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Carp Swimming up a Waterfall

Navn Klasse Dato

maruyama ozui, Carp Swimming up a Waterfall, Museum of Oriental Art. Offentlig ejendom.

Fakta om værket

Kunstner
maruyama ozui wahooart.com/da/artists/maruyama-ozui/
Kunstnerens levetid
1766 – 1829
Medie
Ink
Oprindelig størrelse
48 x 185 cm
Bevægelse
Sumi-e East Asian ink painting where a few confident brushstrokes must carry the whole image.
Periode
19th Century
Afholdt hos
Museum of Oriental Art wahooart.com/da/museums/museum-of-oriental-art-turin/
Artistic style
Sumi-e (ink wash painting)
Influences
Maruyama Ōkyo
Notable elements or techniques
Sumi-e ink wash, splash technique
Subject or theme
Perseverance and strength

I kontekst

Carp Swimming up a Waterfall — maruyama ozui

Hvor stor er den?

Originalen måler 48 × 185 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1760
  2. 1770
  3. 1780
  4. 1790
  5. 1800
  6. 1810
  7. 1820

Skyggelagt: maruyama ozui' livstid (1766–1829)

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Farver

Målt ud fra billedet

    Hovedfarve

    Rosy Brown #d2ac78

    Gemt palet

    • #D2AC78
    • #1C1D21
    • #956741
    • #B5824F
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Rosy Brown
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Carp Swimming up a Waterfall — maruyama ozui

    Dipinto datato anno della Capra Kansei 11, corrispondente al 1799, nel mezzo dell

    Kunstner og museum

    Kunstner

    maruyama ozui

    Født i Kyoto, Japan

    A Legacy of Splashing Ink: The Life and Art of Maruyama Ozui

    Maruyama Ozui, born in Kyoto in 1766 and passing away in 1829, occupies a fascinating position within the landscape of Japanese painting. Though often overshadowed by his father, the celebrated Maruyama Ōkyo—the founder of the influential Maruyama school—Ozui carved out his own distinct artistic identity, becoming renowned for his dynamic depictions of fish, waterfalls, and landscapes imbued with a remarkable sense of energy. His work represents not merely imitation but a sensitive continuation and evolution of the family’s aesthetic principles, marked by a distinctive “splash” technique that brought an unprecedented vitality to traditional Japanese motifs.

    The Shadow of a Master: Early Life and Training

    Ozui's artistic journey was inextricably linked to his father’s towering presence. Maruyama Ōkyo had already revolutionized Japanese painting by the time Ozui came of age, challenging established conventions with his commitment to realistic representation—a style informed by both Western perspective techniques encountered through imported stereoscopes and a deep study of Chinese masters like Qian Xuan and Qiu Ying. Ozui benefited immensely from this environment, receiving rigorous training directly under Ōkyo’s tutelage. This apprenticeship instilled in him not only technical proficiency but also a profound understanding of the principles underpinning the Maruyama school: a focus on direct observation from nature (shasei), meticulous detail, and a rejection of overly stylized or formulaic approaches. However, Ozui wasn't simply a copyist; he absorbed these lessons and began to develop his own unique voice, one that embraced a more fluid and expressive handling of ink and color.

    A Distinctive Style: Fish, Waterfalls, and the ‘Splash’ Technique

    While Ōkyo’s work often featured detailed botanical studies and portraits, Ozui gravitated towards subjects that allowed him to showcase his burgeoning talent for capturing movement and atmosphere. He became particularly celebrated for his paintings of fish—carp, sweetfish, and other aquatic creatures rendered with astonishing realism and a palpable sense of life. These were not static representations; they seemed to shimmer and dart across the canvas, their scales catching the light, their fins trailing in the current. Central to this effect was Ozui’s innovative “splash” technique—a method of applying ink and color in bold, spontaneous strokes that created a dynamic interplay of textures and tones. This wasn't merely about replicating the appearance of water; it was about conveying its essence—its power, its fluidity, its ever-changing nature. His waterfalls, too, benefited from this approach, becoming swirling vortices of energy that seemed to leap off the page.

    Collaborative Works and Artistic Legacy

    Ozui’s career wasn't solely defined by individual masterpieces. He frequently collaborated with other artists—a common practice in Japanese painting traditions—often contributing sections to larger-scale compositions. A notable example is a four-panel sliding door composition featuring a school of fish, an eel and a turtle, where Ozui worked alongside his father and several other prominent painters like Nagasawa Rosetsu and Yamamoto Shurei. These collaborative projects demonstrate the interconnectedness of the artistic community in Kyoto during this period and highlight Ozui’s respected position within it. While documentation of his life remains somewhat sparse, his surviving works—particularly those showcasing his signature “splash” technique—have secured his place as a significant figure in Japanese art history. He inherited his father's position as head of the Maruyama school, ensuring its continued influence for generations to come. His paintings continue to captivate viewers with their vibrant energy and masterful depiction of the natural world, serving as a testament to the enduring power of observation, skill, and artistic innovation.

