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Silver Screen (30 Dissolves)

Navn Klasse Dato

teresita fernández, Silver Screen (30 Dissolves) (2011), Northwest Museum of Arts and Culture. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
teresita fernández wahooart.com/da/artists/teresita-fernandez/
Kunstnerens levetid
1968 – ?
Malet
2011
Afholdt hos
Northwest Museum of Arts and Culture wahooart.com/da/museums/northwest-museum-of-arts-and-culture-spokane/

I kontekst

Silver Screen (30 Dissolves) — teresita fernández

Hvornår er dette malet?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Skyggelagt: teresita fernández' livstid (1968–?) ▲ dette værk, 2011

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wahooart.com/da/art/similar/teresita-fernandez-silver-screen-30-dissolves-DD2HV5-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Putty #c7cac8

    Gemt palet

    • #C7CAC8
    • #181B1E
    • #FAFBFC
    • #737068
    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Primær farve
    Putty
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    teresita fernández

    Født i Miami, United States of America

    The Architecture of Perception: The Art of Teresita Fernández

    To encounter the work of Teresita Fernández is to enter a realm where the boundaries between the physical landscape and the psychological interior begin to dissolve. Born in Miami, Florida, in 1968 to Cuban parents who arrived in exile following the Cuban Revolution, Fernández carries within her a profound understanding of displacement and the layering of history. Her early years were steeped in the tactile traditions of her family; spending time in the ateliers of her great aunts and grandmother—highly skilled couture seamstresses from Havana—instilled in her an intimate respect for craftsmanship and the transformative power of material. This foundational connection to texture and meticulous construction would later evolve into a sophisticated sculptural language that reimagines the very essence of how we perceive the world around us.

    Fernández’s artistic practice is a masterful investigation into the psychology of looking. She does not merely represent landscapes; she reconstructs them as "stacked landscapes," using layers of meaning and medium to create psychological topographies. Her work often draws from the geological, the celestial, and the anthropological, yet it transcends mere scientific observation to reach a state of poetic reflection. By utilizing unconventional and often iridescent materials—such as opal dust, gold, graphite, glass, and charcoal—she creates immersive experiences that challenge the viewer's gaze. These materials are never purely decorative; they serve as agents of visibility and concealment, prompting us to contemplate how much of our environment is truly seen and how much remains hidden beneath the surface of perception.

    Materiality and the Fluidity of Space

    The brilliance of Fernández’s technique lies in her ability to manipulate light and substance to evoke natural phenomena. Her sculptures frequently present optical illusions that mimic land formations, water, and shifting atmospheres. In monumental installations like “Burnout,” she utilizes suspended opal dust to explore the interplay between light and the ephemeral nature of sight. This commitment to experimental media was further refined during her formative years at the Yale University School of Art and through her collaborative explorations at the MIT Media Lab, where she integrated computational design and interactive elements into her sculptural vision. This fusion of technology and organic inspiration allows her work to breathe, shifting as the viewer moves through the space.

    Beyond the visual spectacle, Fernández’s choice of materials carries deep historical and political weight. She often selects substances found subterraneously or those that serve as physical remnants of a specific place, treating them as testaments to a tangible past. Through this lens, her work delves into complex themes of self-perception, colonialism, and the historical violence associated with both the environment and the human body. Her art becomes a site where the geological history of the earth meets the lived history of people, creating a dialogue between the permanence of stone and the fluidity of memory.

    Legacy and Global Recognition

    The impact of Teresita Fernández on contemporary sculpture is profound and widely recognized by the international art community. Her career is marked by prestigious accolades that underscore her role as a leading voice in modern installation art, including:

    The MacArthur "Genius" Grant (2005), recognizing her exceptional creativity and impact.

    A Guggenheim Fellowship (2003), celebrating her significant contributions to the field of sculpture.

    Presidential Appointment to the U.S. Commission of Fine Arts under Barack Obama, making her the first Latina to serve in this distinguished role.

    Today, Fernández continues to reshape our understanding of public and private space. Her large-scale public works act as landmarks of contemplation, inviting diverse audiences to engage with the complexities of identity and landscape. By bridging the gap between the scientific and the spiritual, she ensures that her art remains not just a subject for observation, but a transformative experience that lingers in the mind long after the viewer has departed.

    Museum

    Northwest Museum of Arts and Culture

    Udstillet i Spokane, United States of America

    A Window into the Soul of the Inland Northwest

    Nestled within Spokane’s historic Browne’s Addition neighborhood, the Northwest Museum of Arts & Culture – affectionately known as The MAC – stands not merely as a repository of artifacts but as a vibrant and deeply resonant chronicle of the Pacific Northwest. Established originally as the Cheney Cowles Museum in 1916, its evolution reflects a deliberate broadening of scope, embracing not only fine art and regional history but also, crucially, the profound and often overlooked narratives of the Plateau tribes who first called this land home. Today, The MAC is a Smithsonian affiliate and an accredited museum by the American Alliance of Museums, a testament to its commitment to rigorous scholarship and exceptional public engagement. More than just a collection, it’s a living conversation between past and present, honoring ancestral heritage while illuminating contemporary expressions – a truly unique experience for any visitor seeking a deeper understanding of this captivating region.

