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Guide til elevkunst

Stone Carvers

Navn Klasse Dato

Alexander S Masley, Stone Carvers (1930). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Alexander S Masley wahooart.com/da/artists/alexander-s-masley/
Malet
1930
Oprindelig størrelse
15 x 18 cm
Bevægelse
Social Realism Painting hardship and working life deliberately, to make viewers notice injustice.

I kontekst

Stone Carvers — Alexander S Masley

Hvor stor er den?

Originalen måler 15 × 18 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1920
  2. 1930

▲ dette værk, 1930 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: wahooart.com/da/art/similar/alexander-s-masley-stone-carvers-ARC9MM-en/

Farver

Målt ud fra billedet

    Primær farve

    Gray #877a6d

    Katalogiseret palet

    • #877A6D
    • #BFB2A1
    • #241C18
    • #4E433B

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Gray
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Alexander S Masley i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 USA 100,0%400 besøg

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 3 mest viste værker af Alexander S Masley

    1. 1 Two Women and a Fish, 1926 50,0%200 besøg
    2. 2 A Perugian Trio, 1932 50,0%200 besøg
    3. — Stone Carvers, 1930 dette maleri 0,0%0 besøg

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 5 værker af denne kunstner, hvoraf 2 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Alexander S Masley

    Early Life and Artistic Foundations

    Alexander Simeon Masley, born December 6th, 1903, in the small town of Akeley, Minnesota, emerged from a family deeply rooted in immigrant experience. His parents, hailing from Czechoslovakia, instilled within him a strong work ethic and an appreciation for their cultural heritage—values that would subtly permeate his artistic vision throughout his life. Growing up in Minneapolis, Masley’s early talent was nurtured by supportive parents who recognized the importance of formal training. He initially pursued studies at the University of Minnesota before dedicating himself to the Minneapolis School of Art from 1925 to 1929. This period proved pivotal; it culminated in his winning the prestigious Ethel Morrison VanDerlip foreign traveling scholarship in 1929, an opportunity that propelled him towards a transformative experience in Europe.

    European Studies and Expressionist Influences

    The scholarship afforded Masley the chance to study at the Hans Hofmann School of Fine Arts in Munich, Germany, from 1930 to 1931. This immersion into the European art scene was profoundly influential. While already demonstrating a keen aptitude for printmaking, his time with Hofmann exposed him to the dynamic currents of Expressionism and its emphasis on emotional intensity and subjective experience. Masley didn’t simply adopt these styles wholesale; rather, he began to synthesize them with his own developing aesthetic sensibilities, creating a unique visual language characterized by stark contrasts, geometric forms, and a powerful narrative drive. His woodcuts from this period reveal a growing mastery of the medium—a deliberate choice that allowed him to explore themes of labor, social realism, and human struggle with striking directness.

    A Career Dedicated to Education and Social Commentary

    Upon his return to the United States, Masley embarked on a dual career path: artist and educator. In 1935, he was invited by the University of New Mexico to establish and lead its new Department of Art Education in Albuquerque—a position he held with dedication until his retirement. This commitment to teaching reflects a belief in the transformative power of art and a desire to foster creativity in others. Simultaneously, Masley continued to produce a substantial body of work that often engaged with social issues. His prints frequently depicted scenes of working-class life, capturing the dignity and resilience of individuals facing economic hardship during the Depression era. Works like Stone Carvers (1930) exemplify this focus—the geometric composition and dramatic monochrome emphasizing the physical demands and unwavering determination of the laborers.

    Major Achievements and Artistic Style

    Masley’s artistic output spanned a range of subjects, from intimate still lifes to historical narratives. A Perugian Trio (1932), a dramatic woodcut depicting the Raising of Lazarus, stands as one of his most celebrated achievements—a testament to his ability to imbue religious themes with raw emotional power and Expressionist flair. His style is marked by a deliberate simplification of form, often employing bold lines and stark contrasts to create a sense of immediacy and urgency. While rooted in realism, his work transcends mere representation; it seeks to convey the underlying psychological states and social realities that shape human experience. Three Men at a Meal offers another glimpse into his exploration of everyday life, rendered with a quiet dignity and understated emotional depth. He was also known for works like Sunday Afternoon, which showcases his ability to capture the tranquility of domestic scenes.

    Legacy and Historical Significance

    Alexander S. Masley passed away in 1996, leaving behind a rich artistic legacy that continues to resonate today. His work provides valuable insight into the social and political climate of the first half of the 20th century—a period marked by economic upheaval, ideological conflict, and a growing awareness of social injustice. His dedication to both art-making and education underscores his belief in the power of creativity as a catalyst for change. Masley’s prints are held in prominent collections, including the Smithsonian American Art Museum, ensuring that his powerful visual narratives will continue to inspire and challenge audiences for generations to come. He is remembered not only as a skilled craftsman but also as a compassionate observer of the human condition—an artist who used his talents to illuminate the struggles and triumphs of ordinary people.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Stone Carvers

    wahooart.com/da/art/download/alexander-s-masley-stone-carvers-ARC9MM-en/

    Kildehenvisning til dette kunstværk

    MLA
    Masley, Alexander S. Stone Carvers. 1930, https://wahooart.com/da/art/alexander-s-masley-stone-carvers-ARC9MM-en/
    APA
    Masley, Alexander S (1930). Stone Carvers [Painting]. https://wahooart.com/da/art/alexander-s-masley-stone-carvers-ARC9MM-en/
    Chicago
    Alexander S Masley. Stone Carvers. 1930. https://wahooart.com/da/art/alexander-s-masley-stone-carvers-ARC9MM-en/
    Harvard
    Masley, Alexander S (1930) Stone Carvers. Available at: https://wahooart.com/da/art/alexander-s-masley-stone-carvers-ARC9MM-en/

    Se nærmere efter

    Stone Carvers — Alexander S Masley

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Hvor mange ansigter kan du finde? ____ (vores katalog tæller 2 — er du enig?)
    4. Vores katalog klassificerer dette værk under: labor struggle, physical effort, mountain landscape. Er du enig? Hvad ville du tilføje eller fjerne?
    5. Se tilbage på Two Women and a Fish (1926) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Er farverne i "Stone Carvers" af Alexander S Masley livlige eller dæmpede?

    Farven på "Stone Carvers" har en mætning på Muted og en intensitet på Monochromatic.

    Er "Stone Carvers" overordnet set mest lys eller mørk?

    "Stone Carvers" af Alexander S Masley er registreret med en lysstyrke på shadow og en luminans på Soft Shadow.

    Hvem har skabt "Stone Carvers", og hvilken stilart er det?

    Alexander S Masley skabte "Stone Carvers" inden for Social Realism-bevægelsen.