    Museum

    Museum of Oriental Art

    Udstillet i Turin, Italy

    About the Museum of Oriental Art, Turin

    Discover a captivating world of Asian art at the Museum of Oriental Art (MOA) in Turin, Italy. This hidden gem offers an extraordinary journey through diverse artistic traditions spanning millennia and continents.

    Specializations & Collections

    Broad Scope:

    The museum boasts a collection of over 2,300 works representing the cultural and artistic heritage of Asia, from Neolithic China to the Islamic world.

    Key Areas:

    Specializations include Chinese art (neolithic pottery, ritual bronzes, lacquers, funerary art), Japanese art (statues, paintings, lacquers), Himalayan Buddhist art (Bhutan, Nepal, Tibet), and Islamic art (Turkey, Iran, Iraq, Arabian Peninsula).

    Archaeological Finds:

    Beyond artworks, the museum houses over 1,400 archaeological finds from excavations in Seleucia and Coche (Iraq), dating back to pre-Islamic periods.

    Collection Highlights:

    Expect to encounter exquisite ceramics, intricate paintings, stunning sculptures, and textiles reflecting the rich diversity of Asian artistic expression.

    History & Establishment

    The MOA opened on December 5, 2008, through a merger of the Asian collection previously held at Turin’s City Museum of Ancient Art (Palazzo Madama) and contributions from various foundations and the city itself. Architect Andrea Bruno oversaw the meticulous restoration of Palazzo Mazzonis to create a fitting home for this remarkable collection.

    Architecture & Setting

    The museum is housed within a beautifully restored 17th-century palazzo, offering an elegant backdrop to its treasures. A unique feature includes two serene Japanese rock gardens located in the courtyard, providing moments of contemplation and tranquility. The building itself blends historical charm with modern exhibition spaces.

    What Makes it Unique?

    Comprehensive Asian Representation:

    Unlike museums focusing on a single region, MOA provides a broad overview of artistic traditions across the entire Asian continent.

    Archaeological Depth:

    The inclusion of archaeological finds adds another layer to understanding the historical context of the artworks.

    Hidden Gem Status:

    Often overlooked by mainstream tourist routes, MOA offers a more intimate and immersive experience for art enthusiasts.

    Cultural Bridge:

    The museum serves as an important cultural bridge between Italy and Asia, fostering appreciation and understanding of diverse artistic heritages.

    Whether you are a seasoned art connoisseur or simply curious about Asian cultures, the Museum of Oriental Art in Turin promises a rewarding and unforgettable experience.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Carp Swimming up a Waterfall

    wahooart.com/da/art/download/maruyama-ozui-carp-swimming-up-a-waterfall-D8GAET-en/

    Kildehenvisning til dette kunstværk

    MLA
    ozui, maruyama. Carp Swimming up a Waterfall. n.d., Museum of Oriental Art. https://wahooart.com/da/art/maruyama-ozui-carp-swimming-up-a-waterfall-D8GAET-en/
    APA
    ozui, maruyama (n.d.). Carp Swimming up a Waterfall [Painting]. Museum of Oriental Art. https://wahooart.com/da/art/maruyama-ozui-carp-swimming-up-a-waterfall-D8GAET-en/
    Chicago
    maruyama ozui. Carp Swimming up a Waterfall. n.d. Museum of Oriental Art. https://wahooart.com/da/art/maruyama-ozui-carp-swimming-up-a-waterfall-D8GAET-en/
    Harvard
    ozui, maruyama (n.d.) Carp Swimming up a Waterfall. Museum of Oriental Art. Available at: https://wahooart.com/da/art/maruyama-ozui-carp-swimming-up-a-waterfall-D8GAET-en/

    Kig nærmere efter

    Carp Swimming up a Waterfall — maruyama ozui

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: carp, waterfall, nature. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Sumi-e: East Asian ink painting where a few confident brushstrokes must carry the whole image. Hvor kan du se det i dette værk?
    5. Temaer, der går igen i maruyama ozui' værker: maruyama school influence, sumi-e ink wash tradition, symbol of perseverance. Hvilke af dem ser du her?

    Dit svar

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