Papirformat

Guide til elevkunst

Madonna della Candeletta

Navn Klasse Dato

Carlo Crivelli, Madonna della Candeletta (1490), Pinacoteca di Brera. Offentlig ejendom.

Fakta om værket

Kunstner
Carlo Crivelli wahooart.com/da/artists/carlo-crivelli_da/
Kunstnerens levetid
1435 – 1495
Malet
1490
Medie
Acrylic On Canvas
Oprindelig størrelse
218 x 75 cm
Bevægelse
Renaissance Decorative Style
Afholdt hos
Pinacoteca di Brera wahooart.com/da/museums/pinacoteca-di-brera-milano_da/
Artistic style
Conservative Late Gothic
Influences
Vivarini, Squarcione
Notable elements or techniques
Symbolism; Trompe l'oeil
Subject or theme
Religious Painting

I kontekst

Madonna della Candeletta — Carlo Crivelli

Hvor stor er den?

Originalen måler 218 × 75 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde. Det er for stort til at kunne gengives i målestoksforhold på denne side.

Hvornår er dette malet?

  1. 1430
  2. 1440
  3. 1450
  4. 1460
  5. 1470
  6. 1480
  7. 1490

Skyggelagt: Carlo Crivelli' livstid (1435–1495) ▲ dette værk, 1490

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wahooart.com/da/art/similar/carlo-crivelli-madonna-della-candeletta-8DP4ED-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Driftwood #a37e48

    Gemt palet

    • #A37E48
    • #CCB789
    • #1F1413
    • #5E412D
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Driftwood
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Madonna della Candeletta — Carlo Crivelli

    The Madonna della Candeletta is a stunning oil on panel painting created by the Italian artist Carlo Crivelli in 1490. This beautiful work of art is housed in the prestigious Pinacoteca di Brera in Milan, Italy, and is considered one of the most important paintings of the Renaissance period.

    The painting depicts the Virgin Mary holding a child who is also holding a lamb, surrounded by a serene and peaceful natural setting. The scene is filled with symbolism, including the presence of fruits such as apples and oranges, which are scattered throughout the painting. These symbols add depth and meaning to the work, making it a fascinating piece to study and admire.

    Carlo Crivelli was a renowned artist of his time, known for his exceptional skill and attention to detail. His use of color and composition in the Madonna della Candeletta is particularly noteworthy, creating a sense of harmony and balance that draws the viewer's eye.

    Other notable works of art can be found at the Pinacoteca di Brera, including the Montefeltro Altarpiece (detail) by Piero Della Francesca and the Marriage of the Virgin by Raphael (Raffaello Sanzio Da Urbino). These paintings demonstrate the high level of artistic skill and craftsmanship that was present during the Renaissance period.

    Key Features of the Painting

    Some key features of the Madonna della Candeletta include:

    The use of symbolism, including the presence of fruits and the lamb, to add depth and meaning to the work

    The exceptional skill and attention to detail demonstrated by Carlo Crivelli

    The serene and peaceful natural setting, which creates a sense of harmony and balance

    For more information on the Madonna della Candeletta and other works of art by Carlo Crivelli, please visit https://AllPaintingsStore.com. You can also learn more about the Pinacoteca di Brera and its collection of Renaissance art on Wikipedia.

    Kunstner og museum

    Kunstner

    Carlo Crivelli

    Født i Venedig, Italien

    tidligt liv og uddannelse

    Den italienske renæssancemaler Carlo Crivelli blev født i Venedig omkring 1430-35. Han trådte ind i kunsten gennem en familie af malere og modtog sin kunstneriske dannelse i de kulturelle centre Venedig og Padua. Det antages, at Crivellis tidlige træning fandt sted under Jacobello del Fiore, som stadig var aktiv i 1436, og han uddybede desuden sine færdigheder ved Vivarini-skolen i Venedig.

    karriere og stil

    Crivelli tilbragte sine formative år i Veneto-regionen, hvor han opsugede dybe indflydelser fra mestre som Vivarini, Squarcione og Mantegna. Omkring 1458 forlod han Veneto og dedikerede størstedelen af sin karriere til Marche-regionen ved Ancona. Her udviklede han en særpræget personlig stil, der står i markant kontrast til den venetianske samtidige Giovanni Bellini. Crivellis værk er kendetegnet ved en konservativ, dekorativ sengotisk sansbarhed, præget af en lineær kvalitet, en uovertruffen detaljerigdom og den forførende brug af "trompe l'oeil"-teknikker, der leger med beskuerens blik.

    bemærkelsesværdige værker og samarbejder

    * Carlo Crivellis maleri "Madonna og barnet på tronen" (106 x 55 cm, Museum of Fine Arts, Budapest, Ungarn) står som et fremragende eksempel på hans unikke stil. * Han indgik i flere projekter i samarbejde med sin yngre bror, Vittorio Crivelli. * Pietro Alemanno, en maler der emigrerede til Marche-regionen fra Tyskland/Østrig, var både hans elev og samarbejdspartner.

    museer og samlinger

    * Pinacoteca di Brera i Milano, Italien, rummer flere af Crivellis værker, herunder "Pietà" (128 x 241 cm). * Museo San Giovanni in Bragora i Venedig, Italien, besidder en samling af kunstværker fra forskellige perioder og stilarter, herunder værker tilskrevet Crivelli.

