Papirformat

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Self Portrait

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arthur royce bradbury, Self Portrait. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
arthur royce bradbury wahooart.com/da/artists/arthur-royce-bradbury/
Kunstnerens levetid
1892 – 1977
Oprindelig størrelse
64 x 51 cm

I kontekst

Self Portrait — arthur royce bradbury

Hvor stor er den?

Originalen måler 64 × 51 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Skyggelagt: arthur royce bradbury' livstid (1892–1977)

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wahooart.com/da/art/similar/arthur-royce-bradbury-self-portrait-AQUF52-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Gray #848580

    Gemt palet

    • #848580
    • #160B07
    • #A9AA9F
    • #55372A
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Gray
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    arthur royce bradbury

    Arthur Royce Bradbury: A Painter of Light and Sea

    Arthur Royce Bradbury, a Canadian artist born in Preston, Lancashire, in 1892, carved out a distinctive place for himself within the landscape of early twentieth-century British art. His career, spanning nearly eight decades, was marked by a profound connection to the sea – not merely as a subject, but as an intrinsic element shaping his artistic vision and deeply informing his emotional response to the world. Bradbury’s legacy rests on a body of work characterized by luminous watercolors, evocative oils, and meticulously rendered etchings, all imbued with a palpable sense of atmosphere and a subtle yet powerful exploration of light and shadow.

    Bradbury's artistic journey began with formal training at the St. John’s Wood School of Art before he was accepted into the prestigious Royal Academy Schools in London. This foundation provided him with essential technical skills, but it was his experiences beyond the studio – particularly his time spent as a merchant marine cadet aboard the “Waterwitch,” a last trading square rigger in British service – that truly ignited his artistic spirit. The rugged beauty of the coastline, the ever-changing moods of the sea, and the rhythms of maritime life became central themes in his work, offering a counterpoint to the increasingly urbanized world around him.

    Early Years and Artistic Development

    Bradbury’s early career saw him exhibiting at the Royal Academy as early as 1913 with “Iris,” a portrait that demonstrated an emerging talent for capturing subtle nuances of form and color. He continued to exhibit regularly throughout his life, showcasing his diverse range of subjects – portraits, landscapes, and marine scenes – at prestigious venues such as the Walker Art Gallery in Liverpool, the Royal West of England Academy, and the Royal Society of British Artists. His work during this period reflects a growing confidence and experimentation with technique, particularly evident in his use of watercolor to capture the ephemeral qualities of light on water.

    A pivotal moment in Bradbury’s artistic development occurred when he spent considerable time living and painting in Sark, a tiny island in the Channel Islands. This isolated environment profoundly influenced his work, fostering a deep appreciation for the dramatic coastal scenery and the timeless rhythms of island life. It was during this period that he produced some of his most celebrated landscapes, characterized by their atmospheric depth and masterful rendering of light and shadow. The influence of the Impressionists is clearly visible in his approach to capturing fleeting moments of beauty, while his work also possesses a distinctly British sensibility – a quiet dignity and understated elegance.

    Technique and Style

    Bradbury’s artistic style can be described as a harmonious blend of observation, emotion, and technical skill. He was particularly adept at using watercolor to create luminous washes of color that captured the shimmering effects of light on water and sky. His brushwork is often loose and expressive, conveying a sense of movement and spontaneity, yet his compositions are carefully balanced and meticulously rendered. In his oil paintings, he employed a similar approach, layering colors to build up rich textures and atmospheric depth.

    His etchings, though less frequently exhibited than his paintings, represent another important facet of his artistic practice. These works demonstrate a remarkable level of detail and precision, capturing the intricate patterns of waves, rocks, and foliage with astonishing accuracy. Bradbury’s ability to translate three-dimensional forms onto a two-dimensional surface is truly impressive.

    Later Years and Legacy

    Despite facing challenges during World War I, serving in the Mercantile Marines, Bradbury continued to paint throughout his life, producing a substantial body of work that reflects his evolving artistic sensibilities. In later years, he established a home on Sandbanks, Poole, where he remained until his death in 1977. His paintings and etchings are now held in public collections across Britain, including the Guernsey Museum & Art Gallery, the National Maritime Museum, and the Russell-Cotes Art Gallery & Museum.

    Arthur Royce Bradbury’s legacy extends beyond the individual works he created. He represents a significant voice within British art of the early twentieth century – an artist who found inspiration in the natural world, particularly the sea, and whose work continues to resonate with viewers today through its beauty, atmosphere, and quiet dignity.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Self Portrait

    wahooart.com/da/art/download/arthur-royce-bradbury-self-portrait-AQUF52-en/

    Kildehenvisning til dette kunstværk

    MLA
    bradbury, arthur royce. Self Portrait. n.d., https://wahooart.com/da/art/arthur-royce-bradbury-self-portrait-AQUF52-en/
    APA
    bradbury, arthur royce (n.d.). Self Portrait [Painting]. https://wahooart.com/da/art/arthur-royce-bradbury-self-portrait-AQUF52-en/
    Chicago
    arthur royce bradbury. Self Portrait. n.d. https://wahooart.com/da/art/arthur-royce-bradbury-self-portrait-AQUF52-en/
    Harvard
    bradbury, arthur royce (n.d.) Self Portrait. Available at: https://wahooart.com/da/art/arthur-royce-bradbury-self-portrait-AQUF52-en/

    Kig nærmere efter

    Self Portrait — arthur royce bradbury

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Hvor mange ansigter kan du finde? ____ (vores katalog tæller 1 — er du enig?)
    4. Se tilbage på Jehanne Beaumont (1919–1988), in Sark Militia Uniform tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.