Papir

Guide til elevkunst

Lady Lucy Stuart

Navn Klasse Dato

Cosmo Alexander, Lady Lucy Stuart (1756), Traquair House. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Cosmo Alexander wahooart.com/da/artists/cosmo-alexander/
Kunstnerens årstal
1724 – 1772
Malet
1756
Oprindelig størrelse
74 x 61 cm
Bevægelse
Neoclassical A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.
Afholdt hos
Traquair House wahooart.com/da/museums/traquair-house-innerleithen/

I kontekst

Lady Lucy Stuart — Cosmo Alexander

Hvor stor er den?

Originalen måler 74 × 61 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1720
  2. 1730
  3. 1740
  4. 1750
  5. 1760
  6. 1770

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 48 ved død.

Malet da kunstneren var 32 år gammel. Kunstneren blev 48 år gammel. 13 af de 32 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Cosmo Alexander' livstid (1724–1772) ▲ dette værk, 1756 hvert dateret maleri, årti for årti

Første værker: frem til 1751 Primære arbejdsår: 1751–1757 Senere værker: fra 1757

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: wahooart.com/da/art/similar/cosmo-alexander-lady-lucy-stuart-AQV29B-en/

Farver

Målt ud fra billedet

    Primær farve

    Phthalo Green #22190d

    Katalogiseret palet

    • #22190D
    • #582A16
    • #D6A977
    • #906F47

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Phthalo Green
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Balanced Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Cosmo Alexander i løbet af de sidste tolv måneder — 3 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 80,0%1.200 visits
    2. 2 Singapore 13,3%200 visits
    3. 3 USA 6,7%100 visits

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 16 mest viste værker af Cosmo Alexander

    1. 1 Mary Ogilvie, Wife of Alexander Irvine, 17th Laird of Drum, 1756 11,8%200 visits
    2. 2 Portrait of a Woman 11,8%200 visits
    3. 3 The Ladies Barbara and Margaret Stuart, 1755 5,9%100 visits
    4. 4 George Keith, 5th Earl Marischal, 1742 5,9%100 visits
    5. 5 Adrian Hope of Amsterdam (1709–1781), 1763 5,9%100 visits
    6. 6 James Maitland (1718–1789), 7th Earl of Lauderdale 5,9%100 visits
    7. 7 John, 7th Earl of Galloway, 1753 5,9%100 visits
    8. 8 Lady Lucy Stuart, 1756 5,9%100 visits
    9. 9 John Drummond (1679–1757), 2nd Duke of Perth 5,9%100 visits
    10. 10 Mary Ogilvie, Wife of Alexander Irvine, 17th Laird of Drum, 1756 5,9%100 visits
    11. 11 James Maitland, 7th Earl of Lauderdale 5,9%100 visits
    12. 12 James Duff af Corsindae, 1760 5,9%100 visits
    13. 13 John Robertson of Pitmillan and Foveran, Provost of Aberdeen (1736–1737) 5,9%100 visits
    14. 14 John Robertson of Pitmillan and Foveran, Provost of Aberdeen 5,9%100 visits
    15. 15 Elizabeth of York 5,9%100 visits
    16. — Lady Lucy Stuart, 1756 dette maleri 0,0%0 visits

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 46 værker af denne kunstner, hvoraf 15 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Cosmo Alexander

    A Legacy of Portraiture and Pedagogy

    The story of Cosmo Alexander is one of wandering brilliance and the profound influence of a master upon his pupil. Born in Scotland to the noted portrait painter John Alexander, Cosmo was destined for a life steeped in the traditions of fine art. Before his journey took him across the Atlantic, he refined his eye through extensive travels across Europe, documenting his presence in Italy between 1745 and 1751, including time in Rome. His artistic development continued in Holland, where he achieved professional recognition by joining the painters' guild at The Hague. These formative years in the great art centers of Europe provided him with a sophisticated foundation in classical techniques that would later define his work in the American colonies.

    Though Alexander often referred to himself as a history painter, his enduring legacy resides in his mastery of the portrait. His style, which aligns closely with the Classical Realism later championed by John Singleton Copley, captured the essence of the Scottish community and the colonial elite with remarkable precision. As he moved through the American landscape between 1766 and 1772, his brush followed a path of significant historical importance. From the bustling streets of Philadelphia to the coastal elegance of Newport, Rhode Island, and even as far south as Charleston, South Carolina, Alexander sought to capture the likenesses of a burgeoning nation through a lens of European refinement.

    The Teacher of a Master

    Perhaps the most significant chapter in Alexander’s life was his role as a mentor. In Newport, Rhode Island, he encountered a young Gilbert Stuart, a meeting that would alter the course of American art history forever. Recognizing the potential in the fourteen-year-old, Alexander took Stuart on as an apprentice. This relationship was more than a mere professional arrangement; it was a passing of the torch from the Old World traditions to the New. The two traveled together through the colonies, eventually returning to Edinburgh in 1771, where the bond between master and student remained unbroken until Alexander’s sudden death.

    Alexander's life was marked by both artistic triumph and personal hardship. Driven by financial debts that had forced him to leave London, he arrived in America with the hope of rebuilding his fortune through his craft. While his travels were frequent—visiting New York City, Boston, and Williamsburg—his ability to secure patrons remained a testament to his skill. In Burlington, New Jersey, he even resided within the governor's mansion, utilizing such high-profile connections to find sitters for his portraits. Though his life was cut short in Edinburgh, the impact of his work remains visible in the collections of prestigious institutions today.

