Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. Nicolas Neufchatel døde i 1567; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 1637.
I kontekst
Wenzel jamnitzer. — Nicolas Neufchatel
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 43 ved død.
Skyggelagt: Nicolas Neufchatel' livstid (1524–1567) hvert dateret maleri, årti for årti
Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Se flere lignende værker her: wahooart.com/da/art/similar/nicolas-neufchatel-wenzel-jamnitzer-A2AAAN-en/
Målt ud fra billedet
Primær farve
Black #0e1513
Katalogiseret palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 99,9% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 12 værker af denne kunstner, hvoraf 3 er blevet set mindst én gang. Dette maleri rangerer som nummer 2 af dem med 33,3% af den samlede opmærksomhed. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Kunstner og museum
Nicolas Neufchatel (c. 1527 – c. 1590), known as Lucidel, stands as a pivotal figure in the artistic landscape of the mid-16th century, particularly celebrated for his exquisitely rendered portraits executed during his time in Nuremberg and Antwerp. While biographical details remain somewhat elusive—scholarly consensus suggests he was born around 1527—his legacy endures through an impressive oeuvre that exemplifies the humanist ideals prevalent at the dawn of the Baroque era.
His artistic journey commenced in Antwerp, where he studied under Pieter Coecke van Aelst and absorbed the stylistic innovations championed by Frans Floris and Willem Key. These formative influences instilled within him a meticulous attention to detail and a profound understanding of chiaroscuro—the dramatic interplay of light and shadow—techniques that would become hallmarks of his distinctive style. The Antwerp Guild of St. Luke documented his enrollment in 1539, marking the beginning of his professional career amidst a vibrant artistic milieu.
A significant turning point arrived in 1561 when Neufchatel relocated to Nuremberg, driven by religious convictions following the Protestant Reformation. This move coincided with a period of intense intellectual and artistic ferment within the city—a crucible for Mannerism and Proto-Baroque experimentation. His presence in Nuremberg solidified his reputation as one of the foremost portrait painters of the decade, securing commissions from prominent dignitaries and demonstrating an unparalleled ability to capture psychological nuance alongside physical likeness. Notably, he produced a captivating portrait of Johann Gregor van der Schardt in 1567, showcasing his mastery of capturing emotion and conveying character with remarkable subtlety.
Despite continuing artistic activity after 1567—including the depiction of Emperor Maximilian II—information regarding Neufchatel’s later life remains sparse. He continued to reside in Nuremberg until at least 1573, furthering his artistic endeavors amidst a flourishing cultural environment. His work reflects not only technical virtuosity but also an engagement with humanist ideals and a sensitivity to the complexities of human experience—qualities that contribute significantly to his enduring artistic significance.
Neufchatel’s artistic output comprises approximately sixty paintings and drawings, predominantly portraits, landscapes, and genre scenes. He skillfully employed oil paint on canvas, favoring muted palettes and delicate brushstrokes to achieve an ethereal quality that distinguishes him from many of his contemporaries. His portraits are distinguished by their psychological depth—capturing expressions of contemplation, dignity, and inner turmoil with remarkable precision. Furthermore, he demonstrated a keen understanding of spatial perspective and atmospheric effects, particularly evident in his landscapes which evoke the serene beauty of the German countryside.
His influence extends beyond his immediate artistic output; Neufchatel’s stylistic innovations helped shape the trajectory of portraiture during the Baroque period. He championed a refined aesthetic characterized by understated elegance and psychological realism—a legacy that continues to inspire artists today. Nicolas Neufchatel remains an artist whose work embodies the spirit of humanist inquiry and artistic excellence, securing his place as a cornerstone of Renaissance art history.
wahooart.com/da/art/download/nicolas-neufchatel-wenzel-jamnitzer-A2AAAN-en/
Se nærmere efter
Wenzel jamnitzer. — Nicolas Neufchatel
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"Wenzel jamnitzer." kan undersøges lag for lag på værkets Røntgenoptagelse-side, en interaktiv viewer inspireret af en konservators lysbænk med elleve optiske lag af billedet.
Statistikker for "Wenzel jamnitzer." af Nicolas Neufchatel findes på værkets Besøgsstatistik-side: månedlige besøg på værket, besøg på kunstnerens øvrige værker samt en opdeling af de seneste besøgende efter land og sprog.
"Wenzel jamnitzer." af Nicolas Neufchatel er i det offentlige domæne – ophavsretten er udløbet. Denne status bestemmer, hvordan billedet af værket må reproduceres.