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Who

Navn Klasse Dato

rayhana mouaouia, Who (2021), African Leadership Academy. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
rayhana mouaouia wahooart.com/da/artists/rayhana-mouaouia/
Kunstnerens levetid
1999 – ?
Malet
2021
Medie
Oil On Canvas
Periode
Contemporary
Afholdt hos
African Leadership Academy wahooart.com/da/museums/african-leadership-academy-roodepoort_da/

I kontekst

Who — rayhana mouaouia

Hvornår er dette malet?

  1. 1990
  2. 2000
  3. 2010
  4. 2020

Skyggelagt: rayhana mouaouia' livstid (1999–?) ▲ dette værk, 2021

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wahooart.com/da/art/similar/rayhana-mouaouia-who-DD22WL-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Walnut #882211

    Gemt palet

    • #882211
    • #0B0504
    • #E45B17
    • #BD4215
    Farvepalette
    Dark Den dominerende farvefamilie i billedet.
    Primær farve
    Walnut
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Vivid Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Who — rayhana mouaouia

    2 moles of fear + 25 moles of vulnerability’ is a collection of photographs depicting my journeythrough depression and anxiety.It speaks about my authentic journey, far from the ‘strong woman’ and ‘weak helpless creature’ tropes. The exposition is a small simulation of what it is like to navigate life while going throughmajor hormonal imbalances that influence my perception and response to stimulus around me.The title is inspired by the chemical reaction that takes place inside our brains when hormoneslike endorphins and serotonin attach to their respective receptors. As someone with a GeneralizedAnxiety Disorder, these reactions don’t take place spontaneously and are externally induced mostof the time. ‘2 moles of fear + 25 moles of vulnerability’ is a visual art-piece collection thatdepicts with genuineness and authenticity my journey navigating through mental healthchallenges. It represents the raw and the real experience of experiencing anxiety on a daily basisthrough the lens of my camera. ‘2 moles of fear + 25 moles of vulnerability’ is a set of emotions,feelings, interactions, reactions, and palm trees capturing on camera and printed on canvas.

    Kunstner og museum

    Kunstner

    rayhana mouaouia

    Født i Casablanca, Morocco

    Rayhana Mouaouia: A Cartographer of the Inner Landscape

    Born in Casablanca, Morocco, in 1999, Rayhana Mouaouia’s artistic journey is deeply rooted in a complex and layered identity – one forged between her Moroccan heritage and her current life as a Canadian resident. This duality informs every facet of her work, creating pieces that are both intensely personal and universally resonant. Initially drawn to photography, Rayhana has rapidly evolved into a multidisciplinary artist, incorporating storytelling, poetry, and a keen awareness of the ethical considerations surrounding artificial intelligence – a field she actively explores through her studies in cognitive science at Barnard College.

    Rayhana’s artistic practice is fundamentally driven by an exploration of mental health, identity, and the intricate relationship between knowledge production and its societal impact. She doesn't simply document; she excavates, revealing the vulnerabilities and complexities that often lie hidden beneath the surface. Her work frequently grapples with themes of anxiety, fear, and self-perception, utilizing a distinctive visual language characterized by intimate portraits and evocative imagery. The recurring motif of “fear” – embodied in her series "My Heart is Not a Single Room," "Who," and "For a minute, I was someone else" – suggests an ongoing dialogue with internal struggles, presented not as pathologies but as fundamental aspects of the human experience.

    The Language of Vulnerability

    Rayhana’s photographic style is immediately arresting. She employs a deliberate softness, often utilizing natural light and close-up framing to create a sense of immediacy and intimacy. The compositions are rarely overtly staged; instead, she captures moments of quiet contemplation, fleeting expressions, and subtle shifts in posture – details that speak volumes about the internal state of her subjects. Her use of color is restrained yet impactful, favoring muted tones and carefully chosen palettes that amplify the emotional weight of each image. There’s a palpable honesty in her work, a refusal to sanitize or romanticize difficult emotions.

    The titles she chooses for her pieces – “My Heart is Not a Single Room,” “Who,” and “For a minute, I was someone else” – are not merely descriptive; they function as poetic pronouncements, offering glimpses into the narratives she’s constructing. These phrases suggest a fragmented self, a sense of being perpetually in transition, constantly negotiating between different facets of identity. The reference to "Moles of Fear and Vulnerability" hints at a scientific approach to understanding emotional states, reflecting her academic interests and her desire to articulate these experiences with precision.

    Influences and Artistic Development

    While Rayhana’s work is undeniably contemporary, it draws upon a rich tapestry of influences. Her Moroccan heritage undoubtedly plays a significant role in shaping her aesthetic sensibility – the intricate patterns, vibrant colors, and layered narratives often found in traditional Moroccan art are subtly echoed in her compositions. Furthermore, she cites feminist theory and intersectional studies as key intellectual currents informing her practice, particularly her engagement with AI ethics. The work of artists like Cindy Sherman, whose self-portraits explore identity through performance and manipulation, and Francesca Woodman, known for her hauntingly intimate photographs of the body, are frequently referenced as points of reference.

    Her involvement as a director associate at the Barnard Center for Engaged Pedagogy demonstrates a broader commitment to social justice and critical thinking. This experience likely informs her approach to storytelling, encouraging her to consider the ethical implications of representation and the power dynamics inherent in artistic practice.

