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Guide til elevkunst

Tranquility

Navn Klasse Dato

abiodun olawale olaku, Tranquility (1997), Yemisi Shyllon Museum of Art. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
abiodun olawale olaku wahooart.com/da/artists/abiodun-olawale-olaku/
Kunstnerens levetid
1958 – ?
Malet
1997
Oprindelig størrelse
128 x 72 cm
Afholdt hos
Yemisi Shyllon Museum of Art wahooart.com/da/museums/yemisi-shyllon-museum-of-art-lagos_da/

I kontekst

Tranquility — abiodun olawale olaku

Dimensioner

Originalen måler 128 × 72 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Skyggelagt: abiodun olawale olaku' livstid (1958–?) ▲ dette værk, 1997

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: wahooart.com/da/art/similar/abiodun-olawale-olaku-tranquility-D75W3M-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Sea Green #48737d

    Gemt palet

    • #48737D
    • #346169
    • #2E393A
    • #304E53
    Farvepalette
    Monochrome Den dominerende farvefamilie i billedet.
    Primær farve
    Sea Green
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Tranquility — abiodun olawale olaku

    Abiodun Olawale Olaku is a contemporary Nigerian painter born in Lagos in 1958. He obtained an Ordinary National Diploma (OND) and a Higher National Diploma (HND) from the prestigious Yaba College of Technology in 1979 and 1981 respectively, majoring in painting. Over the years, Abiodun has established himself as one Nigeria’s most accomplished oil painters due to his very detailed, naturalistic expression of landscapes and Nigerian cities. His style shows meticulous attention to detail that draws every viewer closer to their imagination in reality than ever. His unique bird’s-eye rendition of landscapes shows how he has mastered his craft through utter diligence and draughtsmanship over time. Abiodun has participated in numerous exhibitions in Nigeria including the

    Kunstner og museum

    Kunstner

    abiodun olawale olaku

    Født i Lagos, Nigeria

    A Legacy of Light and Color: The Art of Abiodun Olawale Olaku

    Born in the vibrant city of Lagos, Nigeria, in 1958, Abiodun Olawale Olaku’s artistic journey is a testament to dedication, profound observation, and an unwavering commitment to capturing the beauty inherent within his homeland. From humble beginnings studying at Baptist Academy, where he was instilled with a deep appreciation for art and craft, Olaku's path led him through rigorous academic training at Yaba College of Technology – a pivotal institution that shaped his technical skills under the tutelage of masters like Yusuf Grillo, Kolade Oshinowo, and Bisi Fakeye. This early foundation, combined with a keen eye for detail and an innate understanding of light and color, would become the hallmarks of his distinctive style.

    Olaku’s artistic development wasn't solely confined to formal education; it was deeply influenced by the rich cultural tapestry of Nigeria. His work frequently draws inspiration from the natural world – the lush landscapes, vibrant colors, and dynamic interactions within his environment. He sought to translate these observations onto canvas, imbuing each painting with a sense of serenity, drama, and profound connection to the land.

    Early Career and Artistic Style

    Beginning his professional career in 1984 as a full-time studio artist, Olaku quickly established himself as a master of realism. His technique is characterized by meticulous attention to detail, a deep understanding of tonal values, and an ability to capture the subtle nuances of light and shadow. Unlike purely photographic representation, however, his paintings possess a distinctly emotive quality – they are not merely depictions but rather interpretations imbued with feeling and atmosphere. He often employs a dark-to-light technique, building up layers of paint from darker underlayers towards brighter highlights, creating a sense of depth and luminosity that is truly captivating.

    Influences on Olaku’s work extend beyond the immediate Nigerian art scene. He has spoken extensively about his admiration for classical masters such as Michelangelo, Leonardo da Vinci, Rembrandt van Rijn, Claude Monet, Yusuf Grillo, Ben Enwonwu, and Kolade Oshinowo – artists whose mastery of technique and ability to evoke emotion served as a guiding light throughout his own artistic development. These influences are not replicated directly but rather absorbed and integrated into his unique visual language.

    Notable Works and Recognition

    Among Olaku’s most celebrated works is “Glimpse of Glory,” a breathtaking landscape painting that exemplifies his technical skill and ability to capture the essence of a particular moment in time. The painting's meticulous detail, vibrant colors, and evocative atmosphere have earned it recognition as one of his finest achievements. Another significant piece is "Tranquility," an oil on canvas that embodies serenity and peacefulness – a testament to Olaku’s capacity to translate profound emotions onto the canvas.

    His artistic accomplishments have been widely recognized, culminating in the Nigerian National Order of Merit (NNOM) Award in 2011. He is also a proud member of several prestigious professional organizations, including the Society of Nigerian Artists (SNA), the International Association of Art (IAA), and the Nigerian Academy of Letters (NAL). These affiliations underscore his standing within the artistic community and his commitment to fostering creativity and cultural exchange.

    Exhibitions and Legacy

    Olaku’s work has been exhibited extensively both domestically and internationally, including at the prestigious Yemisi Shyllon Museum of Art in Lagos, Nigeria. His paintings are held in private and public collections across the globe, a testament to their enduring appeal and artistic merit. Beyond his individual achievements, Olaku plays a vital role as a mentor and teacher, inspiring countless young artists in Nigeria and beyond.

