Papir

Guide til elevkunst

Pentecost

Navn Klasse Dato

Simon Bening, Pentecost (1490), Museum Boijmans Van Beuningen. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Simon Bening wahooart.com/da/artists/simon-bening_da/
Kunstnerens årstal
1483 – 1561
Malet
1490
Oprindelig størrelse
147 x 108 cm
Afholdt hos
Museum Boijmans Van Beuningen wahooart.com/da/museums/museum-boijmans-van-beuningen-rotterdam_da/

I kontekst

Pentecost — Simon Bening

Hvor stor er den?

Originalen måler 147 × 108 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1480
  2. 1490
  3. 1500
  4. 1510
  5. 1520
  6. 1530
  7. 1540
  8. 1550
  9. 1560

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 78 ved død.

Malet da kunstneren var 7 år gammel. Kunstneren blev 78 år gammel. 0 af de 12 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Simon Bening' livstid (1483–1561) ▲ dette værk, 1490 hvert dateret maleri, årti for årti

Første værker: frem til 1530 Primære arbejdsår: 1530–1535 Senere værker: fra 1535

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: wahooart.com/da/art/similar/simon-bening-pentecost-8XZA53-en/

Farver

Målt ud fra billedet

    Primær farve

    Putty #d3d1ce

    Katalogiseret palet

    • #D3D1CE
    • #ACAAA5
    • #7F7D79
    • #444441

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Putty
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Simon Bening i løbet af de sidste tolv måneder — 3 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 60,0%
    2. 2 Holland 30,0%
    3. 3 USA 10,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 8 mest viste værker af Simon Bening

    1. 1 The Seven Sorrows of the Virgin, 1530 46,2%
    2. 2 Scenes from the Creation 15,4%
    3. 3 The Temptation of Christ, 1530 7,7%
    4. 4 Villagers on Their Way to Church, 1550 7,7%
    5. 5 Penitent St Jerome, 1515 7,7%
    6. 6 Henry III, Count of Nassau-Breda and Mencía de Mendoza, 1531 7,7%
    7. 7 Manuscript Leaf with Adoration of the Holy Name, from a Book of Hours, 1530 7,7%
    8. — Pentecost, 1490 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 21 værker af denne kunstner, hvoraf 7 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Simon Bening

    Født i Gent, Belgien

    The Master of Miniature Worlds

    In the delicate, luminous realm of Flemish illumination, few names resonate with as much prestige as Simon Bening. Often celebrated as the last great master of the Netherlandish tradition, Bening possessed a singular ability to transform tiny vellum surfaces into expansive, breathing landscapes and profound spiritual meditations. His life was deeply rooted in the rich artistic heritage of the Low Countries; born in either Ghent or Antwerp, he likely began his journey within the family workshop under the guidance of his father, the esteemed illuminator Alexander Bening. This lineage provided him with a foundation of technical excellence that would eventually allow him to lead one of the most flourishing workshops in Bruges.

    As Bening moved through the artistic hubs of Ghent and Bruges, his reputation grew alongside his mastery of the miniature. By 1508, he had officially joined the Guild of Saint John and Saint Luke in Bruges, a testament to his standing among the professional elite. His career was marked by a seamless transition between the late Gothic sensibilities of his predecessors and the burgeoning nuances of the early Renaissance. This period of artistic evolution is perhaps most poignantly captured in his Self-portrait, a work that serves as much more than a mere likeness. In this miniature, Bening presents himself not simply as a craftsman, but as an intellectual, seated before an easel with spectacles in hand—a symbolic nod to the meticulous observation required by his craft and an alignment with Saint Luke, the patron saint of painters.

    A Legacy of Devotion and Detail

    The true magic of Bening’s work lies in his capacity to create "miniature worlds" that invite the viewer into a state of quiet contemplation. His Book of Hours serves as a prime example of this devotional artistry, where each page acts as a prayerful jewel intended to remind the faithful of the omnipresence of the divine. Through an exquisite manipulation of light and shadow, Bening achieved a sense of three-dimensionality that defied the small scale of his medium. His technique allowed for a breathtaking level of detail, from the subtle textures of luxurious fabrics to the atmospheric depth of landscapes that seem to stretch far beyond the borders of the page.

    Beyond his technical prowess, Bening’s historical significance is found in his role as a bridge between eras. While he maintained the rigorous traditions of the Ghent-Bruges school, his work embraced the new humanistic focus on detail and naturalism. His achievements are reflected in the enduring presence of his works in the world's most prestigious collections, where they continue to offer glimpses into the spiritual and aesthetic soul of the sixteenth century. Through his hands, the ephemeral beauty of illumination reached a pinnacle of perfection, leaving behind a legacy of light, color, and profound devotion.

    Museum

    Museum Boijmans Van Beuningen

    Udstillet i Rotterdam, Holland

    A Legacy Forged in Patronage: The Heart of Dutch Artistic Heritage

    Nestled within Rotterdam’s vibrant Museumpark, Museum Boijmans Van Beuningen stands as more than just a repository of art; it's a living chronicle of Dutch artistic evolution, a testament to centuries of patronage and visionary collecting. Founded in 1849 with the generous bequest of Frans Jacob Otto Boijmans, and subsequently enriched by the substantial contributions of Daniël George van Beuningen in 1958, this institution began as a personal collection—a passionate pursuit of beauty that quickly blossomed into one of Europe’s most significant art museums. The story isn't simply about accumulating masterpieces; it’s about a lineage of dedication to artistic endeavor, a tradition established by Boijmans himself and carried forward through generations. The museum’s very architecture reflects this commitment – designed by the brilliant Alexander Van der Steur in 1935, the building embodies a philosophy of service to art, prioritizing the artwork itself through subtle design choices that minimize visitor fatigue and maximize the impact of each piece. Notice the gentle level changes, the unobtrusive stairwells, all meticulously crafted to ensure the viewer’s focus remains firmly on the art within.

