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Evening in Kerry No.2

Navn Klasse Dato

reginald gammon, Evening in Kerry No.2, Royal West of England Academy. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
reginald gammon wahooart.com/da/artists/reginald-gammon/
Kunstnerens levetid
1921 – 2005
Oprindelig størrelse
52 x 67 cm
Afholdt hos
Royal West of England Academy wahooart.com/da/museums/royal-west-of-england-academy-bristol_da/

I kontekst

Evening in Kerry No.2 — reginald gammon

Hvor stor er den?

Originalen måler 52 × 67 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

Skyggelagt: reginald gammon' livstid (1921–2005)

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wahooart.com/da/art/similar/reginald-gammon-evening-in-kerry-no-2-AQUM88-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Driftwood #897b42

    Gemt palet

    • #897B42
    • #514438
    • #85B484
    • #4F8462
    Primær farve
    Driftwood
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    reginald gammon

    Reginald Gammon: A Voice of the Civil Rights Movement Through Art

    Reginald Gammon (1921-2005) stands as a pivotal figure in American art, particularly for his unflinching portrayals of the Civil Rights Movement and the vibrant world of jazz music. Born in Philadelphia during a period of immense social upheaval, Gammon’s life and work were inextricably linked to the struggles and triumphs of Black Americans. He wasn't merely an observer; he was a participant, translating the urgency and complexity of his era onto canvas and into print, forging a distinctive visual language that continues to resonate today.

    Early Life and Artistic Foundations

    Reginald Adolphus Gammon’s artistic journey began at the Philadelphia Museum School of Industrial Art in 1941. This formative period exposed him to a diverse range of techniques, laying the groundwork for his later explorations of realism and social commentary. Crucially, his service in the United States Navy during World War II, stationed in Guam from 1944-1946, profoundly shaped his perspective. Witnessing firsthand the realities of war and displacement instilled within him a deep sense of empathy and a commitment to documenting the experiences of marginalized communities.

    Following the war, Gammon relocated to New York City, immersing himself in the burgeoning art scene. He honed his skills through further study at Tyler School of Fine Art and Temple University, absorbing influences from various movements while simultaneously developing his own unique style – one characterized by bold colors, dynamic compositions, and a powerful sense of immediacy.

    Spiral and the Rise of Black Artistic Activism

    A watershed moment in Gammon’s career arrived in 1963 when he joined Spiral, an influential collective of African American artists dedicated to addressing the social and political realities of the Civil Rights Movement. This group, centered around Romare Bearden's studio, represented a radical shift in artistic practice – a deliberate effort to integrate the concerns of Black Americans into their work. Spiral’s name itself—a reference to the spiral staircase at the Metropolitan Museum of Art—symbolized the collective’s ambition to ascend and challenge the established art world.

    Gammon's involvement with Spiral led to some of his most iconic works, including “Freedom Now” (1965), a searing depiction of a protest march that powerfully captured the spirit of resistance. These paintings weren’t simply representations; they were acts of social engagement, designed to provoke dialogue and inspire action.

    Themes and Techniques: Portraits of Protest and Everyday Life

    Gammon's artistic output spanned a diverse range of subjects, but several recurring themes consistently defined his work. The Civil Rights Movement remained a central focus, with paintings like “Harlem 66” (1966) offering unflinching portraits of individuals caught in the crosshairs of racial injustice. Beyond protest imagery, Gammon also depicted the vibrant culture of jazz music – capturing the energy and emotion of musicians and audiences alike. He was equally adept at portraying everyday life, imbuing scenes of urban landscapes and domestic interiors with a sense of quiet dignity and resilience.

    Technically, Gammon’s style evolved over time. Initially influenced by Social Realism, he gradually incorporated elements of Fauvism and Expressionism, utilizing bold colors and dynamic brushstrokes to convey emotion and create visual impact. His prints, often executed in limited color palettes, were characterized by their graphic power and meticulous attention to detail.

    Legacy and Historical Significance

    Reginald Gammon’s contribution to American art extends far beyond his individual paintings and prints. He was a key figure in the Black Arts Movement, actively challenging racial stereotypes and advocating for greater representation within the art world. His involvement with Spiral and the New Grounds Print Workshop played a crucial role in fostering artistic collaboration and promoting social justice.