    Recognition and Future Directions

    Rayhana Mouaouia’s work has garnered increasing attention within the contemporary art world. Featured prominently on Google Arts & Culture, she is establishing herself as a significant voice exploring complex themes with sensitivity and intelligence. Her ability to translate personal experiences into compelling visual narratives positions her as an artist deeply attuned to the anxieties and uncertainties of our time. As she continues to develop her practice, we can anticipate further explorations of identity, technology, and the human condition – all viewed through the lens of a uniquely perceptive and emotionally resonant artistic vision.

    Her current projects continue to push boundaries, demonstrating a commitment to both artistic innovation and social responsibility. Rayhana Mouaouia is not simply an artist; she’s a cartographer charting the often-unseen territories of the inner landscape – a vital contribution to contemporary art and beyond.

    Museum

    African Leadership Academy

    Udstillet på Roodepoort, Sydafrika

    African Leadership Academy: Formning af morgendagens ledere gennem innovation og samarbejde

    Beliggende i den livlige forstad Honeydew i Johannesburg, Sydafrika, står African Leadership Academy (ALA) som et fyrtårn for transformativ uddannelse—et rum, hvor ungdommelig ambition smelter sammen med en dyb forpligtelse til at omforme kontinentets bane. I modsætning til konventionelle museer, der prioriterer statiske udstillinger, præsenterer ALA sin historie gennem dynamiske fortællinger vævet ind i udforskningen af campus og engagerende begivenheder, hvilket skaber en fordybende oplevelse for besøgende, der er ivrige efter at forstå dens mission.

    Om ALA:

    Grundlagt i 2008 af Fred Swaniker, var ALAs vision enkel, men ambitiøs: at kultivere den næste generation af afrikanske ledere, udrustet med de færdigheder og det mindset, der er nødvendigt for at fremme fremskridt over hele kontinentet. Med en bemærkelsesværdig selektiv optagelsesrate på blot 4%, tiltrækker ALA ekstraordinære studerende fra over 40 nationer—et vidnesbyrd om dens dedikation til mangfoldighed og et globalt perspektiv.

    Studentprofiler & Impact-historier:

    Akademiets kerne styrke ligger i at fremvise de enkelte studerendes rejser – deres baggrunde, passioner og igangværende projekter. Disse fortællinger belyser de udfordringer, Afrika står overfor, og hvordan ALA-alumner aktivt baner vejen for innovative løsninger, fra styrkelse af sundhedssystemer gennem open-source engineering til håndtering af kriseberedskab gennem ungdomsledet handling.

    Campusarkitektur & Design:

    ALAs campus legemliggør dens uddannelsesfilosofi—et moderne arkitektonisk vidunder designet til at stimulere samarbejde og inspirere kreativitet. Ved at benytte bæredygtige byggemetoder rummer området adskillige sammenhængende områder, der opmuntrer til teamwork og fremmer en følelse af fællesskab blandt de studerende.

    Akademiets historie har rødder i Global Leadership Adventures, et sommerprogram etableret i 2004, som fungerede som genesis for ALAs kerne mission. Anerkendt af Echoing Green som en af de førende fremspirende sociale iværksættere på verdensplan, har Swanikers og Bradfords pionerånd drevet ALAs vækst.

    Bemærkelsesværdige bedrifter:

    Siden sin begyndelse har ALA plejet et kraftfuldt alumni-netværk bestående af 1.865 studerende fra hele Afrika. Disse kandidater har forfulgt videregående uddannelse ved prestigefyldte universiteter verden over—med svimlende 230 millioner dollars i stipendier, hvilket demonstrerer Akademiets dedikation til at styrke fremtidige generationer.

    Samfundsengagement & Innovation:

    ALA-alumner har iværksat over 483 virksomheder, der skaber jobs og fremmer økonomisk vækst i deres lokalsamfund. Fra Fatima Al Ansar, Malis yngste diplomat, til Mohamed Echkouna, mauritansk filmskaber og vinder af en Netflix filmkonkurrence, eksemplificerer ALA-kandidater lederskab og kreativitet.

    ALA fortsætter med at udvikle sig ved at prioritere slagkraftig historiefortælling og inspirere besøgende med glimt af det transformative potentiale i ungdommeligt engagement—en arv, der er skæbnebestemt til at forme Afrikas fremtid i årtier fremover.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Who

    wahooart.com/da/art/download/rayhana-mouaouia-who-DD22WL-en/

    Kildehenvisning til dette kunstværk

    MLA
    mouaouia, rayhana. Who. 2021, African Leadership Academy. https://wahooart.com/da/art/rayhana-mouaouia-who-DD22WL-en/
    APA
    mouaouia, rayhana (2021). Who [Painting]. African Leadership Academy. https://wahooart.com/da/art/rayhana-mouaouia-who-DD22WL-en/
    Chicago
    rayhana mouaouia. Who. 2021. African Leadership Academy. https://wahooart.com/da/art/rayhana-mouaouia-who-DD22WL-en/
    Harvard
    mouaouia, rayhana (2021) Who. African Leadership Academy. Available at: https://wahooart.com/da/art/rayhana-mouaouia-who-DD22WL-en/

    Se nærmere efter

    Who — rayhana mouaouia

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Indeed, with Hardship, Comes Ease. (2 Moles Of Fear + 25 Moles of Vulnerability) (2021) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. rayhana mouaouia var omkring 22 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.