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Interventions in situations-II_SECTION 1

Navn Klasse Dato

Rathin Barman, Interventions in situations-II_SECTION 1 (2013), Devi Art Foundation. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
Rathin Barman wahooart.com/da/artists/rathin-barman/
Kunstnerens levetid
1981 – ?
Malet
2013
Afholdt hos
Devi Art Foundation wahooart.com/da/museums/devi-art-foundation-gurugram/

In context

Interventions in situations-II_SECTION 1 — Rathin Barman

Hvornår er dette malet?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Skyggelagt: Rathin Barman' livstid (1981–?) ▲ dette værk, 2013

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wahooart.com/da/art/similar/rathin-barman-interventions-in-situations-ii-section-1-D5DFX4-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Rosy Brown #a2957a

    Gemt palet

    • #A2957A
    • #7B6D56
    • #C5C2B1
    • #2A2833
    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Primær farve
    Rosy Brown
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    Rathin Barman

    Born in Tripura, India

    Rathin Barman: Exploring Fluidity Through Architectural Landscapes

    Rathin Barman, born in Tripura, India in 1981, is a prolific artist whose work transcends traditional boundaries, delving into the complexities of sociopolitical narratives through innovative sculptural and architectural explorations. His artistic journey began with formal education in 2010, shaping his perspective on how art can serve as a conduit for understanding historical contexts. Barman’s core preoccupation lies in examining architecture not merely as static structures but as dynamic entities that embody and communicate history—a deliberate challenge to the conventional notion of permanence.

    Early Influences: Barman's artistic sensibilities were nurtured by a fascination with urban environments and their role in shaping human experience.

    Conceptual Framework: He operates under a conceptual framework that prioritizes fluidity and evolution, recognizing that buildings are constantly adapting to social forces and cultural shifts.

    Medium Exploration: Primarily focused on sculpture, Barman utilizes materials like concrete and steel to create monumental pieces that engage with spatial dimensions and provoke contemplation about societal structures.

    His sculptural work, notably “Interventions in Situations-II_SECTION 1” (2013), exemplifies this approach. The piece confronts viewers with a deliberate disruption of conventional architectural forms, prompting reflection on how spaces can influence behavior and perception. Similarly, "Interventions in Situations-II_SECTION-2" continues to explore similar themes, furthering Barman’s commitment to questioning established paradigms. Collaborating with Colaba Gallery has cemented his position within the contemporary art scene, showcasing his vision to a wider audience.

    Notable Achievements and Exhibitions

    Barman's artistic endeavors have garnered recognition through numerous exhibitions across prominent galleries and museums internationally. These presentations underscore the significance of his contribution to contemporary art discourse—specifically, his ability to articulate complex ideas about identity and social dynamics through visual mediums. His work consistently seeks to provoke dialogue and inspire viewers to consider alternative interpretations of familiar landscapes.

    Colaba Gallery Exhibitions: Several exhibitions at Colaba Gallery have solidified Barman’s reputation as a visionary artist.

    International Recognition: His sculptures have been showcased in prestigious venues globally, attracting critical acclaim and furthering his artistic impact.

    Symbolism and Technique

    Barman's sculptural technique is characterized by meticulous attention to detail and a masterful manipulation of materials. Concrete and steel are employed not just for structural integrity but also as symbolic representations of resilience and transformation—mirroring the artist’s conceptual preoccupation with societal change. The deliberate fragmentation and rearrangement of architectural elements serve as visual metaphors for dismantling preconceptions and fostering new perspectives.

    Ultimately, Rathin Barman's art stands as a testament to the power of artistic inquiry—a persistent investigation into how our surroundings shape who we are and how we interpret history.

    Museum

    Devi Art Foundation

    On show in Gurugram, India

    A Sanctuary of South Asian Vision: The Devi Art Foundation

    In the bustling heart of Gurugram, where industrial progress meets the rapid pulse of modern India, lies a profound sanctuary for the soul: the Devi Art Foundation. More than a mere repository for objects, this institution serves as a luminous beacon for the evolving artistic landscape of South Asia. Established through the visionary passion of Anupam and Lekta Poddar, the foundation was born from a deep-seated desire to elevate the visibility of creative expression within the subcontinent. It stands as a testament to the power of private patronage, transforming a personal devotion to art into a public stage where the diverse voices of a region can converge, clash, and coalesce into a shared cultural narrative.