    Abiodun Olawale Olaku’s legacy extends far beyond the canvases he creates. He represents a significant chapter in Nigerian art history – a period of renewed artistic expression, cultural pride, and international recognition. His dedication to his craft, combined with his deep connection to his homeland and its rich traditions, ensures that his work will continue to inspire and captivate audiences for generations to come.

    Museum

    Yemisi Shyllon Museum of Art

    Udstillet på Lagos, Nigeria

    Et fyrtårn for nigeriansk kunstnerisk arv: Yemisi Shyllon Museum of Art

    Midt på campus ved Pan-Atlantic University i Lekki, Lagos, i Nigeria, finder man en helt unik institution – Yemisi Shyllode Museum of Art. Det er langt mere end blot et udstillingsrum; det er et vidnesbyrd om visionær filantropi og en hyldest til Nigerias levende kunstneriske arv, som desuden markerer landets allerførste universitetsmuseum for kunst.

    Museet blev grundlagt i oktober 2019 takket være den generøse donation fra Prins Yemisi Shyllon – en af Afrikas mest fremtrædende kunstsamlere – og legemliggør en bemærkelsesværdig forening af videnskabelig stringens og æstetisk skønhed. Skabelsen af museet udsprang af et ønske om at fremme kunstnerisk forståelse i universitetsmiljøet og om at beskytte Nigerias kulturelle skatte for kommende generationer.

    En arv bygget på passion:

    YSMA's oprindelse kan spores tilbage til april 2011 med lanceringen af det virtuelle museum for moderne og samtidskunst i Nigeria, hvilket viste Shyllons dedikation til at formidle kunstnerisk viden. Efterfølgende forslag fra andre samlere cementerede visionen om et fysisk museum ved Pan-Atlantic University.

    Arkitektonisk harmoni:

    Museets bygning, tegnet af Jess Castellote, prioriterer naturligt lys og åbne rum, hvilket skaber et indbydende miljø, der komplementerer de kunstneriske samlinger.

    En fejring af Nigerias kunstneriske sjæl

    Museets kerne styrke ligger i dets imponerende samling på over 1000 kunstværker, der spænder fra den prækoloniale tid til i dag. Disse værker udgør et omfattende panorama over nigeriansk kunsthistorie og afspejler mangfoldige kulturelle traditioner og kunstneriske stilarter.

    Skulpturel diversitet:

    Fra de indviklede Yoruba-træskulpturer af Lamidi Olonade Fakeye til monumentale replikaer af Ife-hoveder – symboler på Nigerias antikke civilisationer – fremviser skulptursamlingen et enestående håndværk og en stilistisk udvikling.

    Maleriets mestre:

    Bemærkelsesværdige kunstnere som Ben Enwonwu, El Anatsui, Bruce Onobrakpeya og Aina Onabolu bidrager til museets maleriske repertoire. Deres lærreder indfanger afgørende øjeblikke i Nigerias historie og kunstneriske udtryk.

    Historisk betydning og kulturel indvirkning

    Udover sin æstetiske appel spiller YSMA en afgørende rolle i at uddanne studerende og forskere om Nigerias kunstneriske arv. Udstillinger om Ife-kunst og Benin-kunst – med ikoniske bronzeskulpturer som Ife-hovedet – giver uvurderlig indsigt i regionens rige kulturelle fortid.

    Fotografiske fortællinger:

    Museets fotografiske arkiv dokumenterer betydningsfulde nigerianske kulturfestivaler og indfanger dynamikken i traditioner og kunstneriske optrædener. Ariyo Oguntimehins fotografier er særligt bemærkelsesværdige.

    Et unikt bidrag til kunstuddannelse

    Yemisi Shyllon Museum of Art skiller sig ud som Nigerias første universitetsmuseum for kunst – et pionerarbejde, der understreger vigtigheden af at fremme kreativitet og kulturel forståelse. Dets mission rækker langt ud over blot fremvisning; det stræber efter at inspirere til dialog, fremme kunstnerisk værdsættelse og bidrage til den intellektuelle berigelse af sine besøgende.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Tranquility

    wahooart.com/da/art/download/abiodun-olawale-olaku-tranquility-D75W3M-en/

    Kildehenvisning til dette kunstværk

    MLA
    olaku, abiodun olawale. Tranquility. 1997, Yemisi Shyllon Museum of Art. https://wahooart.com/da/art/abiodun-olawale-olaku-tranquility-D75W3M-en/
    APA
    olaku, abiodun olawale (1997). Tranquility [Painting]. Yemisi Shyllon Museum of Art. https://wahooart.com/da/art/abiodun-olawale-olaku-tranquility-D75W3M-en/
    Chicago
    abiodun olawale olaku. Tranquility. 1997. Yemisi Shyllon Museum of Art. https://wahooart.com/da/art/abiodun-olawale-olaku-tranquility-D75W3M-en/
    Harvard
    olaku, abiodun olawale (1997) Tranquility. Yemisi Shyllon Museum of Art. Available at: https://wahooart.com/da/art/abiodun-olawale-olaku-tranquility-D75W3M-en/

    Se nærmere efter

    Tranquility — abiodun olawale olaku

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Glimpse of Glory (1989) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. abiodun olawale olaku var omkring 39 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.