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Cleaved pinnacle

Navn Klasse Dato

Alan Wilson Watts, Cleaved pinnacle, Canberra Museum and Gallery. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Alan Wilson Watts wahooart.com/da/artists/alan-wilson-watts/
Kunstnerens årstal
1915 – 1973
Oprindelig størrelse
47 x 4 cm
Afholdt hos
Canberra Museum and Gallery wahooart.com/da/museums/canberra-museum-and-gallery-canberra_da/

I kontekst

Cleaved pinnacle — Alan Wilson Watts

Hvor stor er den?

Originalen måler 47 × 4 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette maleri sandsynligvis blevet malet?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 58 ved død.

Skyggelagt: Alan Wilson Watts' livstid (1915–1973) hvert dateret maleri, årti for årti

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Farver

Målt ud fra billedet

    Primær farve

    Quinacridone Magenta #6c5f56

    Katalogiseret palet

    • #6C5F56
    • #EBE0D9
    • #B9A99D
    • #3F372E

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Quinacridone Magenta
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Cleaved pinnacle — Alan Wilson Watts

    Alan Watt was born in Melbourne and studied at the Royal Melbourne Institute of Technology for both his undergraduate (1962-65) and postgraduate (1973–74) awards. He was the Head of the Ceramics Workshop at the ANU School of Art from 1979 to 1998. Watt is an important figure in Australian and international ceramics and has been artist-in-residence at a number of prestigious centres including the European Ceramic Work Centre, Heusden the Netherlands (1986); the International Ceramic Centre, Kecskemet, Hungary (1992); and the Glasgow School of Art, Scotland (1997). His work is represented in the National Gallery of Australia, most State Galleries, regional, institutional, corporate and private collections in Australia, the United Kingdom, Europe and Asia. Watt has been exhibiting in group and solo exhibitions since 1972 and was the subject of a major survey exhibition at the Canberra Museum and Gallery in 2003.In the late 1970s the artist moved to Tanja, on New South Wales’s far south coast. The ineluctable attractions of that area’s rugged and invasive beauty have continued to provide him with a rich source of both conceptual and aesthetic themes. Cleaved pinnacle is exemplary of his work of the late 1990s.The proud vertical presentation of Cleaved pinnacle belies the innate sinuous charm embedded in its composition by the artist. Viewers must move up and around this work in a spiralling motion. Watt’s adroit use of formal and tonal contrasts and the concomitant need for close inspection establishes an intriguingly intimate relationship between object and viewer, a relationship that mirrors that of man with his environment.

    Kunstner og museum

    Kunstner

    Alan Wilson Watts

    Født i County Kent, United Kingdom

    Alan Wilson Watts: Life and Legacy

    Alan Wilson Watts (January 6, 1915 – November 16, 1973) was an English writer, speaker, and self-styled 'philosophical entertainer' who brought Eastern philosophy to the West. His work remains profoundly influential today.

    Early Life and Influences

    Born in Chislehurst, Kent, England, Watts’ early life was marked by a fascination with Eastern thought. He developed an interest in Buddhism while still a schoolboy, joining the Buddhist Lodge. This initial exposure sparked a lifelong exploration of various spiritual traditions.

    He studied at King's College London and later became a novice monk at a Zen Buddhist monastery.

    His early influences included figures like Christmas Humphreys, a prominent British Buddhist scholar.

    Watts’ upbringing was relatively secular, fostering an independent approach to spiritual inquiry.

    Career and Writings

    Watts moved to the United States in 1938 and continued his studies, eventually earning a master's degree in theology from Seabury-Western Theological Seminary. He became an Episcopal priest but left the ministry after several years to dedicate himself fully to writing and lecturing.

    He began publishing extensively in the 1950s, with The Way of Zen (1957) becoming a breakthrough success.

    Other significant works include Psychotherapy East and West (1961), The New Alchemy (1958), and The Joyous Cosmology (1962).

