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Leslie Hurry

Navn Klasse Dato

leslie hurry, Leslie Hurry (1943). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
leslie hurry wahooart.com/da/artists/leslie-hurry/
Malet
1943
Oprindelig størrelse
102 x 85 cm

I kontekst

Leslie Hurry — leslie hurry

Hvor stor er den?

Originalen måler 102 × 85 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1940

▲ dette værk, 1943

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wahooart.com/da/art/similar/leslie-hurry-leslie-hurry-ARAL34-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Rosy Brown #a09195

    Gemt palet

    • #A09195
    • #1D1218
    • #675355
    • #422D2E
    Primær farve
    Rosy Brown
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Leslie Hurry — leslie hurry

    The painting Leslie Hurry by Leslie Hurry is a captivating piece that showcases the artist's unique style and technique. Created in 1943, this oil on canvas painting measures 102 x 85 cm and is currently housed at the National Portrait Gallery in the United States.

    Artistic Style and Influences

    Leslie Hurry's work is characterized by its bold colors and expressive brushstrokes, which are reminiscent of the Fauvist movement. This style, pioneered by artists like Henri Matisse, emphasizes the use of vibrant colors and energetic brushwork to create a sense of movement and emotion. Hurry's self-portrait is a prime example of this style, with its bold colors and expressive lines. Key Features of the painting include:

    The use of bold, vibrant colors to create a sense of energy and movement

    The expressive brushstrokes, which add a sense of texture and depth to the painting

    The introspective nature of the self-portrait, which invites the viewer to contemplate the artist's thoughts and emotions

    Comparison with Other Artists

    Leslie Hurry's work can be compared to that of other artists, such as Pablo Picasso and Chuzo Tamotzu. Like these artists, Hurry was known for his innovative style and technique, which pushed the boundaries of traditional art. For example, Picasso's Woman on a Donkey /art/list/?Filter=8XYNY4-Pablo-Picasso-Woman-on-a-donkey) and Tamotzu's Apple Trees /art/list/?Filter=AR22P6-Chuzo-Tamotzu-Apple-Trees) showcase a similar sense of experimentation and innovation.

    The National Portrait Gallery is home to many other notable works, including portraits by David Allan /art/list/?Filter=AQTND3-David-Allan-James-Craig-Architect). These paintings offer a glimpse into the lives and personalities of their subjects, and provide a fascinating insight into the art and culture of their time. For more information on Leslie Hurry and his work, visit https://AllPaintingsStore.com or Wikipedia.org.

    Kunstner og museum

    Kunstner

    leslie hurry

    Leslie Hurry: Weaver of Dreams – A Surrealist Journey Through Stage and Canvas

    Born in the heart of London in 1909, Leslie George Hurry’s life was a tapestry woven from unexpected threads—a family legacy in funeral directing, a rejection of convention at Haberdashers' Aske's Boys' School, and ultimately, an immersion into the vibrant world of art. His early years were marked by a quiet resistance to his father’s profession, a decision that steered him towards the artistic pursuits he felt compelled to embrace. This initial divergence set the stage for a career defined by its fluidity, experimentation, and a profound engagement with the subconscious – qualities that would later solidify his place as a key figure in British surrealism.

    Hurry’s formal training at the Royal Academy Schools proved brief, ending prematurely before he could complete his five-year scholarship. This early departure wasn't a failure but rather a catalyst; it liberated him from rigid academic constraints and allowed him to forge his own path, one characterized by restless exploration and a deep connection with the landscapes of Britain and Europe. The 1930s witnessed a period of itinerant painting, a time of searching for a personal style amidst the melancholic beauty of rural England and the artistic ferment of Paris. This journey was not without its challenges; plagued by health issues and disillusioned with his work, Hurry sought refuge in a secluded cottage at Thaxted, Essex, where he found solace and inspiration through a profound friendship with Grace Sholto Douglas, an influential patron who profoundly shaped his artistic trajectory.

