Untitled (1956) je nejslavnější obraz autora Zakhar Hatsyatryan, který se nachází v muzeu Národní galerie Arménie ve městě Jerevan. Untitled (1954) a Untitled (1960) jsou dalšími dvěma díly, která svět zná nejlépe. Z 80 děl umělce Zakhar Hatsyatryan v našem katalogu uvádíme 55 těch, na které se kolektéři a návštěvníci muzeí nejčastěji dívají, včetně roku vzniku, názvu muzea a příběhu každého díla.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Zakhar Hatsyatryan | Obrazy z tohoto seznamu |
|---|---|---|---|
 Národní galerie Arménie |
Jerevan | 55 | Untitled, Untitled, Untitled |
Untitled (1956), Národní galerie Arménie, Jerevan. Následují Untitled (1954) a Untitled (1960).
32 let: dílo Untitled pochází z roku 1956 a Zakhar Hatsyatryan se narodil/a v roce 1924.
Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled a Untitled. Výše uvedené pořadí uvádí rok a muzeum každého díla.
Náš katalog obsahuje 80 děl autora Zakhar Hatsyatryan z let 1954 až 2004.
Většina z nich se nachází v Národní galerie Arménie (Jerevan). V tabulce výše jsou jednotlivé muzea uvedeny postupně.
V období 1970s: 24 z 55 děl na této stránce pochází z tohoto období, z nich Untitled.
Nejstarší dílo na této stránce pochází z Untitled (1954), nejnovější z Untitled (2004).
Untitled, Untitled a Untitled patří mezi 55 děl na této stránce, která má v zastarání Národní galerie Arménie, Jerevan.
Zakhar Hatsyatryan was born in the village of Sarnakunq, within the Sisian region. His early years were interrupted by the onset of the Great Patriotic War, a time that pulled him away from his schooling and toward the front lines. When the conflict ended, he returned to his homeland to begin a formal study of art. In 1946, he entered the Yerevan Fine Arts College after Panos Terlemezyan, eventually graduating in 1948. His hands, once shaped by the necessities of war, turned instead to the deliberate movements of the brush.
His life was marked by a steady presence in the Armenian and Russian art communities. He did not merely paint; he taught, serving as a professor at the Armenian State Pedagogical University after Khachatur Abovyan. His commitment to his peers and his history led him to serve as the Chairman of the Veterans’ Association of St. Petersburg and as the President of the Council of war artists veterans in Saint Petersburg. He carried the weight of his experiences into his work, a man who understood both the stillness of a landscape and the heavy reality of history.
The recognition he received reflected a lifetime of disciplined practice and service. His contributions were noted through several specific honors:
The work of Zakhar Hatsyatryan remains held within the National Gallery of Armenia, Yerevan, where many of his pieces reside. His output spanned several decades, with recorded works dating from 1954 to 2004. One notable piece from his early period is an untitled work from 1956. His paintings are not merely objects of observation but are pieces of a life lived through significant shifts in the landscape of the twentieth century. He passed away in his 92nd year, leaving behind a body of work that remains a part of the visual history of his people.