    Watts explored themes of consciousness, psychedelics, and the nature of reality in his writings.

    Philosophical Approach

    Watts was not a traditional academic philosopher; he presented complex ideas in an accessible and engaging manner. He emphasized the importance of direct experience and intuition over dogma.

    He skillfully integrated concepts from Buddhism, Taoism, Hinduism, and Western psychology.

    A key tenet of his philosophy was the idea that the self is an illusion – a construct of thought rather than a fixed entity.

    Watts often used metaphors and storytelling to illustrate abstract philosophical principles.

    Impact on Counterculture

    During the 1960s, Watts became a prominent voice for the burgeoning counterculture movement. His lectures and writings resonated with those seeking alternative ways of life and spiritual understanding.

    He gained a large following through his work at KPFA radio in Berkeley, California.

    Watts’ ideas influenced artists, musicians, and thinkers associated with the Beat Generation and the hippie movement.

    His exploration of psychedelics as tools for expanding consciousness was particularly influential during this period.

    Later Life and Legacy

    In his later years, Watts continued to write, lecture, and record audio talks. His work experienced a resurgence in popularity after his death, thanks to the widespread availability of his recordings on public radio and, more recently, online platforms like YouTube and Spotify.

    He died in 1973 at his home in Mill Valley, California.

    Watts’ legacy lies in his ability to make complex philosophical ideas accessible to a broad audience.

    His work continues to inspire those seeking deeper understanding of themselves and the world around them.

    Major Achievements & Historical Significance

    Alan Watts stands as a pivotal figure in bridging Eastern and Western thought. His contribution wasn’t merely translation, but a creative synthesis that resonated with a generation questioning conventional norms.

    Popularized Eastern philosophies for a Western audience

    Influenced the counterculture movement of the 1960s

    Created a vast body of work – books, lectures, and recordings – that continues to be widely studied.

    Museum

    Canberra Museum and Gallery

    Udstillet i Canberra, Australia

    Et fristed for historiefortælling i hjertet af hovedstaden

    Dybt forankret i den pulserende energi i Australiens hovedstad, fungerer

    Canberra Museum and Gallery

    som meget mere end blot et depot for artefakter; det er en levende, åndende krønike over sted, mennesker og en nations dybe evolution. At træde gennem dets døre er at indtræde i en kurateret dialog mellem den ældgamle fortid og den fremtid, der er ved at udfolde sig. Museet opererer med en unik dualitet, hvor det fungerer både som vogter af den historiske hukommelse og som en dynamisk scene for nutidig kunstnerisk udfoldelse. For kunstelskere tilbyder det et fristed, hvor historiens håndgribelige rester møder de moderne installationers flygtige skønhed, hvilket skaber en fordybende oplevelse, der genlyder længe efter, at man har forladt dets sale.

    Museets arkitektur afspejler netop denne dualitet og tilbyder et sofistikeret rum, hvor galleriets strukturelle permanens møder det flydende energi fra et kulturelt samlingspunkt. Det er et sted designet til fordybelse og opdagelse, hvor lys og skygge spiller over de kuraterede udstillinger for at fremkalde de barske landskaber og den urbane kompleksitet i Australian Capital Territory. For indretningsarkitekter og samlere, der søger inspiration, er museet en mesterklasse i, hvordan narrativer kan væves ind i det fysiske rum, og hvordan genstande—uanset om de er delikate oprindelige udskæringer eller dristige samtidige malerier—kan transformere et miljø til et fartøj for historiefortælling.

