Papir

Guide til elevkunst

A Deserted Home

Navn Klasse Dato

Thomas Danby, A Deserted Home (1881), Reading Museum - Town Hall. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Thomas Danby wahooart.com/da/artists/thomas-danby/
Kunstnerens årstal
1818 – 1886
Malet
1881
Oprindelig størrelse
102 x 131 cm
Afholdt hos
Reading Museum - Town Hall wahooart.com/da/museums/reading-museum-town-hall-reading/

I kontekst

A Deserted Home — Thomas Danby

Hvor stor er den?

Originalen måler 102 × 131 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 68 ved død.

Malet da kunstneren var 63 år gammel. Kunstneren blev 68 år gammel. 8 af de 9 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Thomas Danby' livstid (1818–1886) ▲ dette værk, 1881 hvert dateret maleri, årti for årti

Første værker: frem til 1856 Primære arbejdsår: 1856–1864 Senere værker: fra 1864

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: wahooart.com/da/art/similar/thomas-danby-a-deserted-home-AQSLWB-en/

Farver

Målt ud fra billedet

    Primær farve

    Rosy Brown #dbb394

    Katalogiseret palet

    • #DBB394
    • #453819
    • #665533
    • #927340

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Rosy Brown
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Thomas Danby i løbet af de sidste tolv måneder — 3 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 55,6%500 visits
    2. 2 USA 33,3%300 visits
    3. 3 Hong Kong 11,1%100 visits

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 9 mest viste værker af Thomas Danby

    1. 1 River Scene with Weir and Mill, 1823 20,0%200 visits
    2. 2 A Deserted Home, 1881 dette maleri 10,0%100 visits
    3. 3 A New Bride for the Sea, 1865 10,0%100 visits
    4. 4 Mountain Scene 10,0%100 visits
    5. 5 Lake Scene with a Fishing Boat 10,0%100 visits
    6. 6 Llyn Cynwch, Dolgellau, 1853 10,0%100 visits
    7. 7 The Lake of Lucerne, 1856 10,0%100 visits
    8. 8 Moel Siabod, Welsh Landscape 10,0%100 visits
    9. 9 Lake and Mountain Scene with a Boy Fishing 10,0%100 visits

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 25 værker af denne kunstner, hvoraf 9 er blevet set mindst én gang. This painting ranks 2 of them, with 10,0% of that attention (100 visits). Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Om dette kunstværk

    A Deserted Home — Thomas Danby

    The painting A Deserted Home by Thomas Danby is a captivating piece that showcases the artist's ability to evoke emotions through his depiction of a serene and idyllic landscape. Created in 1881, this oil on canvas masterpiece is housed at the Reading Museum - Town Hall in Reading, United Kingdom.

    Artistic Composition

    The painting features a picturesque village nestled in the mountains, surrounded by lush green fields and hills. The composition is harmonious, with several houses scattered throughout the area, some closer to the foreground while others are further away. The presence of numerous trees provides a natural backdrop to the scene, adding depth and texture to the painting. Light and color play a crucial role in creating the serene atmosphere of the painting. The soft, warm light casts a gentle glow on the village, highlighting the beauty of the landscape. The color palette is muted, with earthy tones dominating the scene, which adds to the sense of tranquility.

    Similar Works

    The style and composition of A Deserted Home are reminiscent of other notable works, such as Gustave Courbet's The Ornans Paper Mill, which can be found on AllPaintingsStore.com. This painting, created in 1865, is a seminal work in the Realist movement and captures the essence of rural life.

    Other notable works by Camille Pissarro, such as The Shepherdess (Young Peasant Girl with a Stick), can be found on AllPaintingsStore.com.

    The Musee Courbet in France is also home to many notable works, including those by Gustave Courbet.

    Handmade oil painting reproductions of A Deserted Home can be found on AllPaintingsStore.com, allowing art lovers to own a piece of history.

    The beauty and serenity of Thomas Danby's A Deserted Home make it a captivating piece that continues to inspire and delight art enthusiasts today.

