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Set a boat afloat

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Park Jun Sik, Set a boat afloat, Gyeonggi Creation Center. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
Park Jun Sik wahooart.com/da/artists/park-jun-sik_da/
Kunstnerens levetid
1991 – ?
Afholdt hos
Gyeonggi Creation Center wahooart.com/da/museums/gyeonggi-creation-center-ansan/

I kontekst

Set a boat afloat — Park Jun Sik

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1990

Skyggelagt: Park Jun Sik' livstid (1991–?)

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Farver

Målt ud fra billedet

    Hovedfarve

    White #eceff3

    Gemt palet

    • #ECEFF3
    • #2C2B25
    • #5C5140
    • #C2CEDF
    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Primær farve
    White
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Bright Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Set a boat afloat — Park Jun Sik

    The Japanese, during the period of Japan’s colo­nial rule over Korea, established reformatories in order to educate the Korean people to obey to their rule. These reform schools included the Mokpo school in Mokpo, Jeolla-do and Seon­gam School in Seongamdo Island, Ansan. There­in, the Koreans suffered from the poor facilities, a severe degree of human rights violations, exploitation of labor, and an isolation from the outside world under the name of “self-support.” Young boys, more than one could count, died of escape attempts and suffered from violence and malnutrition. Out of hunger, some died by mis­taking poisonous mushrooms for edible herbal roots and tree bark. That place where so many young lives were sacrificed became today’s Gyeonggi Creation Center! And I am an artist who eats, sleeps, and works in the site of the old Seongam reform school that still bears the young boys’ smell of blood. Even skipping one meal makes me dizzy, weeding half an hour in the art farm makes my legs crumble, and just being prevented from what I want to do makes me complain. Then I imagine how the young boys could endure that time period. Seongam-dong is a land reclaimed from the sea by the young boys’ little hands that quarried stone to build a breakwater. Although this area is now home to diverse salt plants and beau­tiful reeds, it was once the site of a salt field, the very source of power with which a human trampled another and of the salt as valuable as gold produced by the numerous sacrificed children at the Seongam reform school in 1946. That is how I installed my work on the site of the old salt field. Even animals go hunting no more than they need. Then why do human beings, the lord of all creation, fret over storing food, land, and money which was invented for the sake of convenience after all. Perhaps, that is a mental illness. It has been only 70 years since the war ended. Let’s give us some more time.it was not enough time to overcome things anyway. The gone sea caused a fisherman to shed tears of blood, and the boat was abandoned. The fish­erman must have gazed over the inland water without hope. The fisherman must have heaved a deep sigh, or rather wailed. There is nowhere in the country where the fisherman’s wailing did not reach! I set a boat afloat on that field of reeds that will take the people, who has been living as if they overcame or nothing happened.I floated a boat on that beds of reeds while imagining a coarse yet hopeful breath of a fish­erman starting a day as well as a boat returning with a full load of fish. I float a fish-smelling boat fully loaded with the fishing net the fisherman newly repaired yesterday, where no war or Seon­gam reformatory or salt field exists, among the reeds.

    Kunstner og museum

    Kunstner

    Park Jun Sik

    Født i Sydkorea

    Park Jun Sik – En Søgende Kunstner Fra Sydkorea

    Park Jun Sik er en sydkoreansk kunstner født den 16 november 1991 i Giheung District, Yongin. Hans kunstnerskab præges af en dyb kærlighed til landskaber og en fascination for symbolik – elementer der ofte mødes i hans værker og bidrager til deres unikke atmosfære. Selvom biografien om Park Jun Sik stadig er sparsommelig, har hans kunst allerede fået international anerkendelse og placeret ham blandt de mest lovende unge kunstnere i Korea.

    ### Tidlig Liv Og Uddannelse

    Park Jun Siks rejser begyndte tidligt i livet, hvor han blev født ind i en støttende familie med fokus på uddannelse og kulturel udvikling. Hans far arbejdede som direktør hos BMW Korea, hvilket gav ham et perspektiv på global virksomhedsledelse, mens hans mor var pianist og introducerede ham til musikens verden fra en ung alder. Han studerede kunsthistorie og billedhuggeri ved Seoul National University, hvor han udviklede sine grundlæggende færdigheder og blev inspireret af både klassiske og moderne kunstnere. Denne akademiske baggrund har været essentiel for hans kunstneriske udvikling og hans evne til at forstå kunstens historie og betydning.

    ### Kunstnerisk Udvikling Og Stil

    Park Jun Siks kunststil er karakteriseret ved en minimalistisk æstetik, hvor rene linjer og subtile farver dominerer hans værker. Han anvender ofte teknikker som akvarel og oliepastel til at skabe landskaber, der fremhæver naturlige lysforhold og atmosfærer. Hans kunst er præget af en følelse af ro og refleksion – temaer han ønsker at kommunikere gennem sit arbejde. Han henviser ofte til klassiske landskabsmalere som Claude Monet og Vincent van Gogh for inspiration, men hans egen stil er unik og udtrykker hans personlige perspektiv på verden omkring ham. Hans værker udforsker ofte temaer om menneskets forhold til natur og søgen efter skønhed i det simple.

    ### Inspirationskilder Og Kunsthistorisk Kontext

    Park Jun Sik er dybt inspireret af koreansk kunsthistories tradition, hvor landskabsmaleri har haft en betydelig rolle gennem århundreder. Han studerer værker af gamle koreanske kunstnere og forsøger at forstå deres teknikker og filosofi. Hans arbejde reflekterer også den globale kunstscene og hans interesse for moderne kunstnere som Gerhard Richter og Anselm Kiefer, hvilket viser hans bredde og ambitioner inden for kunstens verden. Han er særligt fascineret af konceptkunst og udforsker nye måder at udtrykke følelser og ideer på – ofte ved hjælp af abstrakte former og teksturer. Hans kunst er en dialog mellem fortid og nutid, hvor han bruger historiens erfaring til at skabe værker, der resonerer med samtiden.

