Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. Joachim Anthonisz Wtewael døde i 1638; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 1708.
I kontekst
Kitchen Scene — Joachim Anthonisz Wtewael
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 72 ved død.
Malet da kunstneren var 39 år gammel. Kunstneren blev 72 år gammel. 12 af de 35 daterede værker af denne kunstner i vores katalog er skabt tidligere.
Skyggelagt: Joachim Anthonisz Wtewael' livstid (1566–1638) ▲ dette værk, 1605 hvert dateret maleri, årti for årti
Første værker: frem til 1601 Primære arbejdsår: 1601–1618 Senere værker: fra 1618
Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Se flere lignende værker her: wahooart.com/da/art/similar/joachim-anthonisz-wtewael-kitchen-scene-AQQNWW-en/
Målt ud fra billedet
Primær farve
Putty #e1cbb4
Katalogiseret palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 99,5% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 50 værker af denne kunstner, hvoraf 13 er blevet set mindst én gang. This painting ranks 10 of them, with 4,5% of that attention (100 visits). Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Om dette kunstværk
Kitchen Scene — Joachim Anthonisz Wtewael
The Kitchen Scene by Joachim Anthonisz Wtewael is a captivating oil on canvas painting that showcases the artist's exceptional skill in capturing everyday life scenes. Created in 1605, this masterpiece is now housed at the Staatliche Museen zu Berlin in Germany.
The painting depicts a bustling kitchen scene with multiple figures engaged in various activities such as cooking, eating, and socializing. The composition is characterized by a sense of warmth and intimacy, with the use of earthy tones and soft lighting. The artist's attention to detail is evident in the rendering of objects such as bowls, cups, knives, and vases, which add to the overall ambiance of the scene. Symbolism plays a significant role in the painting, with various elements carrying meanings beyond their literal interpretation. For example, fish can symbolize Christ, while also having sexual connotations. The flirtatious couple in front of a blazing fire reinforces the erotic theme, suggesting that the kitchen scene is meant to signify voluptas carnis, or sins of the flesh.
The Kitchen Scene is a prime example of Dutch Golden Age painting, characterized by its use of realism, symbolism, and emotional depth. Joachim Anthonisz Wtewael's work is often compared to that of other notable artists such as Rembrandt Van Rijn, who also explored themes of everyday life and symbolism in their paintings. Visit Joachim Anthonisz Wtewael: Kitchen Scene on AllPaintingsStore to learn more about this masterpiece.
View the painting in high resolution on AllPaintingsStore
Discover more about Joachim Anthonisz Wtewael and his works on Wikipedia
The Kitchen Scene by Joachim Anthonisz Wtewael is a testament to the artist's skill and creativity, offering a glimpse into the everyday life of 17th-century Netherlands. As a masterpiece of Dutch Golden Age painting, it continues to captivate art lovers and inspire new generations of artists.
Kunstner og museum
Joachim Anthonisz Wtewael, a name whispered among connoisseurs of the Dutch Golden Age, remains a captivating figure whose art defies easy categorization. Born in 1566 and passing away in 1638, his life was as multifaceted as his canvases. While his artistic genius shone brightly, it is equally notable that he was also a successful flax merchant and an active town councillor of Utrecht. This dual existence—the meticulous artisan alongside the pillar of civic society—suggests a man whose life demanded both worldly acumen and profound creative focus. Wtewael’s signature style, however, possessed a remarkable consistency; it remained largely untouched by the sweeping naturalistic currents that were reshaping art across Europe during his lifetime.
Wtewael's early training rooted him deeply in the sophisticated vocabulary of late 16th-century Haarlem Mannerism. His initial professional life saw him working as a glassmaker and engraver within his father’s workshop, an apprenticeship that undoubtedly honed his hand for intricate detail. A pivotal period arrived when he embarked on travels through Italy and France starting in 1586. These sojourns were crucial, exposing him to the rich artistic currents of the Second School of Fontainebleau. Yet, despite these influences, Wtewael possessed a unique internal compass. His work is characterized by figures that are masterfully drawn, possessing an almost porcelain-like polish, often arranged in poses that feel wonderfully capricious and dramatically charged.
The body of his surviving work—comprising around one hundred paintings, alongside numerous drawings and stained glass designs—reveals a fascinating thematic duality. He was equally at home depicting profound religious narratives as he was celebrating the lush drama of classical mythology. Consider works such as Adoration of the Shepherds juxtaposed with Venus and Mars Surprised by Vulcan. These pieces showcase his remarkable ability to weave together conventional sacred subjects with pagan lore, often imbuing both realms with a palpable, sometimes strong erotic undercurrent that draws the viewer into its narrative embrace. His attention to detail is breathtaking; in works like Perseus and Andromeda, housed notably at the Mauritshuis museum in Utrecht, one can trace his unparalleled skill.
What makes Wtewael’s contribution so significant is precisely that resistance to change. While naturalism beckoned artists toward greater realism, Wtewael held fast to a polished, idealized aesthetic, creating a body of work that feels both historically situated and eternally vibrant. His cabinet paintings, executed on copper plates, are particularly distinctive and numerous, offering intimate glimpses into his artistic process. Though the final decade of his life saw him retreat from painting—a period possibly marked by personal sorrow following the passing of his wife—the impact of his vision endures. He gifted art history a style that remains both highly polished and wonderfully unpredictable.
wahooart.com/da/art/download/joachim-anthonisz-wtewael-kitchen-scene-AQQNWW-en/
Se nærmere efter
Kitchen Scene — Joachim Anthonisz Wtewael
Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.
Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.
"Kitchen Scene" af Joachim Anthonisz Wtewael er i det offentlige domæne – ophavsretten er udløbet. Ophavsretten beregnes ud fra kunstnerens dødsår, og Joachim Anthonisz Wtewael døde i 1638.
"Kitchen Scene" af Joachim Anthonisz Wtewael kan opleves som et diasshow på værkets Billedserie-side.
"Kitchen Scene" er tilgængelig som et fine art-print på bomuldscanvas eller arkivbestandigt lærredspapir. Du kan bestille den i den ønskede størrelse på dens Kunstprint i høj kvalitet-side.