Papir

Guide til elevkunst

Famine

Navn Klasse Dato

John Charles Dollman, Famine (1904), Salford Museum - Art Gallery. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
John Charles Dollman wahooart.com/da/artists/john-charles-dollman/
Kunstnerens årstal
1851 – 1934
Malet
1904
Oprindelig størrelse
122 x 213 cm
Afholdt hos
Salford Museum - Art Gallery wahooart.com/da/museums/salford-museum-art-gallery-greater-manchester_da/

I kontekst

Famine — John Charles Dollman

Hvor stor er den?

Originalen måler 122 × 213 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 83 ved død.

Malet da kunstneren var 53 år gammel. Kunstneren blev 83 år gammel. 6 af de 11 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: John Charles Dollman' livstid (1851–1934) ▲ dette værk, 1904 hvert dateret maleri, årti for årti

Første værker: frem til 1879 Primære arbejdsår: 1879–1913 Senere værker: fra 1913

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: wahooart.com/da/art/similar/john-charles-dollman-famine-AQU9MU-en/

Farver

Målt ud fra billedet

    Primær farve

    Espresso #5a563a

    Katalogiseret palet

    • #5A563A
    • #B7AD80
    • #8C835E
    • #343323

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Navn på hovedfarve
    Espresso
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af John Charles Dollman i løbet af de sidste tolv måneder — 5 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 54,5%
    2. 2 Indien 18,2%
    3. 3 Spanien 9,1%
    4. 4 Slovenien 9,1%
    5. 5 USA 9,1%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 7 mest viste værker af John Charles Dollman

    1. 1 Famine, 1904 dette maleri 47,1%
    2. 2 Study for 'The Unknown', 1912 23,5%
    3. 3 His Only Friend, 1875 5,9%
    4. 4 The Dogs Refuge, 1871 5,9%
    5. 5 Table d'Hote at a Dogs' Home, 1879 5,9%
    6. 6 A Very Gallant Gentleman, 1913 5,9%
    7. 7 The Rising Generation, 1891 5,9%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 13 værker af denne kunstner, hvoraf 7 er blevet set mindst én gang. Dette maleri rangerer som nummer 1 af dem med 47,1% af den samlede opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    John Charles Dollman

    John Charles Dollman: A Victorian Observer of London and Myth

    John Charles Dollman (1851-1934) remains a quietly compelling figure in 19th-century British art, an artist whose evocative scenes—particularly his depictions of London life and ambitious mythological narratives—have only recently begun to receive the recognition they deserve. Born in Hove, Sussex, into a family with strong artistic roots tracing back to French hatmakers, Dollman’s journey from a modest upbringing to a respected Royal Watercolour Society member reflects both his innate talent and a persistent dedication to his craft. His work offers a unique window into Victorian England, capturing not just the visual landscape but also the social rhythms and emotional textures of the era.

    Dollman's early artistic development was shaped by formal training at South Kensington and the Royal Academy Schools in London. These institutions provided him with a rigorous foundation in technique and composition, yet it was his independent spirit and keen observational skills that truly defined his style. Unlike many artists of his time who sought to emulate established conventions, Dollman developed a distinctive approach—a blend of realism and expressive brushwork—that allowed him to imbue his subjects with a palpable sense of atmosphere and character. His early work, often characterized by meticulous detail and a subtle use of color, is believed to have subtly influenced the later paintings of Vincent van Gogh, particularly in their shared interest in capturing the energy and immediacy of everyday life.

    London Scenes and Mythological Visions

    Dollman’s most enduring legacy lies perhaps in his series of London scenes. He possessed a remarkable ability to distill the essence of urban life onto canvas, creating images that are both intimate and grand. The “London Cab Stand” (1888), arguably his most famous work, exemplifies this talent. The painting—which exists in multiple versions—captures a chaotic yet strangely harmonious tableau of horses, drivers, and onlookers amidst a stormy afternoon. Dollman’s masterful use of light and shadow, combined with his keen eye for detail, transforms a commonplace scene into a compelling study of human interaction and the drama of urban existence. Beyond London, he produced bold compositions of animals and people, such as “Robinson Crusoe and His Man Friday” (1903), a poignant depiction of companionship and survival, and "Polo and Mowgli made leader of the Bandar-log" (1903), a whimsical exploration of power dynamics.

    However, Dollman’s artistic ambition extended far beyond the confines of London. He was deeply fascinated by mythology and folklore, and his paintings frequently drew inspiration from classical myths and legends. Works like “The Unknown” (1912) – featuring a girl surrounded by chimpanzees—and "Orpheus and His Lute with Lions" are testament to this interest. These mythological scenes are not merely decorative; they serve as allegorical explorations of human nature, morality, and the relationship between humanity and the natural world. The dramatic lighting and carefully rendered details imbue these narratives with a sense of timelessness and emotional resonance.

    Technique and Style

    Dollman’s artistic style is characterized by a remarkable blend of realism and expressive brushwork. He was a meticulous observer, paying close attention to detail—particularly in his depictions of animals and human figures. Yet, he also possessed a gift for capturing the fleeting effects of light and atmosphere, using loose, gestural strokes to convey movement and emotion. His use of color is often subtle and nuanced, creating a sense of depth and realism. He was particularly adept at rendering textures—the rough bark of trees, the wet sheen of horses’ coats, the folds of clothing—adding a tactile quality to his paintings. It's worth noting that he frequently created multiple versions of individual works, demonstrating a willingness to experiment with composition and technique.

