Nejslavnějším dílem umělce William Kidd je obraz Simon and Janet (1860) v muzeu The Stirling Smith Art Gallery - Museum v Stirling. Díky Old Cottages at Petersfield, Hampshire (1820) a The Fish Stall (1831) tvoří celek tří děl, která každý rozpozná. Náš katalog obsahuje 23 děl umělce William Kidd; níže je 18 děl, na která se svět dívá nejčastěji, každé s uvedeným rokem vzniku, muzeem, které jej uchovává, a důvodem jeho významu.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.
The oil on canvas work titled Simon and Janet is a creation of the artist William Kidd. This piece emerged about 1860, capturing a singular, heavy moment between two figures. It remains part of the collection at The Stirling Smith Art Gallery - Museum in Stirling, United Kingdom.
Old Cottages at Petersfield, Hampshire is a painting by the artist William Kidd. This work dates to about 1820. The composition focuses on a rural setting containing two houses with chimneys, positioned on the left and right sides of the frame. Several people and a horse are situated within the landscape, appearing alongside the structures.
A woman stands before a wooden table, her hands resting on her hips with a quiet, unyielding determination. She wears a red dress that anchors the composition, a bold splash of color against the utilitarian setting of the market. On the table, the silver scales of fish catch the light, resting near ceramic bowls and a single knife. The scene is a fragment of a busy morning, frozen in a…
In "Indulging" by William Kidd, the oil-on-panel surface holds a scene of quiet, mischievous energy. The artist employs precise brushwork to define the textures of the room, from the heavy folds of an embroidered housecoat to the smooth, reflective surfaces of fine tableware. Every stroke contributes to a sense of immediate, lived-in reality, where the light catches the rim of a wine glass or the curve of an enormous oriental…
The Cottar's Saturday Night is a significant work by the Scottish artist William Kidd. Created in 1845, this oil on canvas painting offers a quiet glimpse into the domestic realities of the mid-19th century. It captures a specific moment of communal life, rendered with the meticulous attention to detail that characterized Kidd's approach to genre painting.
In the gentle embrace of William Kidd’s 1848 masterpiece, John Anderson, My Jo, we are transported to a sun-drenched afternoon in the mid-19th century, where the boundaries between humanity and nature seem to dissolve into a singular, harmonious moment. This evocative portrait is far more than a mere gathering of figures; it is a profound study of companionship and the quiet dignity of rural life. Kidd, an artist renowned for…
Čtyři témata, která se v těchto dílech objevují nejčastěji, spolu s nejlepším příkladem každého z nich.
7 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora William Kidd | Obrazy z tohoto seznamu |
|---|---|---|---|
 Hospitalfield Arts |
Arbroath | 5 | Asleep, The Astrologer, Self Portrait with the Artist's Wife |
 The Stirling Smith Art Gallery - Museum |
Stirling | 3 | Simon and Janet, The Cottar's Saturday Night, John Anderson, My Jo |
 Scottish National Gallery |
Edinburgh | 2 | Indulging, Fisher Folk |
 Laing Art Gallery |
Newcastle upon Tyne | 2 | The Navy, The Army |
 Hospitalfield Centre For Art - Culture |
Arbroath | 1 | Jonathan and William |
 Leeds Art Gallery |
Leeds | 1 | The False Parcel |
 Sheffield City Art Galleries |
Sheffield | 1 | Interior Scene |
Old Cottages at Petersfield, Hampshire is a painting by the artist William Kidd. This work dates to about 1820. The composition focuses on a rural setting containing two…
A woman stands before a wooden table, her hands resting on her hips with a quiet, unyielding determination. She wears a red dress that anchors the composition, a…
The Cottar's Saturday Night is a significant work by the Scottish artist William Kidd. Created in 1845, this oil on canvas painting offers a quiet glimpse into the…
The oil on canvas work titled Simon and Janet is a creation of the artist William Kidd. This piece emerged about 1860, capturing a singular, heavy moment between…
Simon and Janet (1860), The Stirling Smith Art Gallery - Museum, Stirling. Následují Old Cottages at Petersfield, Hampshire (1820) a The Fish Stall (1831).
70 let: dílo Simon and Janet pochází z roku 1860 a William Kidd se narodil/a v roce 1790.
Simon and Janet, Old Cottages at Petersfield, Hampshire, The Fish Stall, Indulging, The Cottar's Saturday Night, The Navy, John Anderson, My Jo, Fisher Folk, Jonathan and William a Asleep. Výše uvedené pořadí uvádí rok a muzeum každého díla.
Náš katalog obsahuje 23 děl autora William Kidd z let 1820 až 1860.