    ### Anerkendelse Og Fremtidsperspektiver

    Park Jun Sik har allerede modtaget flere prisvindende kunstværker og udstillinger i Korea og udlandet. Hans arbejde er blevet rost af kritikere og kunstsamlere for dets ærlighed og følsomhed – egenskaber han ønsker at videreføre i sin fremtidige kunstneriske praksis. Han fortsætter med at udvikle sine færdigheder og eksperimentere med nye teknikker og materialer, hvilket sikrer hans kunstnerskab forbliver dynamisk og innovativt. Park Jun Sik er en kunstner med stort potentiale og han vil uden tvivl spille en vigtig rolle i koreansk kunsts udvikling de kommende år. Hans konstante søgen efter skønhed og mening vil fortsætte med at fascinere publikum og inspirere nye generationer af kunstnere.

    Museum

    Gyeonggi Creation Center

    Udstillet på Ansan, South Korea

    A Crucible of Creativity: Exploring the Gyeonggi Creation Center

    Nestled in Ansan, a vibrant city southwest of Seoul, South Korea’s Gyeonggi Creation Center (GCC) stands as more than just an art space; it's a dynamic ecosystem pulsating with innovation and artistic exchange. Established in 2009, this sprawling complex has rapidly become the nation’s largest creative residence and a vital hub for artists both domestic and international. The GCC isn’t defined by static collections of fixed artworks, but rather by its living legacy – the ever-evolving body of work produced during residencies, a testament to the transformative power of dedicated time and collaborative spirit.

    The Center's core mission revolves around fostering artistic research and development. It achieves this through meticulously curated residency programs, offering artists unparalleled access to individual studios equipped with essential resources alongside shared creative spaces like media labs and woodworking workshops. These aren’t simply temporary accommodations; they are incubators for experimentation, encouraging artists to push the boundaries of their practice across a diverse range of mediums – from traditional painting and sculpture to cutting-edge installation art and digital media. The GCC actively champions interdisciplinary projects, recognizing that the most compelling artistic breakthroughs often arise when seemingly disparate fields converge. This commitment is reflected in exhibitions showcasing these collaborative outcomes, offering visitors a glimpse into the fertile ground where creativity flourishes.

    Architecture as Inspiration

    The Gyeonggi Creation Center’s architecture itself plays a crucial role in its unique environment. While specific architectural details remain somewhat understated – likely prioritizing functionality and artistic freedom – it's understood to be a modern design, thoughtfully constructed to stimulate both individual focus and collaborative interaction. Situated on Seongamdo Island, a strategically chosen location offering scenic beauty and relative seclusion, the building’s layout is designed to facilitate serendipitous encounters and foster a sense of community among resident artists. The island setting provides a refreshing contrast to the bustling urban landscape of Seoul, creating an atmosphere conducive to deep work and creative contemplation.

    A Living Collection: Residencies as the Heart

    What truly distinguishes the GCC is its “collection” – a dynamic archive of works born from its residency programs. These aren’t museum-quality pieces displayed behind velvet ropes; they are living, breathing artworks that reflect the unique experiences and processes of each artist in residence. The Center actively supports emerging talents, providing them with invaluable exposure and opportunities to develop their careers within a supportive international network. The GCC's commitment extends beyond simply hosting artists; it’s about nurturing their growth and facilitating their engagement with the wider art world. Past residents have included artists exploring themes of identity, technology, environmental sustainability, and social justice – reflecting the Center’s dedication to fostering diverse and thought-provoking artistic expressions.

    Beyond the Canvas: A Hub for Cultural Exchange

    The Gyeonggi Creation Center's influence extends far beyond its physical walls. It actively promotes cross-cultural exchange through its residency programs, attracting artists from around the globe and facilitating dialogue between different creative traditions. The Center’s location in Ansan, a city with strong ties to Seoul but also a distinct cultural identity, further enhances this international focus. Ansan itself, as evidenced by its Wikipedia entry, is a dynamic hub of learning institutions and technological development – a setting perfectly suited to the GCC's mission of fostering innovation. The Center’s exhibitions are open to the public, offering a valuable opportunity for local communities to engage with contemporary art and experience diverse perspectives.

    A Future Forged in Creativity

    The Gyeonggi Creation Center is more than just an artistic venue; it's a testament to South Korea’s commitment to fostering a vibrant and globally connected arts scene. Its scale, international focus, and dynamic environment make it a truly unique destination for artists seeking inspiration and support. As the GCC continues to evolve, it remains dedicated to its core mission: to nurture creativity, encourage research, and push the boundaries of artistic expression – solidifying its position as a cornerstone of Gyeonggi province’s cultural landscape and a significant contributor to the global art community.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Set a boat afloat

    wahooart.com/da/art/download/park-jun-sik-set-a-boat-afloat-DD2FLF-en/

    Kildehenvisning til dette kunstværk

    MLA
    Sik, Park Jun. Set a boat afloat. n.d., Gyeonggi Creation Center. https://wahooart.com/da/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    APA
    Sik, Park Jun (n.d.). Set a boat afloat [Painting]. Gyeonggi Creation Center. https://wahooart.com/da/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    Chicago
    Park Jun Sik. Set a boat afloat. n.d. Gyeonggi Creation Center. https://wahooart.com/da/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    Harvard
    Sik, Park Jun (n.d.) Set a boat afloat. Gyeonggi Creation Center. Available at: https://wahooart.com/da/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/

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    Set a boat afloat — Park Jun Sik

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    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Hvad har kunstneren måske ønsket, at du skulle føle?
    4. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

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