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Fire--The Descent, #3

Navn Klasse Dato

Peter Lipman-Wulf, Fire--The Descent, #3 (1975), Leo Baeck Institute. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
Peter Lipman-Wulf wahooart.com/da/artists/peter-lipman-wulf_da/
Kunstnerens levetid
1905 – 1993
Malet
1975
Medie
Ink On Paper
Oprindelig størrelse
37 x 55 cm
Bevægelse
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Periode
Modern
Afholdt hos
Leo Baeck Institute wahooart.com/da/museums/leo-baeck-institute-new-york-city/
Artistic style
Realism with expressionist/surreal qualities
Influences
German Expressionism
Notable elements or techniques
Hatching, cross-hatching, detailed line work
Subject or theme
Mortality, death of Virgil, and destruction

I kontekst

Fire--The Descent, #3 — Peter Lipman-Wulf

Dimensioner

Originalen måler 37 × 55 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Skyggelagt: Peter Lipman-Wulf' livstid (1905–1993) ▲ dette værk, 1975

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wahooart.com/da/art/similar/lipman-wulf-peter-fire-the-descent-3-D7RS2V-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Putty #d7d9c9

    Gemt palet

    • #D7D9C9
    • #120F0B
    • #837455
    • #BCB076
    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Primær farve
    Putty
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Fire--The Descent, #3 — Peter Lipman-Wulf

    A Descent into Shadow and Flame

    In the hauntingly beautiful Fire--The Descent, #3, the viewer is transported to a realm where classical tragedy meets the visceral intensity of German Expressionism. Created in 1975 by the master printmaker Peter Lipman-Wulf, this striking monochrome work serves as a profound meditation on the end of an era and the fragility of existence. The piece draws its narrative power from the legendary death of the Roman poet Virgil, capturing the moment where the creator’s life meets the transformative, destructive force of fire. It is not merely a depiction of mortality, but a dramatic performance in ink, where every line vibrates with the tension of a soul caught between the physical world and the eternal void.

    The technical mastery displayed in this work is nothing short of breathtaking, making it a centerpiece worthy of the most discerning collector. Utilizing a meticulous pen and ink technique on paper, Lipman-Wulf employs intricate hatching and cross-hatching to breathe life into the skeletal remains of Virgil. The artist’s hand is visible in the sharp, angular geometry of the flames, which seem to lick at the bony anatomy of the figure with a predatory grace. This interplay of light and shadow—achieved through varying densities of black ink—creates a sense of three-dimensional volume despite the flattened perspective. For an interior designer, this piece offers a sophisticated textural depth, providing a focal point that commands attention through its stark, high-contrast elegance.

    Beyond its visual impact, the artwork is steeped in profound symbolism and historical resonance. As a German-born artist who fled the rise of the Nazi regime in 1933, Lipman-Wulf’s work often carries the weight of displacement and the turbulent shifts of history. In this piece, the flames act as a dual symbol: they are both the agents of destruction that consume the poet and the transformative light that purifies the spirit. The skeletal form of Virgil represents the inevitable decay of all earthly things, yet the dynamic composition suggests a continuous cycle of rebirth through art. To possess such a reproduction is to hold a fragment of this complex dialogue between life, death, and the enduring legacy of the human spirit.

    For those seeking to curate a space that evokes contemplation, intellectual depth, and a touch of the sublime, Fire--The Descent, #3 is an incomparable choice. It invites the observer to linger in its shadows, finding beauty in the macabre and strength in the face of dissolution. Whether placed in a private study, a contemporary gallery setting, or a sophisticated living space, this artwork serves as a powerful reminder of the transformative power of the creative impulse, even at the very edge of existence.

    Kunstner og museum

    Kunstner

    Peter Lipman-Wulf

    Født i Berlin, Tyskland

    tidligt liv og uddannelse

    lipman-wulf, peter, en tyskfødt billedhugger og grafikker, blev født den 27. april 1905 i Berlin, Tyskland. Hans far, en advokat, og hans mor, en billedhugger og portrætmaler, indgydede tidligt i ham en dyb værdsættelse for kunsten. Lipman-Wulf studerede ved akademiet i Berlin, hvilket lagde fundamentet for hans fremtidige kunstneriske bedrifter.

    kunstnerisk karriere og migration

    I 1933, med naziregimets fremmarch, forlod Lipman-Wulf Tyskland og emigrerede til USA. Denne skelsættende bevægelse markerede et betydeligt skifte i hans karriere, da han senere blev professor ved Adelphi University i Garden City, NY.

    kunstnerisk stil og indflydelser

    Lipman-Wulfs værk, der er karakteriseret ved sine ekspressionistiske undertoner, afspejler den turbulente æra, han levede i. Hans skulpturer og tryk, som ofte er præget af dristige linjer og levende farver, udviser en unik sammensmeltning af tysk ekspressionisme og amerikanske indflydelser.

    bemærkelsesværdige værker og samlinger

    Lipman-Wulfs værker kan findes i forskellige samlinger, herunder Museum Collection Lippmann (Berlin, Tyskland), som fremviser et mangfoldigt udvalg af kunstneriske stilarter og perioder.

