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The Mother Pool

Navn Klasse Dato

Kate Downie, The Mother Pool (1993). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Kate Downie wahooart.com/da/artists/kate-downie/
Kunstnerens årstal
1958 –
Malet
1993
Oprindelig størrelse
178 x 170 cm

I kontekst

The Mother Pool — Kate Downie

Hvor stor er den?

Originalen måler 178 × 170 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde. Det er for stort til at kunne gengives i målestoksforhold på denne side.

Hvornår er dette malet?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode, hvor 0 tælles fra fødslen.

Malet da kunstneren var 35 år gammel. 1 af de 7 daterede værker af denne kunstner i vores katalog er skabt tidligere.

▲ dette værk, 1993 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: wahooart.com/da/art/similar/kate-downie-the-mother-pool-AR2CBA-en/

Farver

Målt ud fra billedet

    Primær farve

    Driftwood #c5844f

    Katalogiseret palet

    • #C5844F
    • #1050CA
    • #E0C89F
    • #353549

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Dark Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Driftwood
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Clear Color Presence Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Kate Downie i løbet af de sidste tolv måneder — 2 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 50,0%300 besøg
    2. 2 Storbritannien 50,0%300 besøg

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 4 mest viste værker af Kate Downie

    1. 1 From the Hills to the Sea, 1996 66,7%400 besøg
    2. 2 Jimmy's Garage, 2001 16,7%100 besøg
    3. 3 Little Bird Rock 16,7%100 besøg
    4. — The Mother Pool, 1993 dette maleri 0,0%0 besøg

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 8 værker af denne kunstner, hvoraf 3 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Kate Downie

    Kate Downie: A Painter of Atmospheric Landscapes

    Kate Downie, born in 1958, is a British artist whose evocative landscapes and intimate portraits have garnered significant acclaim within the contemporary art world. Her work is characterized by a deeply atmospheric quality, a masterful command of texture, and an ability to capture both the grandeur and vulnerability of the natural world. Downie’s paintings aren't merely representations; they are imbued with emotion, reflecting a profound connection to the landscapes she depicts – primarily those of the British Isles.

    Early influences on Downie’s artistic journey were rooted in her childhood spent in rural Northumberland. The rugged coastline, dramatic skies, and ever-changing light of this region profoundly shaped her visual vocabulary. She initially studied at Sunderland University, where she honed her skills in traditional oil painting techniques. However, it was a pivotal trip to the United States in 1987, encountering the work of artists like Andrew Wyeth and Fairfield Porter, that truly ignited her artistic vision. These encounters shifted her focus towards capturing not just the appearance of a scene but also its underlying mood and emotional resonance – a technique she would later develop into her signature style.

    The Development of a Distinctive Style

    Downie’s distinctive style emerged gradually, evolving from representational landscapes to increasingly abstract compositions. She is particularly known for her use of impasto—thickly applied paint that creates a palpable sense of texture and physicality on the canvas. This technique isn't simply decorative; it serves to amplify the emotional intensity of the scene, mirroring the ruggedness of the terrain or the turbulent energy of the weather. Her color palettes are often muted and atmospheric, dominated by blues, greens, greys, and ochres – colors that evoke a sense of melancholy, solitude, and timelessness. The influence of Turner is evident in her dramatic use of light and shadow, creating an almost cinematic quality within her paintings.

    A significant turning point in Downie’s career was the creation of “12 Minute Baby” (2003), a series of small-scale portraits depicting pregnant women. These intimate works explored themes of motherhood, vulnerability, and the cyclical nature of life. The series demonstrated her ability to convey complex emotions through subtle gestures and nuanced color choices. Later, she moved on to explore coastal scenes with “Waiting for Rhona” (1996), a powerful depiction of a solitary figure contemplating the vastness of the sea, showcasing her growing interest in capturing psychological states alongside visual elements.

    Notable Works and Recognition

    Several of Downie’s paintings have achieved considerable recognition. "From the Hills to the Sea" (1996), a dramatic depiction of a coastal landscape with layered impasto and expressive brushstrokes, exemplifies her ability to capture both the grandeur and vulnerability of the natural world. “Blue Night, Yellow Roof” (1991) is another standout piece, an abstract harbor scene brimming with energy and emotion. Her work has been exhibited extensively in Britain and internationally, including major exhibitions at the Tate St Ives and the National Gallery.

    In 2016, Kate Downie was awarded the prestigious Elizabeth Fry Award for Visual Arts by the Royal Academy of Arts, a testament to her enduring contribution to British art. Her paintings are held in numerous public and private collections, including the Tate Collection and the National Portrait Gallery.

    Legacy and Historical Significance

    Kate Downie’s work occupies a unique space within contemporary landscape painting. She resists easy categorization, blending elements of realism, abstraction, and expressionism to create images that are both visually arresting and emotionally resonant. Her focus on atmosphere and psychological depth sets her apart from many purely representational artists. Downie's paintings invite viewers to contemplate the relationship between humanity and nature, prompting reflection on themes of solitude, resilience, and the enduring power of the landscape.

    Her continued exploration of coastal scenes, particularly those of Britain, speaks to a deep-seated connection with her homeland and a desire to document its ever-changing beauty. Kate Downie’s legacy lies not only in the quality of her art but also in her ability to evoke profound emotional responses through her paintings – reminding us of the enduring power of landscape to shape our perceptions and inspire our imaginations.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for The Mother Pool

    wahooart.com/da/art/download/kate-downie-the-mother-pool-AR2CBA-en/

    Kildehenvisning til dette kunstværk

    MLA
    Downie, Kate. The Mother Pool. 1993, https://wahooart.com/da/art/kate-downie-the-mother-pool-AR2CBA-en/
    APA
    Downie, Kate (1993). The Mother Pool [Painting]. https://wahooart.com/da/art/kate-downie-the-mother-pool-AR2CBA-en/
    Chicago
    Kate Downie. The Mother Pool. 1993. https://wahooart.com/da/art/kate-downie-the-mother-pool-AR2CBA-en/
    Harvard
    Downie, Kate (1993) The Mother Pool. Available at: https://wahooart.com/da/art/kate-downie-the-mother-pool-AR2CBA-en/

    Se nærmere efter

    The Mother Pool — Kate Downie

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Waiting for Rhona (1997) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Kate Downie var omkring 35 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvem har skabt "The Mother Pool"?

    "The Mother Pool" blev skabt af Kate Downie. Informationen på denne side beskriver Kate Downies originale værk.

    Kan jeg se "The Mother Pool" som et diasshow i fuld skærm?

    "The Mother Pool" af Kate Downie kan opleves som et diasshow på værkets Billedserie-side.

    Hvilke proportioner har "The Mother Pool" af Kate Downie, og hvor stor er den?

    Formatet på "The Mother Pool" er Square, og originalen måler 178 x 170 cm. Begge oplysninger er nyttige, når man planlægger en reproduktion.