Papir
Navn Klasse Dato

Bridget Cox, Eric I (Eric Wallace, 1938–2004) (2004). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Bridget Cox wahooart.com/da/artists/bridget-cox/
Malet
2004
Oprindelig størrelse
20 x 20 cm

I kontekst

Eric I (Eric Wallace, 1938–2004) — Bridget Cox

Hvor stor er den?

Originalen måler 20 × 20 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1990
  2. 2000

▲ dette værk, 2004 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: wahooart.com/da/art/similar/bridget-cox-eric-i-eric-wallace-1938-2004-AR2DPY-en/

Farver

Målt ud fra billedet

    Primær farve

    Rosy Brown #a69f97

    Katalogiseret palet

    • #A69F97
    • #743C4C
    • #C3BDB2
    • #82737A

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Rosy Brown
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Bridget Cox i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 1 mest viste værker af Bridget Cox

    1. 1 Eric I (Eric Wallace, 1938–2004), 2004 dette maleri 100,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 7 værker af denne kunstner, hvoraf 1 er blevet set mindst én gang. Dette maleri rangerer som nummer 1 af dem med 100,0% af den samlede opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Bridget Cox

    A Visionary Bridge Between Surrealism and Romanticism

    Bridget Cox stands as a singular figure in the landscape of contemporary British painting, a creator whose work exists in the delicate tension between the tangible world and the ethereal realm of dreams. Born in 1968, Cox has cultivated a distinctive visual language that transcends conventional genre boundaries, merging the grandeur of Romantic vistas with the unsettling, evocative textures of Surrealism. Her canvases do not merely depict scenery; they act as windows into emotionally resonant narratives rooted deeply in memory, personal experience, and the sublime. Through her meticulous attention to detail, she invites the viewer to wander through landscapes that feel simultaneously familiar and otherworldly, capturing a sense of fleeting beauty that is both haunting and profound.

    The foundations of Cox’s artistic vision were laid amidst the dramatic, mist-shrouded peaks of Cumbria. Growing up in the heart of the Lake District, she was profoundly shaped by the rugged topography and the atmospheric shifts of the English countryside. This early immersion in such a powerful natural environment instilled in her a lifelong preoccupation with capturing moments of sublime grandeur. Her fascination with art was nurtured by her father’s encouragement, fostering an innate sensitivity to light and shadow that would become the hallmark of her style. This connection to the landscape is not merely observational but deeply spiritual, as she seeks to translate the ephemeral qualities of nature into permanent, expressive realism.

    The Legacy of Light and the Eric I-VI Series

    Much of Cox’s technical mastery can be traced back to the formative influences of David Cox the Elder. From this lineage, she inherited a profound appreciation for watercolor techniques and the ability to manipulate light and atmosphere to evoke specific moods. This legacy of capturing the essence of place permeates her entire oeuvre, allowing her to move seamlessly between the precision of realism and the dreamlike distortions of the surreal. Her work often echoes the Romantic spirit, prioritizing emotion and imagination over mere topographical accuracy, a pursuit that allows her to explore the psychological depths of the landscapes she portrays.

    Perhaps the most significant milestone in her career is the creation of the Eric I-VI series, a monumental undertaking that solidified her reputation as a visionary painter. In this collection, Cox explores expansive, surreal landscapes that transform recognizable vistas into symbolic realms. These paintings are characterized by:

    Symbolic Figures: The integration of evocative characters that inhabit the landscape, acting as anchors for narrative and memory.

    Textural Depth: A masterful use of impasto and layered textures that lend a physical presence to the dreamlike elements.

    Atmospheric Light: The careful rendering of subtle shifts in color and luminosity to create a sense of depth and mystery.

    Through this series, Cox achieves a synthesis of the seen and the imagined, turning the landscape into a stage for the subconscious. Each piece serves as a study of character and place, where the boundaries between reality and fantasy dissolve, leaving the viewer in a state of contemplative wonder.

    Artistic Significance and Enduring Impact

    The historical significance of Bridget Cox’s work lies in her ability to revitalize the tradition of landscape painting for a contemporary audience. By infusing the classical sensibilities of the Romantic era with the psychological complexity of Surrealism, she offers a fresh perspective on the relationship between humanity and the natural world. Her paintings do not shy away from the complexities of memory or the distortions of perception; instead, they embrace them as essential components of the human experience.

    As her body of work continues to grow, Cox remains a vital voice in British art, reminding us that the landscape is not just a physical space, but a psychological one. Her dedication to mastering technique—from the delicate nuances of light to the bold application of texture—ensures that her visions of the sublime remain as impactful and evocative as the landscapes that first inspired her. In the hands of Bridget Cox, the landscape becomes an eternal dialogue between the earth beneath our feet and the dreams within our minds.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Eric I (Eric Wallace, 1938–2004)

    wahooart.com/da/art/download/bridget-cox-eric-i-eric-wallace-1938-2004-AR2DPY-en/

    Kildehenvisning til dette kunstværk

    MLA
    Cox, Bridget. Eric I (Eric Wallace, 1938–2004). 2004, https://wahooart.com/da/art/bridget-cox-eric-i-eric-wallace-1938-2004-AR2DPY-en/
    APA
    Cox, Bridget (2004). Eric I (Eric Wallace, 1938–2004) [Painting]. https://wahooart.com/da/art/bridget-cox-eric-i-eric-wallace-1938-2004-AR2DPY-en/
    Chicago
    Bridget Cox. Eric I (Eric Wallace, 1938–2004). 2004. https://wahooart.com/da/art/bridget-cox-eric-i-eric-wallace-1938-2004-AR2DPY-en/
    Harvard
    Cox, Bridget (2004) Eric I (Eric Wallace, 1938–2004). Available at: https://wahooart.com/da/art/bridget-cox-eric-i-eric-wallace-1938-2004-AR2DPY-en/

    Se nærmere efter

    Eric I (Eric Wallace, 1938–2004) — Bridget Cox

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Eric IV (Eric Wallace, 1938–2004) (2004) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvor intense er farverne i "Eric I (Eric Wallace, 1938–2004)" af Bridget Cox?

    "Eric I (Eric Wallace, 1938–2004)" af Bridget Cox har en Balanced farveintensitet.

    Er "Eric I (Eric Wallace, 1938–2004)" af Bridget Cox i det offentlige domæne?

    Ophavsretsstatus for "Eric I (Eric Wallace, 1938–2004)" af Bridget Cox: værket er stadig beskyttet af ophavsret. Dette afgør, om der frit må foretages reproduktioner af billedet.

    Hvor kommer de besøgende til "Eric I (Eric Wallace, 1938–2004)" af Bridget Cox fra?

    Siden Besøgsstatistik for "Eric I (Eric Wallace, 1938–2004)" af Bridget Cox præsenterer statistikker over offentlige besøg: månedlige besøg af dette kunstværk, en sammenligning med kunstnerens mest sete værker og hvor de besøgende kommer fra.