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The Swordfish Ends the 'Bismark'

Navn Klasse Dato

eric hesketh hubbard, The Swordfish Ends the 'Bismark' (1942). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
eric hesketh hubbard wahooart.com/da/artists/eric-hesketh-hubbard/
Kunstnerens levetid
1892 – 1957
Malet
1942
Oprindelig størrelse
74 x 129 cm

I kontekst

The Swordfish Ends the 'Bismark' — eric hesketh hubbard

Hvor stor er den?

Originalen måler 74 × 129 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950

Skyggelagt: eric hesketh hubbard' livstid (1892–1957) ▲ dette værk, 1942

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wahooart.com/da/art/similar/eric-hesketh-hubbard-the-swordfish-ends-the-bismark-AQVC6T-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Rosy Brown #b2b2a8

    Gemt palet

    • #B2B2A8
    • #5D7C72
    • #8D978B
    • #345D51
    Primær farve
    Rosy Brown
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Balanced Harmony Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Bright Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    eric hesketh hubbard

    A Life Forged in the Crucible of Conflict

    Eric Hesketh Hubbard’s artistic journey is inextricably linked to the tumultuous backdrop of the early 20th century, a period defined by both unprecedented technological advancement and devastating global conflict. Born in London in 1892, his childhood was shaped by the burgeoning industrial landscape and the looming shadow of imperial ambition. Early influences were diverse – he studied at Heatherley’s School of Fine Art, absorbing the academic traditions while simultaneously exploring the emerging currents of Impressionism and early Modernism. However, it wasn't solely formal training that molded his artistic vision; a restless spirit and an adventurous streak led him to travel extensively across Europe and North Africa, experiences which would profoundly inform his later work.

    Hubbard’s life took a dramatic turn during the First World War. Rather than pursuing a conventional military career, he joined the Royal Naval Reserve, serving with distinction in submarine warfare. This experience – witnessing firsthand the brutal realities of naval combat and the psychological toll on those involved – became the bedrock of his artistic output. It wasn’t merely a desire to document war that drove him; it was a profound need to grapple with its complexities, to capture not just the physical violence but also the emotional landscape of fear, loss, and resilience.

    The Art of War: A Distinctive Style Emerges

    Hubbard’s wartime paintings are instantly recognizable for their dynamic energy and strikingly realistic depictions of naval battles. He eschewed romanticized notions of heroism in favor of a gritty, unflinching portrayal of the chaos and terror of combat. His compositions are often crowded with figures, conveying a sense of claustrophobia and urgency. He masterfully employed loose brushwork and bold color palettes – often dominated by deep blues, greens, and grays – to create an atmosphere of intense drama and movement. Unlike many contemporary artists who focused solely on heroic moments, Hubbard frequently depicted the less glamorous aspects of war: the wounded, the exhausted, the desperate.

    Submarine Warfare: His paintings of submarine encounters are particularly notable for their claustrophobic atmosphere and depiction of the psychological strain on the crew.

    Coastal Scenes: Hubbard also excelled at capturing the rugged beauty of Britain’s coastline, often depicting dramatic weather conditions and the lives of fishermen and sailors.

    Air Battle Painting: His work “An Air Battle” is a prime example of his ability to convey the dynamism and chaos of aerial combat with remarkable skill.

    Beyond the Battlefield: A Diverse Artistic Portfolio

    While his wartime paintings are undoubtedly his most celebrated works, Hubbard’s artistic output extended far beyond the realm of military subjects. He possessed a versatile talent, excelling in landscape painting, architectural renderings, and printmaking. His early career was marked by a fascination with the exotic – he produced evocative depictions of scenes from North Africa and the Middle East, capturing the vibrant colors and textures of these distant lands.

    He established ‘Forest Press’ in 1923, a pioneering printing workshop that provided a platform for both his own work and the art of other British artists. This venture allowed him to experiment with innovative printmaking techniques and establish connections within the broader artistic community. His later works often reflected a nostalgic longing for simpler times, as evidenced by paintings like “Bostock’s Circus,” which captures the charm and spectacle of a traditional fairground.

    Legacy and Recognition

    Eric Hesketh Hubbard died in 1957, leaving behind a significant body of work that continues to resonate with audiences today. His wartime paintings are now recognized as powerful testaments to the human experience of conflict, offering a rare glimpse into the psychological and emotional realities of war. His distinctive style – characterized by its dynamic energy, realistic detail, and evocative use of color – has influenced generations of artists. Hubbard’s work is held in numerous public and private collections throughout Britain and beyond, ensuring that his artistic legacy will endure for years to come.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for The Swordfish Ends the 'Bismark'

    wahooart.com/da/art/download/eric-hesketh-hubbard-the-swordfish-ends-the-bismark-AQVC6T-en/

    Kildehenvisning til dette kunstværk

    MLA
    hubbard, eric hesketh. The Swordfish Ends the 'Bismark'. 1942, https://wahooart.com/da/art/eric-hesketh-hubbard-the-swordfish-ends-the-bismark-AQVC6T-en/
    APA
    hubbard, eric hesketh (1942). The Swordfish Ends the 'Bismark' [Painting]. https://wahooart.com/da/art/eric-hesketh-hubbard-the-swordfish-ends-the-bismark-AQVC6T-en/
    Chicago
    eric hesketh hubbard. The Swordfish Ends the 'Bismark'. 1942. https://wahooart.com/da/art/eric-hesketh-hubbard-the-swordfish-ends-the-bismark-AQVC6T-en/
    Harvard
    hubbard, eric hesketh (1942) The Swordfish Ends the 'Bismark'. Available at: https://wahooart.com/da/art/eric-hesketh-hubbard-the-swordfish-ends-the-bismark-AQVC6T-en/

    Kig nærmere efter

    The Swordfish Ends the 'Bismark' — eric hesketh hubbard

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Lobster Boats (1933) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. eric hesketh hubbard var omkring 50 år gammel, da dette blev skabt. Hvad i værket ligner arbejdet fra en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.