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Ophavsret Dette værk er i det offentlige domæne. Alfred Parsons døde i 1920; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 1990.
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The Boathouse — Alfred Parsons
Skyggelagt: Alfred Parsons' livstid (1847–1920)
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Født i Laverton, Australia
Born: Laverton, Australia (1847)
Died: 1920
Nationality: English
Known for: Landscape Painting, Botanical Illustration, Garden Design
Born in Beckington, Somerset, the son of a surgeon and keen gardener.
Initially worked as a clerk in the Post Office but left to pursue art.
Studied at the Kensington School of Art.
Began exhibiting his work at various galleries from 1874, including the Royal Academy.
Early influences likely included the Barbizon school and English landscape painters.
Developed a reputation for idyllic English landscapes that resonated with American audiences.
Frequently exhibited at prestigious galleries like the Grosvenor Gallery and Royal Academy.
Collaborated with Edwin Austin Abbey on illustrated books, contributing to popular works of literature.
Illustrated short stories by Thomas Hardy and travel books, showcasing his versatility.
His illustrations for William Robinson's The Wild Garden were highly regarded and cemented his reputation as a botanical artist.
Won the Chantrey Bequest in 1887, recognizing his artistic merit.
Published Notes from Japan (1896), documenting his travels with accompanying illustrations.
Became President of the Society of Painters in Watercolours in 1905.
Illustrated Ellen Willmott's monumental work, The Genus Rosa, featuring over 132 watercolor studies.
Shared a belief with contemporaries that artists could design superior gardens.
Formed a partnership with Walter Croker St-Ives Partridge to offer garden design services.
Designed significant gardens in England, Scotland, and the United States.
Notable commissions included Clouds in Wiltshire for Percy Wyndham, and gardens at Wightwick Manor.
Restored historic gardens like Great Chalfield Manor and Littlecote House, demonstrating a sensitivity to architectural context.
His keen interest in horticulture informed his artistic practice and vice versa.
Parsons's work captured the idealized vision of English country life that appealed to American sensibilities.
His botanical illustrations, particularly those in The Genus Rosa, are valued for their scientific accuracy and artistic beauty.
He contributed significantly to the Arts and Crafts movement’s emphasis on integrating art with nature.
His legacy lies in his ability to combine landscape painting, botanical illustration, and garden design into a cohesive artistic vision.
Remains an important figure in Victorian art history, celebrated for his depictions of English landscapes and gardens.
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The Boathouse — Alfred Parsons
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