    The collection itself is an expansive, breathing entity, boasting over 7,000 pieces that traverse the delicate boundaries between the ancient and the avant-garde. To wander through its halls is to embark on a temporal journey; one might find themselves captivated by the intricate precision of a Pahari miniature, such as Nainsukh’s

    “Durga Confronts the Buffalo Demon Mahisha,”

    where Mughal and Persian influences dance across the surface to recount the grandeur of Hindu mythology. Yet, this reverence for tradition is seamlessly juxtaposed with the raw energy of contemporary sculpture and tribal art that celebrates India’s rich, multifaceted heritage. The collection thrives on this tension, offering experimental works that push the limits of medium and meaning, challenging every preconceived notion of what South Asian art can be.

    Architectural Harmony and the Spirit of Innovation

    The physical presence of the Devi Art Foundation is as much a work of art as the treasures it houses. Designed by the architect Aniket Bhagwat, the museum’s structure is a masterclass in material dialogue. By blending the rugged, weathered texture of Corten steel with the organic warmth of handmade bricks, the architecture reflects a deliberate reverence for both industrial innovation and artisanal craftsmanship. This intentional marriage of materials mirrors the collection's own duality—the intersection of the modern moment and the enduring weight of history. The expansive, light-filled spaces are thoughtfully curated to prioritize visitor engagement, creating an immersive environment where the boundary between the observer and the observed begins to dissolve.

    What truly distinguishes the Devi Art Foundation is its pioneering spirit as India’s inaugural private museum dedicated specifically to contemporary art. This unique autonomy grants curators the freedom to pursue ambitious, unconstrained programming that transcends commercial limitations. Notable exhibitions, such as the groundbreaking

    “Still Moving Image,”

    have spotlighted the cinematic potential of video and photography through the eyes of twenty-five Indian artists, fostering a vibrant intellectual exchange. Through initiatives like Khoj Studios, the foundation actively bridges the gap between art production and public discourse, ensuring that art is never cloistered within institutional walls but remains an active, debating presence in the lives of the community.

    For the collector seeking depth or the interior designer searching for inspiration, the Devi Art Foundation offers a profound lesson in curation and atmosphere. It is a place where history is not just remembered but reimagined, and where every corner invites a new way of seeing. By fostering a culture of critical engagement and celebrating the shared histories of the Indian Subcontinent, the foundation continues to inspire a new generation of thinkers, ensuring that the pulse of South Asian creativity beats stronger and more vibrantly than ever before.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Interventions in situations-II_SECTION 1

    wahooart.com/da/art/download/rathin-barman-interventions-in-situations-ii-section-1-D5DFX4-en/

    Kildehenvisning til dette kunstværk

    MLA
    Barman, Rathin. Interventions in situations-II_SECTION 1. 2013, Devi Art Foundation. https://wahooart.com/da/art/rathin-barman-interventions-in-situations-ii-section-1-D5DFX4-en/
    APA
    Barman, Rathin (2013). Interventions in situations-II_SECTION 1 [Painting]. Devi Art Foundation. https://wahooart.com/da/art/rathin-barman-interventions-in-situations-ii-section-1-D5DFX4-en/
    Chicago
    Rathin Barman. Interventions in situations-II_SECTION 1. 2013. Devi Art Foundation. https://wahooart.com/da/art/rathin-barman-interventions-in-situations-ii-section-1-D5DFX4-en/
    Harvard
    Barman, Rathin (2013) Interventions in situations-II_SECTION 1. Devi Art Foundation. Available at: https://wahooart.com/da/art/rathin-barman-interventions-in-situations-ii-section-1-D5DFX4-en/

    Look closely

    Interventions in situations-II_SECTION 1 — Rathin Barman

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Home, and a Home, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Rathin Barman was about 32 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.