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Elisabeth at the Table

Navn Klasse Dato

August Macke, Elisabeth at the Table (1909). Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
August Macke wahooart.com/da/artists/august-macke_da/
Kunstnerens årstal
1887 – 1914
Malet
1909
Oprindelig størrelse
22 x 16 cm
Bevægelse
Fauvist Style
Periode
Modern
Artistic style
Expressionist
Influences
Impressionists, Post-Imp.
Notable elements
Bold colors, brushstrokes
Subject or theme
Intimate scene

I kontekst

Elisabeth at the Table — August Macke

Hvor stor er den?

Originalen måler 22 × 16 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 27 ved død.

Malet da kunstneren var 22 år gammel. Kunstneren blev 27 år gammel. 8 af de 138 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: August Macke' livstid (1887–1914) ▲ dette værk, 1909 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: wahooart.com/da/art/similar/august-macke-elisabeth-at-the-table-8XXPFC-en/

Farver

Målt ud fra billedet

    Primær farve

    Black #090d0b

    Katalogiseret palet

    • #090D0B
    • #948F6E
    • #383221
    • #765126

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Black
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Balanced Harmony Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af August Macke i løbet af de sidste tolv måneder — 40 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 42,6%13.000 visits
    2. 2 USA 5,6%1.700 visits
    3. 3 Tyskland 5,2%1.600 visits
    4. 4 Mexico 5,2%1.600 visits
    5. 5 Spanien 3,9%1.200 visits
    6. 6 Frankrig 3,6%1.100 visits
    7. 7 Hong Kong 3,3%1.000 visits
    8. 8 Sydkorea 3,3%1.000 visits
    9. 9 Colombia 2,3%700 visits
    10. 10 Italien 2,3%700 visits
    11. · 30 andre lande 22,7%6.900 visits

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 20 mest viste værker af August Macke

    1. 1 Kvinde i grøn jakke, 1913 43,8%19.600 visits
    2. 2 Landskab med køer og kamel, 1914 5,1%2.300 visits
    3. 3 Baderpiger med by baggrund, 1913 3,6%1.600 visits
    4. 4 Hat Shop, 1913 2,5%1.100 visits
    5. 5 Market in Tunis II 2,2%1.000 visits
    6. 6 Three girls in yellow straw hats I, 1913 1,3%600 visits
    7. 7 Still life hyacinths carpet, 1910 1,3%600 visits
    8. 8 Milliner 1,1%500 visits
    9. 9 Little Walter, 1912 0,9%400 visits
    10. 10 Red house in park, 1914 0,9%400 visits
    11. 11 Inner courtyard of house in St. Germain, 1914 0,9%400 visits
    12. 12 Portrait of the Artist's Wife with Hat, 1909 0,9%400 visits
    13. 13 Man Reading in a Park, 1914 0,7%300 visits
    14. 14 Fashion window 0,7%300 visits
    15. 15 Colored Composition of Forms, 1914, 1914 0,7%300 visits
    16. 16 Girl in the greenery, 1914 0,7%300 visits
    17. 17 Portrait of Franz Marc, 1910 0,7%300 visits
    18. 18 At the Garden Table, 1914 0,7%300 visits
    19. 19 Church with Flags, 1914 0,7%300 visits
    20. 68 Elisabeth at the Table, 1909 dette maleri 0,2%100 visits

    Sammen udgør disse værker 69,6% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 228 værker af denne kunstner, hvoraf 119 er blevet set mindst én gang. This painting ranks 68 of them, with 0,2% of that attention (100 visits). Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Om dette kunstværk

    Elisabeth at the Table — August Macke

    A Moment of Quietude: August Macke's "Elisabeth at the Table"

    August Macke’s “Elisabeth at the Table,” painted in 1909, is more than just a depiction of two women sharing a moment; it’s a vibrant distillation of Fauvist principles and a poignant glimpse into the burgeoning artistic spirit of early 20th-century Germany. Measuring a modest 22 x 16 cm, this oil on canvas radiates an immediate warmth, drawing the viewer into a scene of intimate companionship rendered with a boldness rarely seen before its time. Macke, a key figure within the influential Der Blaue Reiter group, masterfully employs color and brushstroke to evoke not just what he saw, but how he felt about it – a characteristic hallmark of Expressionism.

