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Our Studio at Shoreham

Navn Klasse Dato

alma gogin, Our Studio at Shoreham (1900). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
alma gogin wahooart.com/da/artists/alma-gogin/
Malet
1900
Oprindelig størrelse
56 x 40 cm

I kontekst

Our Studio at Shoreham — alma gogin

Hvor stor er den?

Originalen måler 56 × 40 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1900

▲ dette værk, 1900

Sammenlignelige værker

  • Regrets wahooart.com/da/art/alma-gogin-regrets-ARAFZ2-en/
  • Anemones wahooart.com/da/art/alma-gogin-anemones-ARAFYY-en/
  • Chrysanthemums, 1927 wahooart.com/da/art/alma-gogin-chrysanthemums-ARAFYW-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wahooart.com/da/art/similar/alma-gogin-our-studio-at-shoreham-ARAFYS-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Putty #cac6b4

    Gemt palet

    • #CAC6B4
    • #A97049
    • #C6975E
    • #64483A
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Putty
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Clear Color Presence Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Kunstner og museum

    Kunstner

    alma gogin

    Alma Gogin (1854–1948): A Pioneer of Victorian Coastal Art

    Alma Susan Broadbridge Gogin, born October 1st, 1854, in Brighton, Sussex, was a British artist who achieved considerable renown during the Victorian era. Her life’s journey intertwined with that of her husband, Charles Gogin (1844–1931), a fellow painter and furniture maker, shaping both their artistic careers and establishing them as prominent figures within the burgeoning Pre-Raphaelite movement. Despite facing personal tragedies – including the untimely death of her son in infancy – Alma persevered, producing a prolific body of work that continues to captivate audiences today.

    Early Life & Education: Alma’s formative years were spent amidst the intellectual vibrancy of Brighton’s artistic circles. Her father, Edward Broadbridge, was a professor of music and furniture dealer, fostering an appreciation for both craftsmanship and creative expression from a young age. She attended Hove High School for Girls alongside her sister Kate, honing her artistic skills and preparing for a life dedicated to art.

    Marriage & Artistic Partnership: Alma married Charles Gogin in 1894, forging a collaborative relationship that proved instrumental to their artistic success. Together they established Warwick Studios in Hampstead, London, attracting students from across Europe who sought guidance under their tutelage. This studio became a hub for Pre-Raphaelite experimentation and innovation.

    Notable Works & Artistic Style: Alma Gogin’s oeuvre encompasses landscapes, portraits, and genre scenes—primarily focused on coastal vistas and intimate domestic interiors. Her distinctive style is characterized by meticulous observation of nature, combined with a masterful command of color and texture. Influenced heavily by Sir Lawrence Alma-Tadema and Jules Bastien Lepage, she skillfully employed techniques reminiscent of classical antiquity to convey emotion and atmosphere.

    The Influence of Pre-Raphaelitism & Artistic Techniques

    Alma Gogin’s artistic vision firmly rooted itself within the tenets of Pre-Raphaelite aesthetics—a reaction against the perceived artificiality of academic art. Rejecting idealized representations and prioritizing emotional sincerity, Pre-Raphaelites sought inspiration from medieval art and literature, emphasizing detailed realism and symbolic imagery. Alma Gogin embraced this ethos wholeheartedly, meticulously studying anatomy and incorporating elements of Byzantine iconography into her paintings. Her brushstrokes were deliberate and expressive, layering pigments to achieve luminous effects and capturing the subtle nuances of light and shadow—a hallmark of Victorian landscape painting. She was particularly adept at portraying the moods of the sea and shore, conveying both beauty and melancholy with remarkable sensitivity.

    Key Inspirations: Alma Gogin’s artistic sensibilities were profoundly shaped by artists such as Sir Lawrence Alma-Tadema and Jules Bastien Lepage, who championed classical ideals alongside meticulous observation of nature.

    Painting Techniques: She skillfully utilized glazing techniques—applying thin layers of translucent pigment over underlying colors—to create depth and luminosity, mirroring the stylistic innovations prevalent during her time.

    Major Achievements & Legacy

    Alma Gogin’s artistic accomplishments spanned several decades, culminating in a distinguished career marked by exhibitions at prestigious institutions including the Royal Academy, the Royal Society of British Artists (RBA), and the Society of Women Artists. Her landscapes—particularly those depicting Brighton's coastline—became celebrated for their evocative beauty and technical precision. Notably, her painting “So for good or ill in leaves of tea / Do maidens find their fortune told” garnered acclaim for its masterful depiction of light and color, solidifying her reputation as a leading Victorian artist. Furthermore, Alma Gogin’s legacy extends beyond her individual artworks; she established Warwick Studios, nurturing the talents of aspiring artists and fostering a vibrant artistic community. Her influence can be discerned in subsequent generations of British painters who embraced Pre-Raphaelite principles and championed realism alongside expressive artistry—a testament to her enduring contribution to art history.

    Further Exploration

    For more information about Alma Gogin’s life and work, consult resources such as:

    Alma Gogin (1854–1948): Find a Grave

    Alma Gogin - Art UK

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Our Studio at Shoreham

    wahooart.com/da/art/download/alma-gogin-our-studio-at-shoreham-ARAFYS-en/

    Kildehenvisning til dette kunstværk

    MLA
    gogin, alma. Our Studio at Shoreham. 1900, https://wahooart.com/da/art/alma-gogin-our-studio-at-shoreham-ARAFYS-en/
    APA
    gogin, alma (1900). Our Studio at Shoreham [Painting]. https://wahooart.com/da/art/alma-gogin-our-studio-at-shoreham-ARAFYS-en/
    Chicago
    alma gogin. Our Studio at Shoreham. 1900. https://wahooart.com/da/art/alma-gogin-our-studio-at-shoreham-ARAFYS-en/
    Harvard
    gogin, alma (1900) Our Studio at Shoreham. Available at: https://wahooart.com/da/art/alma-gogin-our-studio-at-shoreham-ARAFYS-en/

    Kig nærmere efter

    Our Studio at Shoreham — alma gogin

    Kig nærmere

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Regrets tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.