Většina z nich se nachází v Hospitalfield Arts (Arbroath), The Stirling Smith Art Gallery - Museum (Stirling) a Scottish National Gallery (Edinburgh). V tabulce výše jsou jednotlivé muzea uvedeny postupně.
V období 1830s: 2 z 18 děl na této stránce pochází z tohoto období, z nich The Fish Stall.
Nejstarší dílo na této stránce pochází z Old Cottages at Petersfield, Hampshire (1820), nejnovější z Simon and Janet (1860).
Table (4), Woman (3) a Chair (3), z celkových 18 děl na této stránce.
Oil: 3 z 18 děl na této stránce.
Asleep, The Astrologer a Self Portrait with the Artist's Wife patří mezi 5 děl na této stránce, která má v zastarání Hospitalfield Arts, Arbroath.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.
William Kidd (1796 – 1863) emerges from the annals of 19th-century British art as a quietly compelling figure, an observer of domesticity and rural life rendered with a charming blend of realism and gentle humor. While not commanding the same immediate fame as his contemporaries like Turner or Constable, Kidd’s prolific output – over 200 paintings – offers a remarkably intimate glimpse into the social fabric of his time, revealing a keen eye for detail and an ability to capture the nuances of human interaction within seemingly ordinary scenes.
Born in Edinburgh in 1796, Kidd's early life remains somewhat shrouded in mystery. He began his artistic training under James Howe, a renowned animal painter, gaining foundational skills that would later inform his approach to depicting figures and settings. This apprenticeship instilled a meticulousness and attention to detail, particularly evident in his rendering of fabrics, furniture, and the subtle expressions on his subjects’ faces. Kidd's career unfolded primarily in London, where he established himself as a successful artist catering to a discerning clientele who appreciated his ability to portray familiar scenes with an air of gentle amusement.
Kidd’s artistic style is often categorized within the broader framework of Romanticism, though it possesses distinct characteristics that set him apart. He eschewed the dramatic landscapes favored by some of his contemporaries, instead focusing on scenes of everyday life – cozy interiors, bustling market squares, and quiet moments in rural settings. His paintings are characterized by a warm palette, soft lighting, and an emphasis on domestic tranquility. He frequently depicted scenes of leisure and indulgence, often featuring wealthy gentlemen enjoying their estates or indulging in convivial gatherings.
A recurring theme in Kidd’s work is the contrast between wealth and simple pleasures. He masterfully portrays the opulence of the upper classes – lavish furnishings, exotic fruits, and fine clothing – juxtaposed with scenes of quiet contentment and modest enjoyment. This subtle commentary on social hierarchy and human nature is a hallmark of his artistic sensibility. His illustrations for works by Walter Scott and Robert Burns further cemented his reputation as a skilled draughtsman and interpreter of literary themes.
Kidd’s artistic development was undoubtedly shaped by the work of David Wilkie, a Scottish painter known for his scenes of London life. Wilkie's ability to capture fleeting moments of human interaction with remarkable immediacy and realism served as a significant influence on Kidd’s approach to composition and characterization. The influence is particularly evident in works like “Indulgence,” where the languid pose of the elderly gentleman, surrounded by symbols of wealth and comfort, mirrors the relaxed atmosphere depicted in Wilkie's paintings.
Furthermore, Kidd’s meticulous attention to detail and his skillful rendering of fabrics and textures owe a debt to the Dutch Masters, particularly Rembrandt. He meticulously studied their use of light and shadow, employing similar techniques to create depth and volume within his compositions. His work also reflects the influence of English portraiture, with its emphasis on capturing individual character and personality.
Among Kidd’s most celebrated works are “Indulgence,” a delightful depiction of an elderly gentleman enjoying the fruits of his wealth; “The Shoemaker,” which captures the quiet dignity of a humble craftsman; and numerous illustrations for Walter Scott's novels, including "Ivanhoe" and "Rob Roy." These paintings demonstrate his versatility as an artist, showcasing his ability to render both grand scenes and intimate portraits with equal skill.
Despite not achieving widespread fame during his lifetime, William Kidd’s legacy endures through the sheer volume of his output and the enduring appeal of his charming genre scenes. His work offers a valuable window into the social customs and domestic life of 19th-century Britain, revealing a keen eye for detail and a subtle commentary on human nature. Today, his paintings are treasured in private collections and public galleries alike, testament to their lasting artistic merit.
Further research into William Kidd’s life and work continues to reveal new insights into this enigmatic artist. His prolific output provides a rich source of material for art historians and scholars seeking to understand the complexities of 19th-century British society. His paintings remain a testament to his skill, observation, and enduring ability to capture the beauty and humor of everyday life.