    Fauvist Color and Energetic Form

    The painting’s power lies fundamentally in its embrace of Fauvism. Macke abandons traditional representational accuracy for an unrestrained use of color, employing hues that are often jarringly bright and deliberately non-naturalistic. The reds, blues, and yellows aren't meant to mimic reality; instead, they pulsate with emotional intensity, contributing to the painting’s dynamic energy. Notice how the brushstrokes themselves – loose, gestural, and applied with a palpable urgency – further amplify this effect. This technique wasn't simply about aesthetics; it was a deliberate attempt to convey subjective experience, a core tenet of the movement.

    A Portrait of Modern Life

    The subject matter itself—two women seated at a table laden with books, handbags, and chairs – speaks volumes about the changing social landscape of the period. This isn’t a formal portrait intended to elevate status; it's an observation of everyday life, imbued with a sense of quiet contemplation. The objects themselves are rendered with a remarkable degree of detail, suggesting a comfortable domesticity, yet they are presented within Macke’s intensely colored framework, elevating them to something almost symbolic. The woman on the left, seemingly engrossed in a book, and the other, perhaps engaged in conversation or simply enjoying the moment, create an atmosphere of relaxed intimacy.

    Historical Context and Artistic Influence

    "Elisabeth at the Table" was created during a period of immense artistic upheaval. Macke’s work reflects the broader trends of his time – the rejection of academic conventions in favor of subjective expression, and the exploration of new visual languages. His association with Der Blaue Reiter (The Blue Rider) further contextualizes the painting, placing it within a circle of artists who were pushing the boundaries of artistic convention. Macke’s influence extends beyond Fauvism; his emphasis on emotional intensity and dynamic brushwork foreshadowed many later developments in modern art.

    Collecting this Masterpiece – A Reproduction Opportunity

    WahooArt offers a meticulously crafted hand-painted reproduction of August Macke’s “Elisabeth at the Table,” allowing you to bring this captivating artwork into your home or office. Each reproduction is created using archival materials and techniques, ensuring its longevity and fidelity to the original. This isn't merely a print; it's an investment in art history, a tangible connection to one of the most significant figures of the early 20th-century art scene. Consider this piece as more than just decoration – it’s a window into a world of vibrant color, emotional intensity, and profound artistic vision.

    Kunstner og museum

    Kunstner

    August Macke

    Født i Meschede, Tyskland

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name forever intertwined with the brief but brilliant flowering of German Expressionism, lived a life tragically curtailed by the horrors of the First World War. Born in 1887 in Meschede, a small town nestled within the Sauerland region of Westphalia, his artistic journey was one of rapid evolution and profound exploration – a relentless pursuit to capture not just what he saw, but how he felt about it. Macke’s early years were marked by a restless spirit and an insatiable curiosity, leading him away from his family's building business and towards the vibrant world of art. His formal training at the Düsseldorf Art Academy, though ultimately deemed insufficient by his own discerning eye, provided a crucial foundation, while independent study and extensive travel proved to be the true catalysts for his unique artistic voice. These formative years were characterized by an absorption of Impressionist and Post-Impressionist techniques – particularly the evocative use of light and color – laying the groundwork for the bolder, more emotionally charged expressions that would define his later work. He supplemented his income through stage design, a demanding profession that honed his compositional skills and sharpened his eye for visual harmony.

    Influences and Artistic Development

    Macke’s artistic trajectory was profoundly shaped by encounters with some of the most influential figures and movements of the early 20th century. A pivotal moment arrived in Paris in 1912, where he met Robert Delaunay, a leading proponent of Orphism – a branch of Cubism that focused on pure abstraction and the ecstatic harmony of color. This encounter proved transformative, introducing Macke to the concept of simultaneous contrast and profoundly influencing his approach to composition. He began experimenting with broken planes of color and abstracted forms, seeking to convey not just what he saw, but how he felt about it – a key characteristic of Expressionism. Simultaneously, his close friendship with Franz Marc, a fellow artist and a central figure in the influential group Der Blaue Reiter (The Blue Rider), drew him into the orbit of Wassily Kandinsky and other avant-garde thinkers. While Macke’s style remained distinct from Kandinsky's more purely abstract explorations, he embraced the group’s spirit of artistic freedom and spiritual inquiry. His paintings began to reflect a growing interest in depicting the emotional resonance of landscapes and everyday life – imbued with a sense of joy, optimism, and a yearning for connection. The influence of Henri Matisse, whose bold use of color and simplified forms captivated Macke during his time in Paris, is also evident in many of his works. He was particularly drawn to the Fauvist movement’s emphasis on vibrant hues and expressive brushstrokes, incorporating these techniques into his own distinctive style.