    The heart of The MAC's identity lies in its unwavering dedication to the cultures of the Plateau. The Center for Plateau Cultural Studies is an immersive journey into the traditions, artistry, and evolving realities of these indigenous communities. Visitors are immediately struck by the sheer beauty and intricate detail of traditional crafts – meticulously woven baskets that seem to hold the whispers of generations, ceremonial regalia adorned with symbolic motifs that speak volumes about belief systems, and powerful works of art that powerfully connect the artist to the land. But The MAC doesn’t simply present history as static display; it actively engages with living cultures, showcasing contemporary Plateau artists whose work skillfully blends ancestral heritage with modern perspectives. This commitment extends far beyond visual arts, encompassing storytelling, oral histories, and educational programs designed not just to inform but to foster genuine understanding and respect – a vital element in bridging cultural divides.

    Echoes of the Plateau & Visions of Tomorrow

    Alongside this profound focus on Native American heritage, The MAC also delves into the broader regional history of Spokane, tracing its transformation from a gathering place for indigenous peoples to a bustling center of commerce and innovation. Exhibits meticulously illuminate the lives of early settlers – their struggles, triumphs, and the remarkable decisions that shaped the city we know today. You’ll discover how the arrival of the Northern Pacific Railway dramatically altered the landscape and demographics, leading to rapid growth and a complex interplay of cultures. The museum doesn't shy away from exploring difficult topics like displacement and assimilation, presenting a nuanced and honest account of Spokane’s past – essential for fostering critical reflection on its present.

    Architecture & Spaces for Discovery

    The MAC’s architecture itself is a harmonious blend of old and new, reflecting the museum's commitment to both preserving history and embracing contemporary design. The modern main building provides state-of-the-art exhibition spaces bathed in natural light, creating an inviting atmosphere that encourages exploration. However, the experience extends far beyond this sleek structure; The MAC proudly preserves and offers tours of the historic Campbell House, a stunning 1898 mansion designed by renowned architect Kirtland Cutter. This beautifully preserved home provides a captivating glimpse into the opulent lifestyle of Spokane’s early elite, showcasing Cutter's masterful interpretation of the Romanesque Revival style – a testament to his skill and vision. The Campbell House is more than just a building; it’s a portal to a bygone era.

    Notable Exhibitions & Community Engagement

    The MAC consistently hosts rotating exhibits that delve into diverse themes, from contemporary Native American art and photography to explorations of regional folklore and industrial history. Currently, the museum features “Threads of Resilience,” an exhibition celebrating the enduring artistry and cultural continuity of the Plateau tribes. Beyond its exhibition spaces, The MAC fosters vibrant community engagement through a dynamic auditorium and outdoor amphitheater that host lectures, performances, and cultural celebrations throughout the year. Regular workshops offer opportunities to learn traditional crafts, explore local history, and connect with fellow art enthusiasts. A welcoming café, museum store brimming with regional artisan goods, and dedicated education center further enhance the visitor experience – solidifying The MAC’s role as a true hub for artistic and intellectual exchange.

    A Legacy of Preservation & Inspiration

    For researchers and scholars, The MAC’s Joel E. Ferris Research Library & Archives offers an invaluable resource. Housing a wealth of historical documents, photographs, and research materials related to the Inland Northwest, this collection provides a deep dive into the region's past for those seeking detailed insights. But perhaps most importantly, The MAC is not merely about preserving the past; it’s about inspiring future generations. Through its diverse range of exhibits, educational programs, and community outreach initiatives, the museum cultivates a love of art, history, and culture in visitors of all ages – fostering a sense of connection to both their heritage and the wider world. Whether you are an avid collector searching for inspiration, an interior designer seeking unique regional aesthetics, or simply someone with a curiosity to learn, The Northwest Museum of Arts & Culture offers an unforgettable journey into the heart of the Inland Northwest—a place where history, art, and culture truly come alive.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Silver Screen (30 Dissolves)

    wahooart.com/da/art/download/teresita-fernandez-silver-screen-30-dissolves-DD2HV5-en/

    Kildehenvisning til dette kunstværk

    MLA
    fernández, teresita. Silver Screen (30 Dissolves). 2011, Northwest Museum of Arts and Culture. https://wahooart.com/da/art/teresita-fernandez-silver-screen-30-dissolves-DD2HV5-en/
    APA
    fernández, teresita (2011). Silver Screen (30 Dissolves) [Painting]. Northwest Museum of Arts and Culture. https://wahooart.com/da/art/teresita-fernandez-silver-screen-30-dissolves-DD2HV5-en/
    Chicago
    teresita fernández. Silver Screen (30 Dissolves). 2011. Northwest Museum of Arts and Culture. https://wahooart.com/da/art/teresita-fernandez-silver-screen-30-dissolves-DD2HV5-en/
    Harvard
    fernández, teresita (2011) Silver Screen (30 Dissolves). Northwest Museum of Arts and Culture. Available at: https://wahooart.com/da/art/teresita-fernandez-silver-screen-30-dissolves-DD2HV5-en/

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    Silver Screen (30 Dissolves) — teresita fernández

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Night Writing (Tristan and Isolde) (2011) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. teresita fernández var omkring 43 år gammel, da dette blev skabt. Hvad i værket ligner arbejdet fra en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

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