    Et væv af lokal betydning og kulturel dybde

    Selve samlingen er et bjergtagende væv af lokal betydning, der fremhæver det indviklede forhold mellem landet og dets beboere. Besøgende bliver ofte bevæget af den enorme dybde i museets besiddelser, som spænder fra betydningsfulde

    Aboriginal and Torres Strait Islander

    kulturelle genstande til de rørende vidnesbyrd om Canberras hurtige byudvikling. Højdepunkterne i den permanente samling er ikke blot objekter, der skal betragtes, men stemmer, der skal høres; hvert stykke bærer vægten af sin oprindelse og inviterer til en dyb emotionel forbindelse. Denne sømløse blanding af etnografisk vigtighed og æstetisk genialitet sikrer, at enhver udstilling føles som et intimt møde med regionens sjæl.

    Udover de historiske artefakter fungerer museet som en vital platform for de visuelle kunstarter, hvor jordens teksturer møder modernismens skarpe linjer. Kurateringen inviterer til en sanselig rejse gennem følgende elementer:

    Kulturarv:

    En dybdegående udforskning af oprindelige folks arv og deres vedvarende tilstedeværelse i det australske landskab.

    Urban evolution:

    Et fængslende blik på transformationen af Canberra fra en planlagt hovedstad til et pulserende metropolcenter.

    Samtidig dialog:

    Et evigt skiftende landskab af moderne installationer, der udfordrer beskuerens opfattelse af rum og medie.

    Nutidens puls

    Det, der virkelig adskiller Canberra Museum and Gallery, er dets dedikation til det

    "nu."

    Museet er berømt for sine skiftende udstillinger, der udfordrer perceptionen, og som ofte præsenterer avantgarde-værker, der sprænger rammerne for både medie og betydning. Disse midlertidige fremvisninger tilfører institutionen en følelse af nødvendighed og friskhed, hvilket sikrer, at museet forbliver en vital deltager i den globale kunstneriske samtale. Det er netop denne konstante tilstand af fornyelse—den rytmiske puls af historisk ærbødighed og nutidig provokation—der gør museet til en essentiel pilgrimsrejse for enhver, der er bergtaget af kunstens og historiens transformative kraft.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Cleaved pinnacle

    wahooart.com/da/art/download/alan-wilson-watts-cleaved-pinnacle-D9AKP6-en/

    Kildehenvisning til dette kunstværk

    MLA
    Watts, Alan Wilson. Cleaved pinnacle. n.d., Canberra Museum and Gallery. https://wahooart.com/da/art/alan-wilson-watts-cleaved-pinnacle-D9AKP6-en/
    APA
    Watts, Alan Wilson (n.d.). Cleaved pinnacle [Painting]. Canberra Museum and Gallery. https://wahooart.com/da/art/alan-wilson-watts-cleaved-pinnacle-D9AKP6-en/
    Chicago
    Alan Wilson Watts. Cleaved pinnacle. n.d. Canberra Museum and Gallery. https://wahooart.com/da/art/alan-wilson-watts-cleaved-pinnacle-D9AKP6-en/
    Harvard
    Watts, Alan Wilson (n.d.) Cleaved pinnacle. Canberra Museum and Gallery. Available at: https://wahooart.com/da/art/alan-wilson-watts-cleaved-pinnacle-D9AKP6-en/

    Se nærmere efter

    Cleaved pinnacle — Alan Wilson Watts

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Hvad har kunstneren måske ønsket, at du skulle føle?
    4. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Er farverne i "Cleaved pinnacle" af Alan Wilson Watts mættede eller dæmpede?

    Farverne i "Cleaved pinnacle" af Alan Wilson Watts har en Muted mætning. Mætning beskriver, hvor livlige eller dæmpede farverne er.

    Hvilke farver dominerer i "Cleaved pinnacle" af Alan Wilson Watts?

    "Cleaved pinnacle" er defineret af en Earthy farvepalette med Quinacridone Magenta (#6c5f56) som den dominerende farve.

    Hvordan kan jeg købe en digital fil af "Cleaved pinnacle" af Alan Wilson Watts?

    Et digitalt billede af "Cleaved pinnacle" af Alan Wilson Watts kan købes på siden for Digitalt billede: et højopløseligt digitalt billeddownload.