    The Blue Rider and Beyond: A Unique Expressionist Vision

    As an integral member of Der Blaue Reiter, Macke contributed significantly to the group's exhibitions and publications, helping to disseminate its radical ideas about art and spirituality. However, he wasn’t simply a follower; he forged his own unique path within the movement. Unlike some of his colleagues who leaned towards darker, more angst-ridden themes – often reflecting the anxieties of the time – Macke consistently sought to portray beauty and harmony in the world around him. His paintings, such as Bathing Girls with Town in the Background, exemplify this approach – vibrant colors, simplified forms, and a sense of idyllic tranquility characterize his work. He masterfully blended elements of Fauvism, Cubism, and Futurism into a distinctly personal style, creating compositions that are both visually striking and emotionally resonant. Woman in a Green Jacket, painted in 1913, is another prime example – a portrait radiating warmth and vitality through its bold color palette and confident brushwork. His later works, like Türkisches Café, demonstrate his luminist approach, capturing the play of light and shadow with remarkable sensitivity. The influence of Japanese art, particularly woodblock prints, can also be detected in his use of composition and perspective.

    A Tragic End and Lasting Legacy

    The outbreak of World War I brought a sudden and devastating end to Macke’s promising career. Driven by patriotic fervor – a sentiment tragically common among many artists at the time – he volunteered for military service in 1914. Tragically, he was killed in action just weeks later, on September 26th, at the front near Champagne, France, at the young age of 27. His final painting, Farewell, poignantly captures the somber mood that descended upon Europe as war engulfed the continent – a haunting testament to his untimely demise. Despite his tragically short life, August Macke left behind a body of work that continues to captivate and inspire. He remains a significant figure in the history of Expressionism, celebrated for his vibrant colors, dynamic compositions, and optimistic vision. His paintings offer a glimpse into a world on the cusp of change – a world grappling with modernity, industrialization, and the looming threat of war – imbued with a sense of beauty and hope amidst growing uncertainty.

    Exploring Macke’s World Today

    Today, August Macke's works are held in prominent collections worldwide, including the Staatsgalerie Moderner Kunst in Munich, the Museum Ludwig in Cologne, and the Kunsthaus Zürich. Several museums dedicated to Expressionism feature his paintings prominently, offering visitors a chance to experience the power of his art firsthand. The Westfälisches Landesmuseum Münster and the Kunstmuseum Bonn are particularly noteworthy for their holdings of Macke’s work. His influence can be seen in the continued exploration of color and emotion by contemporary artists. For those seeking to delve deeper into his world, resources like Artnet and Wikipedia provide valuable biographical information and insights into his artistic development. Exploring his paintings through online databases such as AllPaintingsStore allows for a closer examination of his technique and subject matter – revealing the enduring appeal of this remarkable artist whose life was tragically cut short but whose legacy continues to shine brightly.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Elisabeth at the Table

    wahooart.com/da/art/download/august-macke-elisabeth-at-the-table-8XXPFC-en/

    Kildehenvisning til dette kunstværk

    MLA
    Macke, August. Elisabeth at the Table. 1909, https://wahooart.com/da/art/august-macke-elisabeth-at-the-table-8XXPFC-en/
    APA
    Macke, August (1909). Elisabeth at the Table [Painting]. https://wahooart.com/da/art/august-macke-elisabeth-at-the-table-8XXPFC-en/
    Chicago
    August Macke. Elisabeth at the Table. 1909. https://wahooart.com/da/art/august-macke-elisabeth-at-the-table-8XXPFC-en/
    Harvard
    Macke, August (1909) Elisabeth at the Table. Available at: https://wahooart.com/da/art/august-macke-elisabeth-at-the-table-8XXPFC-en/

    Se nærmere efter

    Elisabeth at the Table — August Macke

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: fauvism painting, macke artwork, women at table. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Kvinde i grøn jakke (1913) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. August Macke var omkring 22 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvilken farvetone dominerer i "Elisabeth at the Table"?

    En Ochre to Sepia nuance løber gennem "Elisabeth at the Table" af August Macke.

    Hvilken national oprindelse ligger bag Fauvist Style i "Elisabeth at the Table"?

    "Elisabeth at the Table" blev skabt af August Macke, født i Tyskland, inden for Fauvist Style-bevægelsen. Kunstnerens oprindelse forbinder værket med Fauvist Style, som det praktiseres af kunstnere fra Tyskland.

    Hvilken farve dominerer kompositionen i "Elisabeth at the Table" af August Macke?

    Den farve, der træder tydeligst frem i "Elisabeth at the Table", er Black (#090d0b). Den dominerende farve er nyttig, når man skal matche et kunstværk med en indretning.