    Frans Jacob Otto Boijmans:

    A pioneering collector whose initial holdings laid the foundation for the museum's breadth and depth.

    Daniël George van Beuningen:

    His transformative donation in 1958 solidified the museum’s position as a leading cultural institution, ensuring its continued growth and relevance.

    Alexander Van der Steur’s Design:

    A masterpiece of functional architecture, prioritizing the artwork's experience over imposing grandeur.

    A Kaleidoscope of Artistic Voices: The Museum’s Remarkable Collection

    Boijmans Van Beuningen boasts an astonishing breadth, encompassing a staggering array of artistic styles and periods—from the spiritual fervor of medieval religious iconography to the groundbreaking explorations of Surrealism and beyond. Within its walls reside masterpieces by Rembrandt and Rubens, their dramatic lighting and masterful brushstrokes captivating visitors with scenes of biblical drama and opulent courtly life. The influence of Monet is palpable in his delicate depictions of light and water, while Picasso’s vibrant Cubist works challenge our perceptions of form and space. Sculptures by Rodin and Brancusi stand as powerful testaments to the human condition, their dynamic forms inviting contemplation. But perhaps most notably, the museum's collection includes a remarkable series of works by Peter Paul Rubens, particularly the monumental ‘Achilles series,’ a project that captivated audiences upon its unveiling and continues to inspire awe and admiration today. Beyond these iconic figures, Boijmans Van Beuningen’s holdings encompass decorative arts reflecting diverse cultural traditions—ceramics from Asia, textiles from South America, and furniture showcasing the craftsmanship of various European nations.

    Highlights Include:

    Rembrandt's "The Return of the Prodigal Son"

    Rubens’ “Achilles series”

    Monet’s “Impression, Sunrise”

    Picasso’s Cubist works

    Rodin and Brancusi sculptures

    Innovation in Preservation: The Depots of Boijmans

    Recognizing the limitations of a single physical space, Museum Boijmans Van Beuningen embarked on an innovative solution: the creation of Depot Boijmans Van Beuningen. Inaugurated in 2021, this vast, architecturally striking building serves as a public art depot—a place where the majority of the museum’s collection is safely stored and accessible to researchers, artists, and the general public. Designed by MVRDV, Depot Boijmans Van Beuningen isn't merely a warehouse; it’s an immersive experience that demystifies the process of conservation science. Visitors can witness firsthand how artworks are handled, protected, and studied—gaining a deeper appreciation for the complexities involved in preserving cultural heritage. The building itself is a marvel of engineering, featuring reflective plates that create a mirrored landscape, inviting contemplation and offering a unique perspective on the surrounding environment. Furthermore, Depot Boijmans Van Beuningen actively fosters dialogue between past and present through rotating exhibitions and educational programs, ensuring that the museum remains a vital force in shaping artistic understanding and inspiring creativity for generations to come.

    Contemporary Engagement & Future Horizons

    Recent years have witnessed a renewed commitment to contemporary engagement at Museum Boijmans Van Beuningen. Exhibitions like “Beyond Surrealism” showcase collaborations with artists from around the globe, reflecting the museum’s role as a catalyst for innovation and cross-cultural dialogue. The ongoing renovation of the main building—a project slated to reopen in 2030—promises to further enhance the visitor experience while preserving the museum's legacy. The spirit of experimentation and accessibility continues at Depot Boijmans Van Beuningen, offering unprecedented insight into art preservation and fostering a deeper appreciation for cultural heritage. As Rotterdam celebrates its vibrant artistic landscape, Museum Boijmans Van Beuningen remains steadfast in its conviction that art belongs to everyone, inspiring wonder and shaping our understanding of the world around us.

    Official Website:

    Museum Boijmans Van Beuningen

    Wikipedia Entry:

    Museum Boijmans Van Beuningen - Wikipedia

    Depot Museum Boijmans Van Beuningen:

    Depot Museum Boijmans Van Beuningen - Wikipedia

    Rotterdam:

    Rotterdam - Wikipedia

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Pentecost

    wahooart.com/da/art/download/simon-bening-pentecost-8XZA53-en/

    Kildehenvisning til dette kunstværk

    MLA
    Bening, Simon. Pentecost. 1490, Museum Boijmans Van Beuningen. https://wahooart.com/da/art/simon-bening-pentecost-8XZA53-en/
    APA
    Bening, Simon (1490). Pentecost [Painting]. Museum Boijmans Van Beuningen. https://wahooart.com/da/art/simon-bening-pentecost-8XZA53-en/
    Chicago
    Simon Bening. Pentecost. 1490. Museum Boijmans Van Beuningen. https://wahooart.com/da/art/simon-bening-pentecost-8XZA53-en/
    Harvard
    Bening, Simon (1490) Pentecost. Museum Boijmans Van Beuningen. Available at: https://wahooart.com/da/art/simon-bening-pentecost-8XZA53-en/

    Se nærmere efter

    Pentecost — Simon Bening

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Hvor mange ansigter kan du finde? ____ (vores katalog tæller 12 — er du enig?)
    4. Se tilbage på Landscape with St Jerome (1515) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvilken farve træder mest frem i "Pentecost"?

    Putty (#d3d1ce) er den dominerende farve i "Pentecost" af Simon Bening.

    Hvem er kunstneren bag "Pentecost"?

    Kunstneren bag "Pentecost" er Simon Bening. Værket er katalogiseret under Simon Benings navn.

    Hvad er formatet på "Pentecost"?

    Formatet på "Pentecost" er Portrait. Dette er nyttigt, når du planlægger, hvor en reproduktion skal placeres.