Papirformat

Guide til elevkunst

Chrysanthemum

5 parts 1 The artwork2 In context3 About this artwork4 Artist and museum5 Look closely

Navn Klasse Dato
ogata kenzan, Chrysanthemum (1743). Offentlig ejendom.

Fakta om værket

Kunstner
ogata kenzan wahooart.com/da/artists/ogata-kenzan/
Kunstnerens levetid
1663 – 1743
Malet
1743
Oprindelig størrelse
33 x 54 cm

In context

Chrysanthemum — ogata kenzan

How big is it?

The original measures 33 × 54 cm (height × width), drawn here beside an adult of average height.

Hvornår er dette malet?

  1. 1660
  2. 1670
  3. 1680
  4. 1690
  5. 1700
  6. 1710
  7. 1720
  8. 1730
  9. 1740

Skyggelagt: ogata kenzan' livstid (1663–1743) ▲ dette værk, 1743

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wahooart.com/da/art/similar/ogata-kenzan-chrysanthemum-D2XGDW-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Driftwood #cba962

    Gemt palet

    • #CBA962
    • #A09F9C
    • #DDD8C8
    • #767354
    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Primær farve
    Driftwood
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Chrysanthemum — ogata kenzan

    A cluster of white chrysanthemum blossoms and their rich green leaves and stalks stand out against a gold-leafed background. The seal and signature—indicating his age as eighty-one— of the artist Ogata Kenzan, one of the principal masters of the mid-Edo period Rinpa school, appear to the right. The fan painting is striking for the bold but simple design, its limited palette and close-up view of the flowers and leaves, and an overlapping of the blossoms that provides a three-dimensional quality, contrasting with the flatness of the gilded background.Tenzan, younger brother of the renowned painter Ogata Kōrin (1658–1716), was educated in literature and the arts as befitted a well-to-do gentleman, and became a skilled calligrapher, although he is known primarily as a ceramics artist. For his ceramic wares he sometimes collaborated with Kōrin, who provided painted designs to ornament the vessels. However, Kenzan was himself a gifted painter, and created paintings in various formats. This fan reflects the influence of his brother, who produced numerous images of chrysanthemums, inspired by Chinese and Japanese literary references to the flowers associated with the autumn season and longevity.

    Kunstner og museum

    Chrysanthemum — ogata kenzan

    Kunstner

    ogata kenzan

    The Soul of the Edo Period: The Life and Legacy of Ogata Kenzan

    In the vibrant, culturally rich landscape of the Edo period, few names resonate with as much grace and multidisciplinary mastery as Ogata Kenzan. Born in 1663 as Ogata Shinsei into a prosperous Kyoto kimono merchant family, Kenzan was destined for a life steeped in the finest aesthetics of Japan. His upbringing within the Kariganeya shop—a business patronized by the very elite of the Tokugawa shogunate—provided him with an intimate understanding of texture, pattern, and the profound importance of visual harmony. While his elder brother, the legendary painter Ogata Kōrin, would go on to define the expressive brushwork of the Rinpa school, Kenzan carved a unique path that bridged the gap between the tactile world of ceramics and the ethereal realm of painting.

    Kenzan’s artistic journey was deeply rooted in the traditions of Kyoto. He sought mentorship under the esteemed potter Nonomura Ninsei, whose mastery of Kyō ware provided Kenzan with a foundational command over subtle glazes and elegant forms. This training was not merely technical; it was an immersion into a philosophy where every vessel held the potential for storytelling. As he matured, Kenzan established his own kiln in Narutaki, mirroring the workshop environments of his predecessors.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Chrysanthemum

    wahooart.com/da/art/download/ogata-kenzan-chrysanthemum-D2XGDW-en/

    Kildehenvisning til dette kunstværk

    MLA
    kenzan, ogata. Chrysanthemum. 1743, https://wahooart.com/da/art/ogata-kenzan-chrysanthemum-D2XGDW-en/
    APA
    kenzan, ogata (1743). Chrysanthemum [Painting]. https://wahooart.com/da/art/ogata-kenzan-chrysanthemum-D2XGDW-en/
    Chicago
    ogata kenzan. Chrysanthemum. 1743. https://wahooart.com/da/art/ogata-kenzan-chrysanthemum-D2XGDW-en/
    Harvard
    kenzan, ogata (1743) Chrysanthemum. Available at: https://wahooart.com/da/art/ogata-kenzan-chrysanthemum-D2XGDW-en/

    Look closely

    Chrysanthemum — ogata kenzan

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Incense Container with Design of Plum Sprays in underglaze Brown and Blue, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. ogata kenzan was about 80 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.