Papir

Guide til elevkunst

Fox and Duck

Navn Klasse Dato

Sr John E Ferneley, Fox and Duck (1813), Sizergh Castle. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Sr John E Ferneley wahooart.com/da/artists/sr-john-e-ferneley/
Kunstnerens årstal
1782 – 1860
Malet
1813
Bevægelse
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Afholdt hos
Sizergh Castle wahooart.com/da/museums/sizergh-castle-kendal/

I kontekst

Fox and Duck — Sr John E Ferneley

Hvornår er dette malet?

  1. 1780
  2. 1790
  3. 1800
  4. 1810
  5. 1820
  6. 1830
  7. 1840
  8. 1850
  9. 1860

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 78 ved død.

Malet da kunstneren var 31 år gammel. Kunstneren blev 78 år gammel. 0 af de 72 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Sr John E Ferneley' livstid (1782–1860) ▲ dette værk, 1813 hvert dateret maleri, årti for årti

Første værker: frem til 1823 Primære arbejdsår: 1823–1840 Senere værker: fra 1840

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: wahooart.com/da/art/similar/sr-john-e-ferneley-fox-and-duck-AQQBMC-en/

Farver

Målt ud fra billedet

    Primær farve

    Espresso #58341b

    Katalogiseret palet

    • #58341B
    • #956432
    • #BFA373
    • #2B1812

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Espresso
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Sr John E Ferneley i løbet af de sidste tolv måneder — 3 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 78,6%
    2. 2 USA 14,3%
    3. 3 Syrien 7,1%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 15 mest viste værker af Sr John E Ferneley

    1. 1 A Strawberry Roan Mule and Two Lurchers in a Stable, and a Stable Lad, 1850 11,8%
    2. 2 Mr Powell and his Son, with Norton, a Grey Hunter, 1816 11,8%
    3. 3 The Quorn at Quenby (sketch), 1823 11,8%
    4. 4 Chestnut Hunter before a Stable, 1825 5,9%
    5. 5 Two Greyhounds and a Dead Hare, 1824 5,9%
    6. 6 Major Healey, Wearing Raby Hunt Uniform, Riding with the Sedgefield Hunt, 1833 5,9%
    7. 7 'Orion', a Chestnut Hunter Outside a Stable, 1831 5,9%
    8. 8 Longford Lass and the Jew, 1853 5,9%
    9. 9 Major Healey, Wearing Raby Hunt Uniform, Riding with the Sedgefield Hunt, 1833 5,9%
    10. 10 Melton Mowbray Horse Fair 5,9%
    11. 11 A Man in Hunt Uniform 5,9%
    12. 12 A Gentleman Holding Dangerous, the Winner of the 1833 Derby 5,9%
    13. 13 A Jockey On A Chestnut Hunter 5,9%
    14. 14 firebird and policy 5,9%
    15. — Fox and Duck, 1813 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 90 værker af denne kunstner, hvoraf 14 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Sr John E Ferneley

    The Master of the English Hunt

    In the golden age of British sporting art, few names evoke the thundering hooves and spirited pursuits of the Regency era quite like John Ferneley I. Born in 1782 in the quiet village of Thrussington, Leicestershire, Ferneley would grow to become a definitive chronicler of the English countryside. His life’s work serves as a vibrant window into a vanished world of aristocratic leisure, where the rhythm of rural life was dictated by the seasons and the exhilarating chase of the fox hunt. To study a Ferneley canvas is to step into the mist of an English morning, feeling the dampness of the dew and the palpable tension of the hounds in pursuit.

    Ferneley’s artistic identity was forged through a profound connection to the landscape and the animals that inhabited it. His early training under the esteemed Benjamin Marshall provided him with more than just technical proficiency; it bestowed upon him a specialized vocabulary of movement. Under Marshall's mentorship, Ferneley learned to translate the raw energy of a galloping horse and the subtle shifts in a rider's posture onto canvas. This foundation allowed him to transition from a student of sporting art to a master of its most complex nuances, eventually leading him to the prestigious Royal Academy School where his talent was refined for the grandest stages of British society.