    Kunstner og museum

    Kunstner

    Thomas Danby

    A Romantic Vision of the Welsh Landscape

    Thomas Danby (1818–1886) stands as a luminous figure in the pantheon of Victorian landscape painting, a master who sought to bridge the gap between the physical reality of nature and the profound depths of human emotion. Born in Bristol into an artistic lineage that commanded respect, Danby was the son of the celebrated painter Francis Danby. This early immersion in a world of dramatic, emotionally charged canvases provided him with a foundational understanding of the power of atmosphere. However, where his father often leaned toward the theatrical and the imaginative, Thomas carved a distinct path, focusing his gaze upon the rugged, serene beauty of the natural world, particularly the evocative terrains of Wales.

    His artistic journey was significantly shaped by his formative years in Paris during the 1820s and 30s. It was within the hallowed halls of the Louvre that Danby honed his technical prowess, earning a living by meticulously copying the masters. This period of intense study brought him into a deep, lifelong dialogue with the work of Claude Lorrain. From the French master, Danby adopted a devotion to atmospheric perspective and the use of light to create a sense of sublime grandeur. He did not merely seek to replicate the scenery he encountered; rather, he sought to capture what his contemporaries described as the "inner heart's feeling" of a view, prioritizing the spiritual resonance of a landscape over the mere recording of local facts.

    The Spirit of Romanticism and Technical Mastery

    As Danby’s career progressed, his work became a testament to the enduring spirit of Romanticism. His compositions often featured the sweeping vistas of the Welsh mountains, such as the majestic Moel Siabod or the tranquil reaches of Llyn Cynwch. In these works, one finds a masterful command of light and tone, whether rendered in the rich, textured layers of oil on canvas or the delicate, translucent washes of his later watercolor mastery. His ability to manipulate light—creating the soft glow of dusk or the diffused, misty atmosphere of a mountain morning—allowed him to imbue even the most pastoral scenes with a sense of quiet contemplation and awe.

    The evolution of his technique is particularly evident in his transition toward watercolor painting in his later years. Having achieved significant recognition through exhibitions at the Royal Academy and the British Institution, Danby became an esteemed member of the Society of Painters in Watercolours. This shift allowed him to explore even more subtle gradations of color and light, further refining his ability to evoke the ephemeral qualities of nature. His friendship with Paul Falconer Poole also played a vital role in this development, as the two shared a deep-seated passion for the natural world that informed their respective approaches to landscape.

    Legacy and Artistic Significance

    The significance of Thomas Danby lies in his ability to transform the landscape into a vessel for emotional truth. He moved away from the purely idealized compositions of the past, instead finding the sublime within the actual, tangible beauty of the British Isles. His legacy is defined by several key contributions to 19th-century art:

    The Synthesis of Influence: Successfully blending the classical atmospheric techniques of Claude Lorrain with a uniquely British Romantic sensibility.

    Emotional Depth: Moving beyond mere topographical representation to capture the psychological and spiritual essence of the landscape.

    Mastery of Medium: Demonstrating exceptional versatility and skill in both the grand scale of oil painting and the intimate precision of watercolor.

    Cultural Connection: Elevating the Welsh landscape to a subject of profound artistic importance within the Victorian era.

    Though he never attained the specific Academy honors he sought, Danby’s impact on the British landscape tradition remains undeniable. His works continue to resonate with viewers, offering a window into a period when art was deeply concerned with the intersection of the natural world and the human soul. Through his eyes, the mountains of Wales are not just geological formations, but enduring monuments to the beauty and mystery of existence.

    Museum

    Reading Museum - Town Hall

    Udstillet i Reading, United Kingdom

    A Tapestry of Time: The Architectural Grandeur of Reading Museum

    Nestled within the stately, Italianate splendor of the Reading Town Hall, the Reading Museum serves as a profound testament to the enduring spirit of Berkshire’s heritage. To step through its doors is to enter a world where Victorian grandeur meets the pulse of modern discovery. The building itself, a masterpiece of architectural evolution, was shaped by the legendary Alfred Waterhouse, whose vision for the principal facade in 1875 bestowed upon the structure a sense of permanence and civic pride. As one wanders beneath its soaring ceilings and observes the ornate detailing that exemplifies the late 19th-century aesthetic, the museum reveals itself not merely as a repository of objects, but as a living monument to the aspirations of a town striving for prominence.