    Key Artistic Contributions: Known for over twenty-five identified American portraits that showcase his skill in portraiture and historical genre painting.

    Notable Mentorship: Served as the primary teacher and mentor to the legendary American artist Gilbert Stuart.

    Geographic Reach: His career spanned Scotland, Italy, Holland, England, and various American colonies including New York, Pennsylvania, and Rhode Island.

    Museum

    Traquair House

    Udstillet i Innerleithen, United Kingdom

    A Tapestry of Time: The Living Stones of Traquair House

    Nestled within the verdant embrace of the Tweed Valley, Traquair House stands not merely as a monument of stone and mortar, but as a breathing chronicle of Scottish identity. To cross its threshold is to leave the modern world behind and enter a realm where nine centuries of history converge. As the oldest continually inhabited house in Scotland, it offers a rare intimacy that few museums can replicate; it remains a family home, a sanctuary of the Stuart dynasty since 1491. The architecture itself tells a story of evolution, a fascinating palimpsest where medieval fortifications meet the refined elegance of Georgian design. One can almost feel the weight of the past in its very foundations, from its origins as a 12th-century hunting lodge to its transformation into a formidable mansion that has sheltered kings and queens, including the legendary Mary, Queen of Scots.

    The Radiant Legacy of Phoebe Anna Traquair

    Beyond its architectural grandeur, the true soul of Traquair House resides in its extraordinary artistic heritage, most notably through the transcendent works of

    Phoebe Anna Traquair

    . A luminary of the Arts and Crafts movement, her presence is felt in every corner, her art inextricably woven into the fabric of the estate. Her monumental murals, which adorn the interiors with a breathtaking vitality, utilize a unique blend of symbolism and

    Pre-

    Raphaelite

    influence to breathe life into biblical narratives and ancient Scottish folklore. These paintings are not mere decorations; they are immersive experiences, executed with a meticulous detail and a palette of vibrant colors that seem to pulse with spiritual energy. For the discerning collector or lover of fine craft, the house offers a profound look at her polymathic genius—from delicate enamel jewelry and exquisite embroidery to the luminous beauty of her illuminated manuscripts, such as the celebrated

    Psalms of David

    . Her work transforms the rooms into sacred spaces of contemplation, where the boundaries between fine art and domestic beauty dissolve entirely.

    A Sensory Journey Through a Living Estate

    The allure of Traquair House extends far beyond its walls, inviting visitors to engage with a landscape steeped in both legend and tradition. The estate is a sensory masterpiece, where the scent of malt from Scotland’s oldest working brewery—established in 1739—mingles with the quiet whispers of Jacobite history. One cannot help but feel the echoes of rebellion near the Bear Gates, which remain closed as a poignant tribute to the loyalty of the family to the Stuart cause. Whether wandering through the enchanting hedge maze or tasting an ale brewed in ancient oak tuns, the experience is one of total immersion. For the interior designer seeking historical inspiration or the traveler yearning for cultural depth, Traquair House offers more than a glimpse into the past; it provides a profound connection to the enduring spirit of Scotland, where every stone and every brushstroke tells a story of resilience, beauty, and unyielding heritage.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Lady Lucy Stuart

    wahooart.com/da/art/download/cosmo-alexander-lady-lucy-stuart-AQV29B-en/

    Kildehenvisning til dette kunstværk

    MLA
    Alexander, Cosmo. Lady Lucy Stuart. 1756, Traquair House. https://wahooart.com/da/art/cosmo-alexander-lady-lucy-stuart-AQV29B-en/
    APA
    Alexander, Cosmo (1756). Lady Lucy Stuart [Painting]. Traquair House. https://wahooart.com/da/art/cosmo-alexander-lady-lucy-stuart-AQV29B-en/
    Chicago
    Cosmo Alexander. Lady Lucy Stuart. 1756. Traquair House. https://wahooart.com/da/art/cosmo-alexander-lady-lucy-stuart-AQV29B-en/
    Harvard
    Alexander, Cosmo (1756) Lady Lucy Stuart. Traquair House. Available at: https://wahooart.com/da/art/cosmo-alexander-lady-lucy-stuart-AQV29B-en/

    Se nærmere efter

    Lady Lucy Stuart — Cosmo Alexander

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: portrait painting, scottish art history, noblewoman subject. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på James Duff af Corsindae (1760) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Neoclassical: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvilken fase i Cosmo Alexanders karriere svarer datoen 1756 for "Lady Lucy Stuart" til?

    "Lady Lucy Stuart", skabt i 1756, tilhører Late Medieval af Cosmo Alexander's karriere.

    Hvor kan jeg se en forhåndsvisning af "Lady Lucy Stuart"?

    For at se en forhåndsvisning af en reproduktion af "Lady Lucy Stuart" af Cosmo Alexander, skal du åbne værkets Forhåndsvisning-side.

    Hvilken kunstretning tilhører "Lady Lucy Stuart" af Cosmo Alexander?

    Kunstretningen forbundet med "Lady Lucy Stuart" af Cosmo Alexander er Neoclassical. Denne klassificering placerer værket blandt relaterede kunstnere og kunstværker.