Papirformat

Guide til elevkunst

The Tree

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Navn Klasse Dato
ibrahim el-salahi, The Tree, Modern Art Oxford. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
ibrahim el-salahi wahooart.com/da/artists/ibrahim-el-salahi/
Kunstnerens levetid
1930 – ?
Oprindelig størrelse
101 x 101 cm
Bevægelse
African Modernism
Afholdt hos
Modern Art Oxford wahooart.com/da/museums/modern-art-oxford-oxford_da/

In context

The Tree — ibrahim el-salahi

How big is it?

The original measures 101 × 101 cm (height × width), drawn here beside an adult of average height.

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1930

Skyggelagt: ibrahim el-salahi' livstid (1930–?)

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wahooart.com/da/art/similar/ibrahim-el-salahi-the-tree-D4DTM7-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Celadon #aabbad

    Gemt palet

    • #AABBAD
    • #272C24
    • #92A089
    • #67725E
    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Primær farve
    Celadon
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    The Tree — ibrahim el-salahi

    Kunstner

    ibrahim el-salahi

    Born in Omdurman, Sudan

    The Visionary of the Khartoum School

    Born in the historic city of Omdurman, Sudan, on September 5, 1930, Ibrahim El-Salahi stands as a monumental figure in the landscape of global modernism. His life and work represent a profound intersection of cultural heritage and avant-garde experimentation. As a central pillar of the Khartoum School, El-Salahi did not merely paint; he orchestrated a visual dialogue between the ancient rhythms of Islamic calligraphy and the radical abstractions of the twentieth century. His journey is one of deep intellectual synthesis, where the boundaries between the personal, the political, and the spiritual dissolve into a singular, flowing aesthetic.

    El-Salahi’s early years were marked by an expansive curiosity that transcended borders. While his roots remained firmly planted in Sudanese soil, his artistic consciousness was shaped by a globalized perspective. During the 1950s, he began to absorb the transformative energies of various international movements, finding echoes of Pablo Picasso and Edgar Degas within his own developing language. This period of exploration was further enriched by his professional life as a public servant and diplomat. Traveling through diverse landscapes allowed him to witness the pulse of different cultures, an experience that would later manifest in his work as a sophisticated layering of motifs, textures, and symbols.

    Museum

    Modern Art Oxford

    On show in Oxford, Storbritannien

    Modern Art Oxford: Et fyrtårn for samtidskunstens visioner

    Gemt i hjertet af det historiske Oxford, en by verdensberømt for sin akademiske arv og arkitektoniske storhed, ligger Modern Art Oxford – en dynamisk institution, der fungerer som et livsvigtigt modpunkt til århundreders tradition. Galleriet blev grundlagt i 1965, oprindeligt som The Museum of Modern Art, Oxford, og trådte frem som en pionerende kraft, der modigt kæmpede for det ofte udfordrende landskab af samtidskunst i Storbritannien. Fra sin begyndelse blev det ikke blot forestillet som et depot for kunstværker, men som et levende laboratorium, hvor kunstneriske grænser bliver udfordret og redefineret. Selve handlingen at bringe så fremsynet udtryk til Oxford, en by dybt forankret i historien, var i sig selv en dristig erklæring, der signalerede en dedikation til intellektuel nysgerrighed og åben dialog. Gennem årtierne har Modern Art Oxford opbygget et nationalt og internationalt ry for sine skarpsindige udstillinger, projekter og bestillingsværker, hvilket tiltrækker over 100.000 besøgende årligt, som søger inspiration og engagement i den visuelle kulturs absolutte frontlinje.

    Fra bryggerilager til kunstnerisk knudepunkt

    Selve bygningen fortæller en historie om transformation.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for The Tree

    wahooart.com/da/art/download/ibrahim-el-salahi-the-tree-D4DTM7-en/

    Kildehenvisning til dette kunstværk

    MLA
    el-salahi, ibrahim. The Tree. n.d., Modern Art Oxford. https://wahooart.com/da/art/ibrahim-el-salahi-the-tree-D4DTM7-en/
    APA
    el-salahi, ibrahim (n.d.). The Tree [Painting]. Modern Art Oxford. https://wahooart.com/da/art/ibrahim-el-salahi-the-tree-D4DTM7-en/
    Chicago
    ibrahim el-salahi. The Tree. n.d. Modern Art Oxford. https://wahooart.com/da/art/ibrahim-el-salahi-the-tree-D4DTM7-en/
    Harvard
    el-salahi, ibrahim (n.d.) The Tree. Modern Art Oxford. Available at: https://wahooart.com/da/art/ibrahim-el-salahi-the-tree-D4DTM7-en/

    Look closely

    The Tree — ibrahim el-salahi

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: tree, calligraphy, flowers. Do you agree? What would you add, or take away?
    4. Look back at Untitled (1987), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Themes that come back through the work of ibrahim el-salahi: islamic calligraphy, african modernism, symbolic abstraction. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.