Papirformat

Guide til elevkunst

Beville

Navn Klasse Dato

Georges Mathieu, Beville (1972). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Georges Mathieu wahooart.com/da/artists/georges-mathieu/
Kunstnerens levetid
1921 – 2012
Malet
1972
Oprindelig størrelse
50 x 66 cm
Bevægelse
Tachisme

I kontekst

Beville — Georges Mathieu

Dimensioner

Originalen måler 50 × 66 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 91 ved død.

Malet da kunstneren var 51 år gammel. Kunstneren blev 91 år gammel. 4 af de 5 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Georges Mathieu' livstid (1921–2012) ▲ dette værk, 1972 hvert dateret maleri, årti for årti

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wahooart.com/da/art/similar/georges-mathieu-beville-D3FMUJ-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Phthalo Green #282723

    Gemt palet

    • #282723
    • #C3B7BF
    • #DBD0D3
    • #736A68

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Phthalo Green
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Softly Mixed Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    De 2 mest viste værker af Georges Mathieu

    1. 1 Le Massacre de la Saint Barthélémy, 1959 100,0%
    2. — Beville, 1972 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 9 værker af denne kunstner, hvoraf 1 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Georges Mathieu

    Født i Boulogne-sur-Mer, France

    A Pioneer of Lyrical Abstraction: The Life and Art of Georges Mathieu

    Born in the coastal town of Boulogne-sur-Mer, France, in 1921, Georges Mathieu emerged as a pivotal figure in the post-war European art landscape. His journey began not within the traditional confines of an art school, but through a diverse academic path encompassing English literature and law at the University of Lille. This unconventional foundation, coupled with experiences as an English teacher and interpreter for the American army during wartime, broadened his horizons and fostered a unique perspective that would profoundly shape his artistic vision. These early years weren’t devoid of artistic inclination; Mathieu's mother, Madeleine Durpé, nurtured his talent by providing drawing lessons, laying the groundwork for a lifelong dedication to visual expression. However, it was a pivotal moment in 1944, influenced by writers like Edward Crankshaw and Joseph Conrad, that truly ignited his revolutionary approach – the realization that painting need not be tethered to representation to possess meaning and power.

    From Figurative Roots to Lyrical Freedom

    Initially experimenting with figurative works in 1942, Mathieu swiftly transitioned towards non-figurative art, a bold move reflecting the burgeoning spirit of artistic experimentation following World War II. In 1946, he founded “L’imaginaire,” an influential group showcasing artists like Wols, Jean-Michel Atlan, Hartung, Bryen, and Riopelle – a collective that became a breeding ground for new ideas and approaches to abstract expression. This marked the formal genesis of what would become known as Lyrical Abstraction, a movement Mathieu championed with fervent conviction. He recognized the seismic shift occurring across the Atlantic, keenly observing the groundbreaking work of American Abstract Expressionists like Jackson Pollock and Alton Tobey. Crucially, he wasn’t merely an admirer; Mathieu actively introduced these influences to a French audience, bridging a crucial gap between European and American artistic currents. His canvases began to embody spontaneity, emotion, and gestural marks – qualities that defined Lyrical Abstraction as a distinct branch of informalism.

    Technique, Themes, and the Performance of Painting

    Mathieu’s signature style is immediately recognizable for its dynamic energy and expressive force. He favored large-scale canvases, applying paint directly from tubes with long brushes, creating an immediacy that captured the raw essence of his creative impulse. His paintings are characterized by calligraphic gestures – sweeping lines and bold strokes that convey a sense of movement and vitality. While abstract in form, Mathieu’s work wasn't devoid of meaning; he frequently imbued his titles with references to historical events or figures from French history, adding layers of intellectual depth to the visual experience. But perhaps most strikingly, Mathieu blurred the boundaries between painting and performance. He began creating artworks before live audiences, often dressed in costume, transforming the act of painting into a theatrical spectacle – anticipating later developments in performance art and Happenings. This wasn’t simply about demonstrating technique; it was about revealing the emotional and intellectual process behind the creation, inviting viewers to witness the birth of an artwork firsthand.

    Legacy and Lasting Influence

    Georges Mathieu's contributions to the world of modern art are undeniable. Recognized as a founding father of Lyrical Abstraction, his work has been exhibited internationally in major museums and galleries, solidifying his place within the canon of post-war European art. Numerous retrospective exhibitions, including a significant showcase at the Grand Palais in 1978, have celebrated his prolific career. He received prestigious accolades such as the Legion of Honour and became a Commander of Arts and Letters, acknowledging his profound impact on French culture. Today, his works are held in over ninety museums worldwide, ensuring that his artistic legacy will continue to inspire generations to come. Mathieu’s role wasn't merely that of an artist; he was also a theorist and writer who actively contributed to the discourse surrounding abstract art, shaping its historical context and challenging conventional notions of artistic expression. He played a vital role in fostering dialogue between European and American artists, enriching both traditions and paving the way for new forms of creative exploration. His emphasis on gestural abstraction and emotional intensity continues to resonate with contemporary artists, cementing his position as a true innovator and visionary within the history of art.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Beville

    wahooart.com/da/art/download/georges-mathieu-beville-D3FMUJ-en/

    Kildehenvisning til dette kunstværk

    MLA
    Mathieu, Georges. Beville. 1972, https://wahooart.com/da/art/georges-mathieu-beville-D3FMUJ-en/
    APA
    Mathieu, Georges (1972). Beville [Painting]. https://wahooart.com/da/art/georges-mathieu-beville-D3FMUJ-en/
    Chicago
    Georges Mathieu. Beville. 1972. https://wahooart.com/da/art/georges-mathieu-beville-D3FMUJ-en/
    Harvard
    Mathieu, Georges (1972) Beville. Available at: https://wahooart.com/da/art/georges-mathieu-beville-D3FMUJ-en/

    Se nærmere efter

    Beville — Georges Mathieu

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Le Massacre de la Saint Barthélémy (1959) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Georges Mathieu var omkring 51 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Hvordan relaterer stilen i "Beville" sig til skaberens samtid?

    "Beville" af Georges Mathieu placeres inden for Tachisme-bevægelsen i sin skabers Modern-æra.

    Hvilke farver bruger "Beville"?

    "Beville" af Georges Mathieu benytter en Earthy farvepalette. Paletten opsummerer værkets overordnede farvekarakter.

    Hvor gammel var Georges Mathieu, da Beville blev skabt i 1972?

    Georges Mathieu var 51 år gammel, da vedkommende skabte "Beville" i 1972. Alderen er beregnet ud fra kunstnerens fødselsår, 1921.