Papirformat

Guide til elevkunst

Anne

Navn Klasse Dato

george copeland ault, Anne (1931). Offentlig ejendom.

Fakta om værket

Kunstner
george copeland ault wahooart.com/da/artists/george-copeland-ault/
Kunstnerens levetid
1891 – 1948
Malet
1931
Oprindelig størrelse
38 x 25 cm

I kontekst

Anne — george copeland ault

Hvor stor er den?

Originalen måler 38 × 25 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940

Skyggelagt: george copeland ault' livstid (1891–1948) ▲ dette værk, 1931

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wahooart.com/da/art/similar/george-copeland-ault-anne-AQRAJW-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Putty #e3ddc3

    Gemt palet

    • #E3DDC3
    • #F3EDD2
    • #939380
    • #BEBBA5
    Farvepalette
    Monochrome Den dominerende farvefamilie i billedet.
    Primær farve
    Putty
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    george copeland ault

    Født i Cleveland, United States of America

    The Lonely Geometry of Night: The Life and Vision of George Copeland Ault

    George Copeland Ault stands as a singular, haunting figure in the tapestry of American modernism, an artist whose work exists in the delicate tension between structural precision and profound emotional isolation. Born in Cleveland, Ohio, in 1891 into a family of literary distinction, Ault’s early life was shaped by the sophisticated atmosphere of London. It was within the prestigious halls of the Slade School of Art and the St John's Wood School of Art that he first honed his technical mastery. This English education instilled in him an aesthetic sensibility that some critics described as an Anglicized version of Impressionism, yet as he returned to the United States in 1911, his vision began to undergo a radical transformation. The sprawling, energetic landscapes of his youth gave way to a fascination with the starker, more skeletal rhythms of the American urban and rural experience.

    As Ault settled into the art scenes of New York and New Jersey, he found himself gravitating toward a style that would eventually align him with the Precisionist movement. Alongside contemporaries like Charles Sheeler, Ault began to explore the beauty of geometric forms, yet his approach remained deeply personal and far more atmospheric than the purely industrial focus of his peers. His paintings, such as the evocative “Bright Light at Russell's Corners”, demonstrate a masterful command of light and shadow, using a muted palette to capture the quiet, often unsettling stillness of night. Through his lens, the modern world was not merely a collection of steel and stone, but a stage for a profound, geometric loneliness.

    Tragedy and the Pursuit of Solitude

    The brilliance of Ault’s artistic development cannot be separated from the immense personal shadows that defined his later years. The 1920s brought a series of devastating familial catastrophes that fractured his spirit; the loss of his mother to mental illness and the subsequent suicides of his three brothers following the 1929 stock market crash left him adrift in a sea of grief. These traumas fueled a period of profound personal struggle, marked by alcoholism and an increasing detachment from the mainstream art market. This era of turmoil, however, also precipitated a move toward a more reclusive and authentic existence.

    In 1937, Ault relocated to Woodstock, New York, alongside his wife, Louise Jonas. Their life in the Catskills was one of intentional simplicity, centered around a modest cottage that lacked even the most basic modern comforts like electricity or indoor plumbing. This stark, unadorned lifestyle became the crucible for some of his most poignant works. In the rural landscape of Woodstock, Ault found subjects that symbolized a vanishing way of life—most notably a nearby barn which he depicted multiple times, treating it as a monument to a dying agrarian era. His work during this period bridged the gap between the modernism of the city and the preservationist themes of the American countryside, imbuing even the simplest structures with a sense of historical weight and melancholy beauty.

    Legacy of a Modernist Visionary

    Though Ault’s life ended in tragedy with his suicide in 1948, his contribution to American art remains an indelible part of the modernist canon. He succeeded in creating a visual language that was uniquely his own—one that utilized the sharp edges of Cubism and the structural clarity of Precisionism to express the intangible weight of human solitude. His ability to find a haunting, rhythmic beauty in the interplay of light on surfaces allowed him to transcend mere representation.

    The historical significance of George Copeland Ault lies in his refusal to adhere strictly to any single movement, instead forging a path that integrated:

    The Precisionist Aesthetic: Utilizing stark geometric forms and architectural clarity to define the modern landscape.

    Atmospheric Impressionism: Capturing the ephemeral qualities of light, particularly in his celebrated nocturnal scenes.

    Emotional Depth: Infusing structural subjects with a sense of psychological tension and existential longing.

    Today, collectors and historians look to Ault not just as a painter of scenes, but as a poet of space and shadow, whose works continue to resonate with the quiet, enduring power of the human spirit amidst a changing world.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Anne

    wahooart.com/da/art/download/george-copeland-ault-anne-AQRAJW-en/

    Kildehenvisning til dette kunstværk

    MLA
    ault, george copeland. Anne. 1931, https://wahooart.com/da/art/george-copeland-ault-anne-AQRAJW-en/
    APA
    ault, george copeland (1931). Anne [Painting]. https://wahooart.com/da/art/george-copeland-ault-anne-AQRAJW-en/
    Chicago
    george copeland ault. Anne. 1931. https://wahooart.com/da/art/george-copeland-ault-anne-AQRAJW-en/
    Harvard
    ault, george copeland (1931) Anne. Available at: https://wahooart.com/da/art/george-copeland-ault-anne-AQRAJW-en/

    Kig nærmere efter

    Anne — george copeland ault

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Hoboken Factory (1932) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. george copeland ault var omkring 40 år gammel, da dette blev skabt. Hvad i værket ligner arbejdet fra en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.