    Hans raderinger og træsnit, som dem der er inkluderet i Museum Collection Lippmann, vidner om hans tekniske formåen.

    I lighed med Ernst Ludwig Kirchners værker, såsom Variety Dancer, indfanger Lipman-Wulfs værker ofte essensen af den menneskelige erfaring.

    eftermæle og senere liv

    Lipman-Wulf gik bort den 25. september 1993 i Hamborg, Tyskland. Hans eftermæle lever dog videre gennem hans kunst, som fortsat inspirerer nye generationer.

    Udforsk mere af Lipman-Wulfs værker og Museum Collection Lippmann på https://AllPaintingsStore.com/@/lipman-wulf.

    Oplev Lehmbruck Museum i Tyskland og dets unikke samling af moderne skulpturer på https://AllPaintingsStore.com/@@/a@d3b3fp.

    referencer

    Museum Collection Lippmann

    Lipman-Wulfs kunstværker

    Museum

    Leo Baeck Institute

    Udstillet på New York City, United States of America

    A Sanctuary of Memory: The Leo Baeck Institute

    In the vibrant tapestry of New York City, nestled within the prestigious Center for Jewish History, lies a sanctuary that transcends the traditional boundaries of a museum. The

    Leo Baeck Institute

    serves as a profound beacon of remembrance, a place where the echoes of a vanished world are preserved with meticulous care and reverence. Established in 1955 by survivors who bore witness to the unimaginable devastation of the Holocaust, the institute was born from a poignant necessity: to safeguard the rich, multifaceted legacy of German-speaking Jewry. It is not merely a repository for artifacts but a living, breathing hub of scholarly investigation, where the shadows of the past are illuminated by the light of rigorous research and cultural engagement.

    The architecture of the institute reflects its solemn yet forward-looking mission. Designed with a deliberate and striking simplicity, the space avoids unnecessary ornamentation to prioritize the intellectual exploration within its walls. This architectural restraint creates an atmosphere of focused contemplation, allowing the weight of history to resonate through every corridor. For the visitor, the building acts as a bridge between eras, offering modern research spaces that coexist harmoniously with the profound gravity of the archives it protects. It is a structure that speaks volumes about the importance of honoring what was lost while fostering the growth of new knowledge.

    To wander through the collections of the Leo Baeck Institute is to embark on an intimate journey through the soul of a culture. The holdings are nothing short of extraordinary, offering unparalleled insights into the vibrancy of German-Jewish life before the darkness of the mid-twentieth century. Collectors and historians alike find themselves captivated by the rare Jewish books—exquisitely crafted manuscripts from centuries past that bear witness to profound religious scholarship and delicate artistic expression. These precious volumes are complemented by poignant personal papers and photographic archives that capture the faces, families, and landscapes of communities forever changed. Each photograph and letter serves as a window into an era of resilience and adaptation, presenting portraits of everyday individuals whose lives were woven into the cultural fabric of Europe.

    What truly distinguishes the Leo Baeck Institute is its unwavering dedication to the nuance of identity. Unlike institutions that seek breadth, the LBI focuses deeply on the specificities of German-speaking Jewry, ensuring that the intricate details of their history are never lost to generalization. Through notable exhibitions that explore everything from the intellectual currents of the Weimar Republic to the artistic responses to wartime trauma, the institute fosters a vital dialogue between the past and the present. For the art lover and the scholar alike, the Institute offers more than just a glimpse into history; it provides an enduring connection to a legacy of profound cultural significance, ensuring that the indelible mark of German-Jewish culture continues to inspire, educate, and move generations to come.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Fire--The Descent, #3

    wahooart.com/da/art/download/lipman-wulf-peter-fire-the-descent-3-D7RS2V-en/

    Kildehenvisning til dette kunstværk

    MLA
    Lipman-Wulf, Peter. Fire--The Descent, #3. 1975, Leo Baeck Institute. https://wahooart.com/da/art/lipman-wulf-peter-fire-the-descent-3-D7RS2V-en/
    APA
    Lipman-Wulf, Peter (1975). Fire--The Descent, #3 [Painting]. Leo Baeck Institute. https://wahooart.com/da/art/lipman-wulf-peter-fire-the-descent-3-D7RS2V-en/
    Chicago
    Peter Lipman-Wulf. Fire--The Descent, #3. 1975. Leo Baeck Institute. https://wahooart.com/da/art/lipman-wulf-peter-fire-the-descent-3-D7RS2V-en/
    Harvard
    Lipman-Wulf, Peter (1975) Fire--The Descent, #3. Leo Baeck Institute. Available at: https://wahooart.com/da/art/lipman-wulf-peter-fire-the-descent-3-D7RS2V-en/

    Se nærmere efter

    Fire--The Descent, #3 — Peter Lipman-Wulf

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: mortality, death, virgil. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Exodus #2, And they made their lives bitter with hard service (1960) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.