    Se Carlo Crivellis kunstværker på AllPaintingsStore.com

    Udforsk Jacopo Robustis værker på AllPaintingsStore.com

    Læs mere om Carlo Crivelli på Wikipedia

    Crivellis eftermæle fortsætter med at inspirere både kunstelskere og lærde, idet hans arbejde forbliver et vidnesbyrd om den vedvarende kraft i den konservative, sengotiske dekorative sansbarhed.

    Museum

    Pinacoteca di Brera

    Udstillet i Milano, Italien

    A Sanctuary of Italian Masterpieces: Unveiling the Pinacoteca di Brera

    Nestled within the heart of Milan, Italy, the Pinacoteca di Brera is more than merely a museum; it’s an immersive experience, a pilgrimage through centuries of artistic evolution. Originally conceived as a Jesuit convent in the 17th century and dramatically transformed under the visionary hands of Francesco Maria Richini and Giuseppe Piermarini, the Palazzo Brera now stands as a magnificent testament to architectural harmony – a seamless blend of Baroque opulence and Neoclassical grace. Stepping through its grand doors is akin to entering a living narrative, where the echoes of artistic innovation and scholarly pursuit resonate within the very stones, inviting contemplation alongside the masterpieces housed within.

    The museum’s story is inextricably linked to the Brera Academy of Fine Arts, founded in 1776. Initially conceived as a resource for students studying exemplary works firsthand – a veritable library of artistic achievement – it gradually blossomed into a public institution dedicated to preserving and showcasing Italy's rich artistic heritage. Today, the Pinacoteca continues to evolve, recently expanding with Palazzo Citterio, adding a vibrant modern art wing that bridges the gap between past and present – a bold statement of continuity and innovation. The Pinacoteca’s true strength lies in its unparalleled collection, spanning from the 13th century to the late 20th, offering a panoramic view of Italian painting, meticulously curated to highlight key schools and movements. It's a space where Raphael’s serene grace dialogues with Mantegna’s dramatic intensity, inviting visitors on a profound journey through the soul of Italian art.

    A Chronicle of Transformation: From Convent to Cultural Hub

    The Palazzo Brera’s history is as captivating as its artistic treasures. Originally designed as a Jesuit residence, it underwent significant transformations under the guidance of Francesco Maria Richini and later Giuseppe Piermarini, evolving into a vibrant hub for art, science, and culture. The building's architecture is a captivating blend of Baroque and Neoclassical styles – an elegant backdrop that enhances the viewing experience. Constructed as a Jesuit residence and later embellished by Piermarini, it houses an astronomical observatory and served as the seat of the Brera Academy for decades—a space that embodies both artistic grandeur and intellectual fervor. The grand halls, with their soaring ceilings and intricate details, evoke a sense of timeless beauty and scholarly pursuit.

    Integral to the Pinacoteca’s experience is the Palazzo Brera itself – a magnificent building that has served as both a convent and a cultural center for centuries. Originally conceived as a Jesuit residence, it underwent significant transformations under the guidance of Francesco Maria Richini and later Giuseppe Piermarini, evolving into a vibrant hub for art, science, and culture. The architecture is a captivating blend of Baroque and Neoclassical styles – an elegant backdrop that enhances the viewing experience. The building’s history isn't confined to its artistic function; it has housed an astronomical observatory and served as the seat of the Brera Academy for decades, contributing to a rich intellectual atmosphere that permeates the space. The Palazzo Brera is not merely a container for art; it is art – a testament to the enduring power of beauty and knowledge.

    A Treasury of Italian Art: Collection Highlights

    The Pinacoteca boasts an extraordinary assemblage of artworks, spanning from the 13th century to the late 20th. The collection is meticulously organized, offering visitors a chronological journey through Italian painting. Key highlights include Raphael’s breathtaking “Sposalizio” (The Marriage of the Virgin), a masterpiece of Renaissance grace and composition; Andrea Mantegna's powerfully evocative works imbued with classical gravitas, particularly his depictions of the St. Sebastian; Piero della Francesca’s geometric precision lending an ethereal quality to his portraits; Giovanni Bellini’s Venetian grace and spirituality; Francesco Hayez’s historical paintings capturing emotional intensity – notably “Il Bacio” (The Kiss), a quintessential symbol of Italian romanticism; Giandomenico Tiepolo's Punchinello scenes, rendered with vibrant color and playful energy, showcasing his fresco artistry; Carlo Francesco Nuvolone (“the Guido of Lombardy”), renowned for his dramatic and expressive portraits; and numerous other significant works by artists representing the diverse schools and movements that shaped Italian art history. The collection offers a remarkable glimpse into the evolution of Italian artistic styles, from the early Renaissance to the late 19th century, showcasing the talents of some of Italy’s most celebrated painters.