    Furthermore, Gammon’s work served as a vital visual record of a turbulent era – documenting the struggles, triumphs, and everyday experiences of Black Americans during the Civil Rights Movement. His art continues to be studied and appreciated for its power, honesty, and enduring relevance. His papers, held at the Smithsonian Archives of American Art, offer invaluable insight into his life’s work and artistic philosophy.

    Museum

    Royal West of England Academy

    Udstillet i Bristol, United Kingdom

    A Beacon of British Art: The Soul of Bristol’s Royal West of England Academy

    Nestled within the elegant enclave of Bristol’s Clifton district, the

    Royal West of England Academy

    (RWA) stands as a profound testament to over 175 years of artistic devotion. To step through its doors is to enter a sanctuary where the weight of British tradition meets the vibrant pulse of contemporary innovation. Founded in 1844 through the indomitable vision of

    Ellen Sharples

    , the Academy emerged from the Bristol Society of Artists, born from a desire to capture the picturesque landscapes of the region. This institution was never merely a gallery; it was a movement, bolstered by the early support of luminaries such as Isambard Kingdom Brunel and Prince Albert, transforming a local collective into one of the United Kingdom’s most enduring regional bastions of fine art.

    The architectural grandeur of the RWA serves as a magnificent prelude to the treasures held within. Housed in a spectacular Grade II* listed building, the Academy’s facade commands attention with its imposing presence and classical grace. As one approaches, the eye is drawn to Corinthian pilasters and shell-heavened niches, where statues of legendary sculptors like

    John Flaxman

    and

    Sir Joshua Reynolds

    keep watch over the entrance. The subtle carvings of the Three Graces lend an ethereal quality to the stone, hinting at the beauty awaiting inside. Upon crossing the threshold, visitors are greeted by a world of refined elegance; colored marble floors gleam under soft light, and a meticulously crafted replica of the

    Parthenon Frieze

    adorns the walls, grounding the space in the timeless ideals of classical antiquity.

    The collection itself is a breathtaking tapestry of British art history, offering a journey through shifting aesthetics and profound cultural movements. The RWA celebrates the atmospheric depictions of the

    Newlyn School

    , which captured the rugged, salt-sprayed essence of Cornish fishing life, alongside the abstract, light-drenched energy of the

    St Ives School

    . Within these walls, the delicate floral contemplations of

    Elizabeth Blackadder

    exist in harmony with the spirited, personality-filled still lifes of

    Mary Fedden

    . For the collector or the designer seeking narrative depth, the works of

    Carel Weight

    offer psychological complexity, while the landscapes of

    Bernard Dunstan

    provide a window into evocative, storied terrains. This diversity ensures that the Academy remains a living archive, where the legacy of the Bloomsbury Group breathes alongside modern acrylic explorations like those of

    Alastair Milne Michie

    .

    Beyond its permanent holdings, the RWA thrives as a dynamic center for creative dialogue and education. Its renowned Open Exhibitions serve as a vital stage where seasoned professionals and emerging talents converge, fostering a unique connection between artists and the public. This spirit of engagement extends to the

    RWA Drawing School

    , which continues the Academy's long-standing commitment to the mastery of craft and skill development. Whether one is drawn by the historical resonance of its halls, the technical brilliance of its canvases, or the opportunity to witness the next generation of British masters, the Royal West of England Academy remains an essential destination—a place where every brushstroke tells a story and every visitor finds inspiration.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Evening in Kerry No.2

    wahooart.com/da/art/download/reginald-gammon-evening-in-kerry-no-2-AQUM88-en/

    Kildehenvisning til dette kunstværk

    MLA
    gammon, reginald. Evening in Kerry No.2. n.d., Royal West of England Academy. https://wahooart.com/da/art/reginald-gammon-evening-in-kerry-no-2-AQUM88-en/
    APA
    gammon, reginald (n.d.). Evening in Kerry No.2 [Painting]. Royal West of England Academy. https://wahooart.com/da/art/reginald-gammon-evening-in-kerry-no-2-AQUM88-en/
    Chicago
    reginald gammon. Evening in Kerry No.2. n.d. Royal West of England Academy. https://wahooart.com/da/art/reginald-gammon-evening-in-kerry-no-2-AQUM88-en/
    Harvard
    gammon, reginald (n.d.) Evening in Kerry No.2. Royal West of England Academy. Available at: https://wahooart.com/da/art/reginald-gammon-evening-in-kerry-no-2-AQUM88-en/

    Kig nærmere efter

    Evening in Kerry No.2 — reginald gammon

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Riders by a Lake tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

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