    The Dawn of Ultra-Surrealism

    It was during this period of isolation that Hurry’s unique artistic vision truly began to coalesce. 1940–41 marked a pivotal year, culminating in the creation of two remarkable books – “The Journey” and “Book of the Seven Eagles” – filled with intricate automatic drawings. These works, exhibited at the Redfern Gallery, catapulted him into the spotlight as an "ultra-surrealist." Unlike the more overtly fantastical depictions often associated with the movement, Hurry’s work possessed a haunting intimacy, revealing layers of hidden symbolism and psychological depth through meticulously rendered lines and evocative imagery. The drawings weren't merely random scribbles; they were carefully constructed narratives, reflecting his inner landscape and offering glimpses into a world governed by dream logic.

    This recognition fueled his entry into the theatrical realm, beginning with a commission for Robert Helpmann to design sets for Hamlet at Sadler’s Wells Ballet in 1942. This marked the start of a prolific collaboration with Helpmann and other prominent figures in the ballet world – including Michael Benthall – that would define much of his subsequent career. His stage designs weren't simply decorative; they were integral to the storytelling, creating immersive environments that heightened the emotional impact of the performances.

    A Symphony of Stage and Canvas

    Hurry’s influence extended far beyond ballet. He worked extensively for Sadler’s Wells, the Old Vic, Aldwych Theatre, Glyndebourne, the Royal Opera House, the Royal Shakespeare Company, and even ventured to Stratford-upon-Avon in Canada. His versatility is evident in his diverse body of work – from abstract paintings exploring the subconscious to meticulously rendered portraits capturing the essence of his subjects, and finally, landscape works imbued with a sense of melancholy beauty. His style evolved over time, reflecting his experiences and influences, yet consistently retained a distinctive quality characterized by its precision, emotional resonance, and subtle surrealist undertones.

    His paintings often featured recurring motifs – birds, landscapes bathed in twilight, and figures caught in moments of introspection—suggesting themes of isolation, longing, and the search for meaning. He wasn’t simply depicting what he saw; he was translating his inner world onto canvas, creating works that invited viewers to engage with their own subconscious thoughts and feelings.

    Legacy and Influence

    Leslie Hurry's career spanned several decades, leaving behind a substantial body of work encompassing paintings, stage designs, and drawings. His contributions to British surrealism are undeniable, and his influence can be seen in the works of subsequent artists who embraced automatism and explored the boundaries between reality and imagination. The Billy Rose Theatre Division at the New York Public Library holds a collection of his costume designs, offering further insight into his creative process. His work continues to resonate with audiences today, reminding us of the power of art to illuminate the hidden depths of the human psyche.

    Hurry’s life and career stand as a testament to the courage to defy expectations, the importance of seeking inspiration in unexpected places, and the enduring allure of surrealism—a movement that continues to challenge our perceptions of reality and invite us to embrace the beauty of the unconscious mind.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Leslie Hurry

    wahooart.com/da/art/download/leslie-hurry-leslie-hurry-ARAL34-en/

    Kildehenvisning til dette kunstværk

    MLA
    hurry, leslie. Leslie Hurry. 1943, https://wahooart.com/da/art/leslie-hurry-leslie-hurry-ARAL34-en/
    APA
    hurry, leslie (1943). Leslie Hurry [Painting]. https://wahooart.com/da/art/leslie-hurry-leslie-hurry-ARAL34-en/
    Chicago
    leslie hurry. Leslie Hurry. 1943. https://wahooart.com/da/art/leslie-hurry-leslie-hurry-ARAL34-en/
    Harvard
    hurry, leslie (1943) Leslie Hurry. Available at: https://wahooart.com/da/art/leslie-hurry-leslie-hurry-ARAL34-en/

    Kig nærmere efter

    Leslie Hurry — leslie hurry

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Palace Dream (1942) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

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