    Beyond the Paintings: Architectural Jewel and Historical Context

    Established in 1776, the Brera Academy’s mission was to foster artistic excellence by providing students with access to seminal artworks. This commitment to scholarly engagement continues to shape the museum's identity and programming. The Pinacoteca regularly hosts exhibitions exploring diverse themes – retrospectives dedicated to prominent Italian painters, thematic displays examining Venetian art’s influence on European culture, and explorations of specific artistic techniques or periods. The building itself is a significant historical landmark, having served as both a Jesuit residence and the seat of the Brera Academy for decades, fostering an environment of intellectual curiosity and civic pride. The Pinacoteca's location within Palazzo Brera adds another layer to its appeal, offering visitors the opportunity to appreciate the architectural beauty of this historic building alongside its remarkable collection of art.

    Notable Exhibitions & Further Exploration

    The Pinacoteca’s programming extends beyond its permanent collection. Regular exhibitions delve into specific themes and artists, providing fresh perspectives on Italian art history. Recent events have included retrospectives dedicated to Giandomenico Tiepolo, exploring the evolution of his style and artistic vision. The museum also hosts thematic displays examining Venetian art's influence on European culture, showcasing the vibrant colors and innovative techniques that defined this pivotal period in art history. For those seeking a deeper understanding of the Pinacoteca’s collection and its historical context, we recommend visiting the museum’s website at

    https://pinacotecabrera.org/en/

    for information on current exhibitions, events, and educational programs.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Madonna della Candeletta

    wahooart.com/da/art/download/carlo-crivelli-madonna-della-candeletta-8DP4ED-en/

    Kildehenvisning til dette kunstværk

    MLA
    Crivelli, Carlo. Madonna della Candeletta. 1490, Pinacoteca di Brera. https://wahooart.com/da/art/carlo-crivelli-madonna-della-candeletta-8DP4ED-en/
    APA
    Crivelli, Carlo (1490). Madonna della Candeletta [Painting]. Pinacoteca di Brera. https://wahooart.com/da/art/carlo-crivelli-madonna-della-candeletta-8DP4ED-en/
    Chicago
    Carlo Crivelli. Madonna della Candeletta. 1490. Pinacoteca di Brera. https://wahooart.com/da/art/carlo-crivelli-madonna-della-candeletta-8DP4ED-en/
    Harvard
    Crivelli, Carlo (1490) Madonna della Candeletta. Pinacoteca di Brera. Available at: https://wahooart.com/da/art/carlo-crivelli-madonna-della-candeletta-8DP4ED-en/

    Kig nærmere efter

    Madonna della Candeletta — Carlo Crivelli

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: virgin mary, lamb symbolism, renaissance painting. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Virgin and Child (1482) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Carlo Crivelli var omkring 55 år gammel, da dette blev skabt. Hvad i værket ligner arbejdet fra en kunstner på det stadie?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Kunstquiz

    Madonna della Candeletta — Carlo Crivelli

    Hvor godt kender du dette kunstværk?

    Afkryds ét svar for hvert af de 5 spørgsmål nedenfor. Hvert spørgsmål har præcis ét korrekt svar.

    1. 1. What is the primary artistic style associated with Carlo Crivelli’s Madonna della Candeletta?

      • A Early Renaissance
      • B Late Gothic Decorative Sensibility
      • C Baroque
    2. 2. Where is the Madonna della Candeletta currently housed?

      • A Louvre Museum, Paris
      • B Pinacoteca di Brera, Milan
      • C Uffizi Gallery, Florence
    3. 3. What symbolic elements are prominently featured in the painting, adding depth and meaning to the scene?

      • A Geometric patterns
      • B Religious icons depicting saints
      • C Fruits like apples and oranges
    4. 4. Which artist is considered alongside Carlo Crivelli as a prominent figure of Renaissance art in Venice?

      • A Leonardo da Vinci
      • B Michelangelo Buonarroti
      • C Giovanni Bellini
    5. 5. What technique did Carlo Crivelli employ to create a sense of harmony and balance within the Madonna della Candeletta?

      • A Perspective projection
      • B Chiaroscuro shading
      • C Trompe l'oeil

    Min score: ____ ud af 5

    Svarside — til læreren

    Dette starter en ny trykt side, så den kan blot udelades fra kopierne.

    1A · 2B · 3C · 4C · 5C