    A Legacy of Motion and Detail

    The true brilliance of Ferneley’s oeuvre lies in his ability to balance meticulous realism with an almost breathless sense of motion. His compositions are rarely static; instead, they pulse with the vitality of the hunt. He possessed a rare, anatomical understanding of equine musculature, allowing him to depict the strain of a horse in full stride or the sudden halt of a startled beast with startling accuracy. This dedication to detail extended to the human element as well, capturing the varied expressions of hunters—from the focused intensity of the seasoned rider to the breathless excitement of the spectator.

    Throughout his prolific career, Ferneley secured the patronage of the highest echelons of British nobility. His studio in Melton Mowbray became a sanctuary for those seeking to immortalize their sporting triumphs. His catalog of work is vast, yet it maintains a consistent emotional resonance. Some of his most enduring contributions to the art world include:

    The Melton Mowbray Hunt: A sweeping tribute to the very heart of Leicestershire’s hunting traditions.

    Lord Henry Bentinck’s Chestnut Hunter ‘Firebird’: A masterful study in equine portraiture and individual character.

    St John’s Co-Cathedral: Demonstrating his ability to pivot from the kinetic energy of the hunt to more serene, architectural subjects.

    Historical Significance and Enduring Influence

    Beyond the mere documentation of social customs, Ferneley’s work holds a significant place in the evolution of British painting. While often categorized strictly within the genre of sporting art, his approach to light and atmosphere hinted at the burgeoning shifts in artistic thought that would later define the Impressionist movement. He did not merely paint horses; he painted the atmosphere in which they moved, capturing the fleeting qualities of light filtering through autumn leaves or the heavy gloom of a winter afternoon.

    As we look back upon his life, which concluded in 1860, we see an artist who successfully bridged the gap between traditional sporting portraiture and a more expressive, atmospheric style. His legacy remains etched in the annals of art history, serving as a vital link to the traditions of the English landed gentry and providing a timeless celebration of the bond between man, horse, and the natural world. Today, his works continue to captivate collectors and historians alike, standing as enduring monuments to the elegance and vigor of a bygone era.

    Museum

    Sizergh Castle

    Udstillet i Kendal, Indonesia

    A Journey Through Centuries at Sizergh Castle

    Nestled within the breathtaking landscapes of Cumbria, England, Sizergh Castle stands as a remarkable testament to eight centuries of family history, architectural evolution, and artistic patronage. More than just a stately home, it’s a living chronicle of the Strickland family – their triumphs, tribulations, and enduring legacy woven into every stone and painted panel. Originally a simple pele tower dating back to the 14th or 15th century, Sizergh has undergone dramatic transformations, reflecting the changing tastes and fortunes of its custodians. Today, it’s cared for by the National Trust, offering visitors an unparalleled opportunity to step back in time and experience the grandeur and intimacy of a truly exceptional estate.

    The castle's story is inextricably linked with the Jacobite movement. The Strickland family, staunch supporters of King James II, found themselves exiled after the Glorious Revolution, their home becoming a haven for loyalists. This turbulent period left an indelible mark on Sizergh, evidenced by the collection of portraits and artifacts documenting the family’s connection to the Stuart court. Beyond this dramatic history, however, lies a fascinating blend of architectural styles – from the sturdy medieval core to the opulent Elizabethan additions, each layer contributing to the castle's unique character. The Inlaid Chamber, in particular, is a masterpiece, showcasing rare heraldic stained-glass windows and intricately inlaid panelling that speaks volumes about the wealth and ambition of its Tudor patrons.

    A Treasury of Artistic Treasures

    Sizergh’s collection is remarkably diverse, offering glimpses into various artistic movements and periods. The Elizabethan artistry is immediately apparent throughout the castle's interiors – a testament to the era’s meticulous craftsmanship and love for detail. The return of the Inlaid Chamber panelling in 1999, after a long-term loan, was a pivotal moment, allowing visitors to fully appreciate the skill and artistry involved in its creation. Beyond this centerpiece, the castle houses a significant collection of portraits, including works by George Romney, a leading portrait painter of his time, capturing generations of Strickland family members with remarkable sensitivity. Notably, several Jacobite-era portraits depict members of the royal Stuart family, offering poignant reminders of the family’s political affiliations and exile.