    The history of this institution is a narrative of transformation, mirroring the very evolution of Reading itself. Established in 1883 by Horatio Bland, the museum has expanded through decades of growth, with significant additions in 1906 and 1927, eventually undergoing a meticulous refurbishment at the turn of the millennium. This careful stewardship ensures that the architectural bones of the Town Hall—a Grade II* listed treasure—continue to provide a breathtaking stage for the treasures held within its galleries.

    From Roman Echoes to Industrial Artistry

    The collection at Reading Museum is a captivating dialogue between the ancient and the industrial, offering a sensory journey through the layers of human civilization. For the lover of archaeology, the Silchester Gallery provides an intimate encounter with the grandeur of Roman Britannia. Here, the echoes of Calleva Atrebatum resonate through meticulously reconstructed mosaics, intricate jewelry fragments, and the iconic Silchester Eagle and Horse sculptures, transporting visitors to a time of imperial splendor. This archaeological depth is balanced by a poignant exploration of local identity, where oral histories and Saxon artifacts breathe life into the town's earliest settlements.

    Yet, the museum’s soul also resides in its celebration of Reading’s industrial legacy, most notably through the exquisite collection of Huntley & Palmers biscuit tins. These are far more than mere relics of commerce; they are miniature canvases of late Victorian and Edwardian artistry. Adorned with delicate floral designs and stylized depictions of local landmarks, these tins embody a unique intersection of utility and aesthetic sensibility, making them a particular delight for collectors and designers who appreciate the beauty found in everyday objects. This blend of high art and industrial craft creates a narrative where history is felt through both the monumental and the minute.

    A Sanctuary for Artistic Expression and Discovery

    What truly distinguishes Reading Museum from more traditional, scholarly institutions is its vibrant commitment to accessibility and emotional engagement. It is a space designed to ignite curiosity in all ages, where interactive exhibits invite the viewer to become an active participant in the historical narrative. The museum’s art collection further enriches this experience, featuring evocative works such as

    Molly in the Pantry

    by Mark Lancelot Symons and the atmospheric

    Stage Setting

    by Andreas Duncan Carse. These pieces, alongside the contributions of Julius Leblanc Stewart, demonstrate a dedication to preserving a diverse artistic heritage that speaks to both regional pride and universal beauty.

    For the interior designer or art enthusiast seeking inspiration, the museum offers a masterclass in curation and atmosphere. Whether exploring themes of British landscape painting or marveling at the intricate craftsmanship of Roman tools, one finds a constant interplay of light, texture, and story. Reading Museum remains a beacon of cultural enrichment, a place where the past is not merely studied but felt, ensuring that every visit is an unforgettable encounter with the artistry of human existence.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for A Deserted Home

    wahooart.com/da/art/download/thomas-danby-a-deserted-home-AQSLWB-en/

    Kildehenvisning til dette kunstværk

    MLA
    Danby, Thomas. A Deserted Home. 1881, Reading Museum - Town Hall. https://wahooart.com/da/art/thomas-danby-a-deserted-home-AQSLWB-en/
    APA
    Danby, Thomas (1881). A Deserted Home [Painting]. Reading Museum - Town Hall. https://wahooart.com/da/art/thomas-danby-a-deserted-home-AQSLWB-en/
    Chicago
    Thomas Danby. A Deserted Home. 1881. Reading Museum - Town Hall. https://wahooart.com/da/art/thomas-danby-a-deserted-home-AQSLWB-en/
    Harvard
    Danby, Thomas (1881) A Deserted Home. Reading Museum - Town Hall. Available at: https://wahooart.com/da/art/thomas-danby-a-deserted-home-AQSLWB-en/

    Se nærmere efter

    A Deserted Home — Thomas Danby

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på River Scene with Weir and Mill (1823) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Thomas Danby var omkring 63 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvilken gennemgående nuance præger "A Deserted Home" af Thomas Danby?

    "A Deserted Home" har en tendens til en Ochre to Sepia nuance.

    Hvor kan man i dag se "A Deserted Home" af Thomas Danby udstillet?

    Du kan se det originale værk "A Deserted Home" på Reading Museum - Town Hall, Reading, United Kingdom.

    Hvem sælger håndmalede kopier af "A Deserted Home" af Thomas Danby?

    "A Deserted Home" er tilgængelig som en håndmalet oliereproduktion på lærred af hør. Du kan bestille den på dens Håndmalet reproduktion-side, hvor du kan vælge mellem forskellige størrelser.