    Legacy and Recognition

    Despite his considerable talent and consistent output, Dollman remained largely outside the mainstream art world during his lifetime. His work was exhibited at the Royal Academy from 1870 to 1912, but he never achieved widespread fame or recognition. However, in recent decades, there has been a growing appreciation for his unique vision and artistic skill. His paintings are now held in prestigious collections around the world—including the Art Gallery of South Australia, the Royal Watercolour Society, the Laing Art Gallery, and the Walker Art Gallery—and are increasingly being studied by art historians and critics. John Charles Dollman’s legacy as a Victorian artist who captured both the beauty and the complexity of his time continues to grow, solidifying his place as a significant figure in British art history.

    Museum

    Salford Museum - Art Gallery

    Udstillet i Greater Manchester, United Kingdom

    A Victorian Legacy Preserved: Exploring Salford Museum & Art Gallery

    Salford Museum & Art Gallery stands as a testament to both artistic heritage and local identity, nestled in the heart of Greater Manchester. Founded in 1850 as Britain’s first free public library—a bold vision for its time—the museum resides within Lark Hill House, a magnificent mansion constructed in 1790 that now serves as an evocative backdrop to its remarkable collections. More than just bricks and mortar, Lark Hill embodies the spirit of Victorian ambition and philanthropy, mirroring the values underpinning the institution’s enduring mission.

    Architectural Significance:

    The mansion's Georgian façade speaks volumes about the era’s aesthetic sensibilities—symmetry, grandeur, and meticulous craftsmanship are hallmarks of its design. Its interior spaces have been thoughtfully preserved, allowing visitors to step back in time and experience the atmosphere of Victorian society.

    A Journey Through Time:

    Lark Hill Place, a meticulously recreated Victorian streetscape, isn’t merely decorative; it's an immersive educational tool. Visitors can wander amongst period shops and residences, gaining firsthand insight into daily life during the 1890s—a fascinating contrast to the modern cityscape surrounding it.

    Celebrating Artistic Diversity: The Museum’s Collection Highlights

    Salford’s artistic treasures span centuries, reflecting influences from across Europe and beyond. The Paintings Gallery houses masterpieces by artists ranging from Romantic painters like John Constable to Impressionists experimenting with light and color. Examining these canvases reveals not only stylistic evolution but also the cultural preoccupations of their respective times—themes of landscape, portraiture, and mythology are recurring motifs.

    Ceramic Excellence:

    The Ceramics Collection showcases a stunning progression in pottery techniques and artistic expression. From Staffordshire porcelain to Wedgwood stoneware, each piece tells a story about industrial innovation and decorative artistry.

    Decorative Arts Showcase:

    Explore exquisitely crafted furniture pieces—Victorian sofas upholstered in velvet and mahogany tables adorned with inlaid marquetry—alongside textiles featuring intricate floral patterns and vibrant hues. These objects illuminate the tastes of Victorian elites and demonstrate the skill of artisans working at the forefront of their craft.

    More Than Just Exhibits: Engaging Experiences

    Salford Museum & Art Gallery distinguishes itself through its commitment to fostering connections between art and community. Regular events, including artist talks and workshops, provide opportunities for visitors to engage directly with artistic ideas and practices. Furthermore, the ‘Relax with Art’ sessions offer a tranquil space for contemplation and reflection—a welcome respite from the bustle of urban life.

    Accessibility & Community Focus:

    Admission is free, reflecting the museum's dedication to inclusivity and ensuring that art appreciation remains accessible to all.

    Supporting Local Talent:

    The Museum’s Shop offers a curated selection of gifts inspired by Salford’s artistic heritage—a tangible reminder of the museum’s mission to celebrate creativity.

    A Destination for Inspiration

    Whether you're an art historian researching Victorian aesthetics, an interior designer seeking inspiration for elegant spaces, or simply someone captivated by history and beauty, Salford Museum & Art Gallery promises a rewarding experience. Its unique blend of architectural grandeur, artistic diversity, and community engagement makes it a truly exceptional cultural institution.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Famine

    wahooart.com/da/art/download/john-charles-dollman-famine-AQU9MU-en/

    Kildehenvisning til dette kunstværk

    MLA
    Dollman, John Charles. Famine. 1904, Salford Museum - Art Gallery. https://wahooart.com/da/art/john-charles-dollman-famine-AQU9MU-en/
    APA
    Dollman, John Charles (1904). Famine [Painting]. Salford Museum - Art Gallery. https://wahooart.com/da/art/john-charles-dollman-famine-AQU9MU-en/
    Chicago
    John Charles Dollman. Famine. 1904. Salford Museum - Art Gallery. https://wahooart.com/da/art/john-charles-dollman-famine-AQU9MU-en/
    Harvard
    Dollman, John Charles (1904) Famine. Salford Museum - Art Gallery. Available at: https://wahooart.com/da/art/john-charles-dollman-famine-AQU9MU-en/

    Se nærmere efter

    Famine — John Charles Dollman

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Friends in Adversity, Christmas Day at the Dreadnought Hospital, Greenwich (Coming Down to Dinner) (1880) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. John Charles Dollman var omkring 53 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvornår er "Famine" af John Charles Dollman skabt?

    "Famine" af John Charles Dollman blev skabt i 1904.

    Hvad er målene på det originale værk "Famine"?

    "Famine" måler 122 x 213 cm i sin oprindelige form. De originale dimensioner er en nyttig reference, når du skal vælge størrelsen på en reproduktion.

    Hvilken form og hvilke dimensioner har "Famine" af John Charles Dollman?

    "Famine" af John Charles Dollman har proportionerne af et Panoramic værk på 122 x 213 cm.