    However, Sizergh's artistic treasures extend beyond paintings. The recently restored tapestry depicting ‘The Meeting of Antony and Cleopatra’ is a breathtaking achievement – a vibrant narrative woven with rich colors and intricate detail. This magnificent work, once faded and neglected, now dominates the Great Hall, serving as a focal point for admiration and historical reflection. Furthermore, the castle's collection includes rare Ferns, a nationally recognized collection housed in the gardens, showcasing the family’s dedication to botany and natural history.

    Gardens of Enduring Beauty

    Sizergh Castle is inseparable from its surrounding gardens – a sprawling landscape that has evolved over centuries. The gardens are not merely decorative; they represent a carefully curated ecosystem, reflecting changing horticultural trends and the family’s personal tastes. From the formal Dutch gardens to the wilder rock garden and stumpery, each area offers a unique experience for visitors. The extensive collection of hardy ferns, particularly within the rock garden, is a particular highlight – a testament to the Strickland family's passion for botany and a haven for botanical enthusiasts.

    The estate’s wider landscape also contributes significantly to its appeal. Breathtaking views of the Lakeland Fells, the Pennines, and Morecambe Bay provide a stunning backdrop to the castle and gardens, creating an immersive sensory experience. The recent restoration of Cecilia's Ramp, built to aid a Strickland family member with mobility issues, demonstrates the estate’s commitment to accessibility and inclusivity – a thoughtful addition that enhances the visitor experience for all.

    A Legacy Preserved

    What truly distinguishes Sizergh Castle is its remarkable preservation—a seamless blend of history, architecture, and artistic expression. The castle's eight-century family history provides an unparalleled context for understanding the evolution of English society and culture. The dedication to preserving rare botanical collections further underscores the estate’s commitment to safeguarding heritage for future generations. Sizergh Castle is more than just a museum; it’s a living, breathing testament to the enduring power of family, artistry, and landscape – an experience that captivates and inspires.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Fox and Duck

    wahooart.com/da/art/download/sr-john-e-ferneley-fox-and-duck-AQQBMC-en/

    Kildehenvisning til dette kunstværk

    MLA
    Ferneley, Sr John E. Fox and Duck. 1813, Sizergh Castle. https://wahooart.com/da/art/sr-john-e-ferneley-fox-and-duck-AQQBMC-en/
    APA
    Ferneley, Sr John E (1813). Fox and Duck [Painting]. Sizergh Castle. https://wahooart.com/da/art/sr-john-e-ferneley-fox-and-duck-AQQBMC-en/
    Chicago
    Sr John E Ferneley. Fox and Duck. 1813. Sizergh Castle. https://wahooart.com/da/art/sr-john-e-ferneley-fox-and-duck-AQQBMC-en/
    Harvard
    Ferneley, Sr John E (1813) Fox and Duck. Sizergh Castle. Available at: https://wahooart.com/da/art/sr-john-e-ferneley-fox-and-duck-AQQBMC-en/

    Se nærmere efter

    Fox and Duck — Sr John E Ferneley

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: predatory wildlife, fox hunting scene, natural landscape. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på A Saddled Grey Hunter in a Loose Box (1854) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvilken farvepalette og hvilken dominerende farve definerer "Fox and Duck"?

    "Fox and Duck" er defineret af en Earthy farvepalette med Espresso (#58341b) som den dominerende farve.

    Hvem har skabt "Fox and Duck", og hvornår?

    Sr John E Ferneley skabte "Fox and Duck" i 1813.

    Hvor mættet er farvepaletten i "Fox and Duck"?

    Farvepaletten i "Fox and Duck" har en mætning på Balanced Soft.