manchester Art Gallery, The Ashmolean Museum, Musée national de céramique de Sèvres, Victoria & Albert Museum and Los Angeles County Museum of Art. Her monumental fish sculpture at Hackney Marshes stands as a striking example of her commitment to public art—a bold statement about artistic expression within urban landscapes. Moreover, Malone’s work was prominently featured in an exhibition inspired by Waddesdon Manor, exploring themes of aristocratic heritage and artistic innovation. She has consistently pushed the boundaries of ceramic technique and aesthetic vision, establishing herself as one of Britain's most celebrated contemporary sculptors.

Public Installations: Malone’s sculptures have graced prominent locations across England, engaging viewers with their scale and beauty.
Waddesdon Manor Inspiration: Her artistic exploration of Waddesdon Manor’s grandeur contributed to a dialogue about art history and creative interpretation.

Technique & Artistic Philosophy

Malone's distinctive style is characterized by her meticulous attention to detail—particularly in the creation of glazes, which she painstakingly develops using scientific precision alongside artistic intuition. She employs a range of sculptural techniques, from plaster casting to hand-building methods, reflecting her belief that “pottery is almost as good as sex – it’s so physical and so… fantastic.” This visceral connection to material—coupled with her unwavering fascination for natural forms—underscores the core tenets of her artistic philosophy: conveying pleasure in creation and transmitting optimism through her evocative ceramic artworks.